Garantia de Reembolso · 100 dias Entrega gratuita para todo o mundo
646.446obras de arte 53.409artistas 5.406museus 32idiomas
Retrato de Orcagna

Pinturas de Orcagna: As 13 mais famosas, classificadas

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 13 obras de Orcagna em nosso catálogo

Resposta rápida

A pintura mais famosa de Orcagna é Saint John the Baptist (1355); a original está no Yale University Art Gallery, em New Haven. The Calling of St. Matthew (1367) e Throne of Grace (1400) são os números dois e três. Dos 13 trabalhos de Orcagna em nosso catálogo, estas são as 13 obras mais famosas, classificadas com o seu respectivo ano e museu, para que possa escolher a pintura para encomendar.

1315 – 1368, Florence Mais obras: Cappella Strozzi

As 10 principais pinturas de Orcagna, classificadas

Pinturas de Orcagna classificadas de 11 a 13

Pinturas de Orcagna por tema

Os quatro temas mais frequentes neste ranking, com a principal obra de cada um.

Museus que possuem obras originais de Orcagna

Os 5 museus que detêm a maioria das pinturas desta página.

Museu Cidade Obras de Orcagna Pinturas desta lista
Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 1 Throne of Grace
Palazzo Vecchio, FlorençaPalazzo Vecchio Florença 1 The Expulsion of the Duke of Athens
Rijksmuseum, AmsterdãRijksmuseum Amsterdã 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

Orcagna por década: a principal pintura de cada uma

Obras por década

Selecione uma década para ver a sua pintura principal.

Pinturas de Orcagna: perguntas frequentes

Qual é a pintura mais famosa de Orcagna?Ver resposta

Saint John the Baptist (1355), Yale University Art Gallery, New Haven, ocupa o primeiro lugar, seguido por The Calling of St. Matthew (1367) e Throne of Grace (1400).

Qual era a idade de Orcagna quando Saint John the Baptist foi pintada?Ver resposta

Orcagna tinha 40 anos: Saint John the Baptist é datada de 1355, e Orcagna nasceu em 1315.

Quais são as 10 principais pinturas de Orcagna?Ver resposta

Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) e The Expulsion of the Duke of Athens. O ano e o museu de cada uma estão no ranking acima.

Quantas obras de Orcagna você tem listadas?Ver resposta

13 obras de Orcagna estão em nosso catálogo, datadas de 1343 a 1367.

Onde estão guardadas as pinturas originais de Orcagna?Ver resposta

Principalmente em Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) e Museu Nacional de Varsóvia (Varsóvia). Consulte a tabela de museus acima para a lista completa.

Qual período produziu as pinturas mais famosas de Orcagna?Ver resposta

Em 1350s: 8 das 13 pinturas classificadas aqui datam dessa época, incluindo Saint John the Baptist.

Quais são as pinturas mais antigas e mais recentes do(a) famoso(a) Orcagna?Ver resposta

Mais antiga nesta página: The Expulsion of the Duke of Athens (1343). Mais recente: The Calling of St. Matthew (1367).

Quais obras originais de Orcagna estão no Cappella Strozzi?Ver resposta

O Cappella Strozzi, Florence detém 2 das pinturas classificadas aqui, incluindo View of the Chapel e The Strozzi Altarpiece.

Posso encomendar uma reprodução de Orcagna?Ver resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão ou como uma impressão. Abra a pintura, escolha o tamanho e faça o seu pedido.

Sobre o artista: Orcagna

Andrea di Cione: The Architect of Florentine Vision

The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

The Grandeur of Orvieto: Mosaic Master

Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

The Sculptural Triumph: Orsanmichele’s Tabernacle

Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

A Legacy of Innovation

Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

Todas as 13 obras de Orcagna →