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Retrato de John Eckstein

Pinturas de John Eckstein: As 1 mais famosas, classificadas

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de John Eckstein em nosso catálogo

Resposta rápida

A pintura mais famosa de John Eckstein é Sir William Sidney Smith (1801); a original está no National Portrait Gallery, em Londres. Dos 1 trabalhos de John Eckstein em nosso catálogo, estas são as 1 obras mais famosas, classificadas com o seu respectivo ano e museu, para que possa escolher a pintura para encomendar.

1770 – 1803 Mais obras: National Portrait Gallery

As 10 principais pinturas de John Eckstein, classificadas

1
Sir William Sidney Smith (1801) de John Eckstein

Sir William Sidney Smith

1801 · Oil · National Portrait Gallery, Londres

Sir William Sidney Smith by John Eckstein. This oil painting, dated 1801, presents a portrait of the British naval officer and politician Sir William Sidney Smith. A prominent figure in the Royal Navy, Smith rose to the rank of admiral through service during the American War of Independence and the French Revolutionary and Napoleonic Wars.

Reprodução em óleo pintada à mão de $220 25 × 41 cm Mesmo tamanho da original $1189 145 × 238 cm Encomendar no tamanho original →
Escolha um tamanho Ver detalhes

Museus que possuem obras originais de John Eckstein

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de John Eckstein Pinturas desta lista
National Portrait Gallery, LondresNational Portrait Gallery Londres 1 Sir William Sidney Smith

John Eckstein por ano: as principais pinturas

Todas as pinturas datadas de John Eckstein nesta página são de 1801, listadas aqui por classificação.

Obras por ano

Selecione um ano para ver as suas pinturas.

Pinturas de John Eckstein: perguntas frequentes

Qual é a pintura mais famosa de John Eckstein?Ver resposta

Sir William Sidney Smith (1801) ocupa o primeiro lugar.

Qual era a idade de John Eckstein quando Sir William Sidney Smith foi pintada?Ver resposta

John Eckstein tinha 31 anos: Sir William Sidney Smith é datada de 1801, e John Eckstein nasceu em 1770.

Quantas obras de John Eckstein você tem listadas?Ver resposta

1 obras de John Eckstein estão em nosso catálogo.

Onde estão guardadas as pinturas originais de John Eckstein?Ver resposta

Principalmente em National Portrait Gallery (Londres). Consulte a tabela de museus acima para a lista completa.

Posso encomendar uma reprodução de John Eckstein?Ver resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão ou como uma impressão. Abra a pintura, escolha o tamanho e faça o seu pedido.

Sobre o artista: John Eckstein

A Life of Versatility

Born in Poppenroth, Germany, John Eckstein was a man of many disciplines, a polymath whose hands were as comfortable with the chisel as they were with the engraver's tool. The son of Conrad Eckstein, a skilled woodcarver and cabinet-maker, his early years were shaped by the tactile realities of craftsmanship. This technical foundation allowed him to move through the artistic circles of Europe with a rare fluidity, transitioning from the delicate precision of engraving to the monumental presence of sculpture. His training began at the Nuremberg Academy of Arts under Preissler, providing the classical grounding that would support a career spanning several nations.

His professional path was marked by significant shifts in geography and patronage. After a period in London, where he worked on reliefs for the monument to Roger Townshend in Westminster Abbey, he found himself at the Prussian court. Invited by Frederick the Great, Eckstein became the king's principal sculptor, executing works at Potsdam and Sans Souci. His influence reached into the realm of fine porcelain and commemorative art, including modeling for the Berlin porcelain factory and the creation of wax busts.

The American Transition

The later years of Eckstein's life were defined by a pursuit of new beginnings in the Americas. In 1793, he sought passage to the United States, writing to George Washington to request the funds necessary for his journey to Philadelphia. He arrived in America by November of that year, accompanied by his son, Frederick. Together, they held an exhibition of paintings, sculpture, and wax models at their home, seeking to establish a foothold in a burgeoning landscape that proved difficult to navigate.

The reception in the New World was not the success he had anticipated. He noted the difficulty of finding the same level of encouragement for his labors in America that was so freely given to talent in Europe. Despite these challenges, his presence in Philadelphia remains a notable chapter in the history of early American art, representing the movement of European technical mastery to the shores of the Atlantic.