Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de László Pataky em nosso catálogo
Resposta rápida
Roosters on Horses (1880) é a pintura mais conhecida de László Pataky; a obra original pertence ao Slovak National Gallery, Bratislava. Cavalry Battle (1890) ocupa a segunda posição, Kuruci (1903) a terceira. Nosso catálogo possui 5 obras de László Pataky; aqui estão as 3 mais famosas, classificadas com o ano e o museu de cada uma, para ajudar você a escolher a que deseja encomendar.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de László Pataky | Pinturas desta lista |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Selecione uma década para ver a sua pintura principal.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, ocupa o primeiro lugar, seguido por Cavalry Battle (1890) e Kuruci (1903).
László Pataky tinha 23 anos: Roosters on Horses é datada de 1880, e László Pataky nasceu em 1857.
5 obras de László Pataky estão em nosso catálogo, datadas de 1880 a 1903.
Principalmente em Slovak National Gallery (Bratislava) e Ernest Zmeták Art Gallery (Nové Zámky). Consulte a tabela de museus acima para a lista completa.
Mais antiga nesta página: Roosters on Horses (1880). Mais recente: Kuruci (1903).
O Slovak National Gallery, Bratislava detém 2 das pinturas classificadas aqui, incluindo Roosters on Horses e Cavalry Battle.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão ou como uma impressão. Abra a pintura, escolha o tamanho e faça o seu pedido.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
