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Retrato de Robert Eigenberger

As 4 pinturas mais famosas de Robert Eigenberger para escolher

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 4 obras de Robert Eigenberger em nosso catálogo

Resposta rápida

A pintura número um de Robert Eigenberger é The Myth of Man Is Over (1950). Em segundo e terceiro lugar: The Sensual One (1929) e Saint Sebastian (1934). Nosso catálogo contém 4 obras de Robert Eigenberger. Os 4 listados aqui são as mais famosas, em ordem de classificação, com o ano e o museu de cada original.

1890 – 1979, Sedlec

As 10 principais: as pinturas mais famosas de Robert Eigenberger

A pintura de maior destaque de cada década de Robert Eigenberger

Obras por década

Selecione uma década para ver a sua pintura principal.

Pinturas de Robert Eigenberger: FAQ

Qual é a obra mais famosa de Robert Eigenberger?Ver resposta

The Myth of Man Is Over (1950) ocupa o primeiro lugar, seguido por The Sensual One (1929) e Saint Sebastian (1934).

Com que idade The Myth of Man Is Over foi pintada por Robert Eigenberger?Ver resposta

Robert Eigenberger tinha 60 anos: The Myth of Man Is Over é datada de 1950, e Robert Eigenberger nasceu em 1890.

Quantas pinturas de Robert Eigenberger estão listadas?Ver resposta

4 obras de Robert Eigenberger estão em nosso catálogo, datadas de 1929 a 1950.

Quais são as pinturas mais antigas e as mais recentes do(a) famoso(a) Robert Eigenberger?Ver resposta

Mais antiga nesta página: The Sensual One (1929). Mais recente: The Myth of Man Is Over (1950).

Robert Eigenberger: o artista por trás das pinturas

The Life and Academic Career of Robert Eigenberger

Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.

Artistic Practice and Pseudonym

In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:

His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.