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      Micro-mini dancer

      In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.

      Întrebări și răspunsuri

      În ce an a fost creată "Micro-mini dancer" de David Dixon Porter?

      „Micro-mini dancer” datează din 1971. Această dată plasează lucrarea în cadrul carierei lui David Dixon Porter și în contextul epocii sale.

      Cât de saturată este paleta culorilor din "Micro-mini dancer"?

      "Micro-mini dancer" de David Dixon Porter prezintă o saturație de Muted.

      Ce nivel de luminozitate are "Micro-mini dancer" de David Dixon Porter?

      "Micro-mini dancer" de David Dixon Porter are o luminanță de Soft Shadow. Luminația descrie câtă lumină par să reflecte culorile.

      David Dixon Porter (1813 – 1891)

      Descoperă David Dixon Porter (1813-1891), un admiriral remarcabil al Marinei SUA și artist! Explorează operele sale impresionante – fotografii concertistice, portrete de muzicieni și scene festive. O combinație fascinantă între istoria navală și expresia artistică.

      Penrith Regional Gallery - Home of the Lewers Bequest (Emu Plains, Australia)

      Penrith Regional Gallery: un sanctuar al viziunii moderniste, găzduind Colecția Lewers Bequest și expoziții de artă australiană contemporană și istorică în Emu Plains.

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