Ghid pentru lucrările studenților
Drepturi de autor Această operă face parte din domeniul public. John Buckler a decedat în 1851; drepturile de autor durează 70 ani după moartea artistului, astfel încât au expirat în 1921.
În context
Boston stump — John Buckler
Rândul de sus: anii. Rândul de jos: vârsta artistului la începutul și la sfârșitul fiecărei perioade — 0 la naștere, 81 la moarte.
Shaded: întreaga viață a lui John Buckler (1770–1851) fiecare pictură datată, deceniu cu deceniu
Pentru această înregistrare nu există un an exact în arhivă — având în vedere perioada de viață a artistului și stilul operei, ce deceniu ați ghici?
Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.
Alte lucrări care pot fi puse alături de aceasta: allpaintingsstore.com/ro/art/similar/john-buckler-boston-stump-9HTQQJ-en/
Măsurată din imagine
Culoare principală
Gray #748a66
Paletă catalogată
Aceste culori din întreaga paletă a artistului Caută alte picturi după culoare
Cele zece principale țări
Identifică cele trei cele mai întunecate țări de pe hartă. Muzeul care găzduiește această pictură se află în oricare dintre acestea? Scrie un motiv pentru care oamenii de la distanță ar putea să o privească.
Împreună, aceste lucrări reprezintă 100,0% din întreaga atenție primită de picturile acestui artist în ultimele doceze luni. Catalogul cuprinde 31 lucrări ale acestui artist, dintre care 9 au fost vizualizate cel puțin o dată. Această pictură nu a fost vizualizată încă în acest interval — aceasta închide lista fără un clasament. Aceleași cifre, lună de lună
Barele măsoară atenția, nu calitatea. Alege lucrarea de la începutul listei și pe aceasta: numește un singur lucru care ar putea face o pictură celebră, dincolo de cât de bine este executată.
Artist și muzeu
Născut în Southampton, United Kingdom
Born: Southampton, United Kingdom (1770)
Died: 1851, Newington, London
John Buckler, Snr. was a British artist and occasional architect best known for his prolific drawings of churches and historic buildings across Britain. His meticulous records provide invaluable insight into the architectural landscape of the early 19th century, preserving details of structures that have since been altered or lost entirely. Born in Calbourne, Isle of Wight, Buckler’s life was a fascinating blend of administrative duties and artistic pursuits.
Magdalen College Oxford: At the age of 15, Buckler became clerk to the steward of Magdalen College, Oxford. This role initiated a lifelong connection with the college's London estates, requiring him to manage properties and oversee building plans.
Bailiff & Collector of Rents: Around 1801, he became bailiff and collector of rents for Magdalen College in Freeman’s Court, London, and Southwark, a position he held until his retirement in 1849. This provided him with both financial stability and considerable free time to dedicate to his artistic endeavors.
Architectural Projects: Buckler also practiced as an architect until 1830, undertaking notable commissions including Halkyn Castle (1822–27) for the Earl Grosvenor, the tower of St. John’s Church in Theale, Berkshire (1827–28), Glastonbury Priory (1829–30), and Poll Park (c. 1828). His work demonstrated an early adoption of the Gothic Revival style.
Family Legacy: Buckler's sons, John Chessell Buckler and George Buckler, also became architects and artists, contributing to a family tradition of architectural documentation and design.
Early Works: Buckler’s artistic journey began with aquatints of Magdalen College in 1797, followed by an engraving of Lincoln Cathedral in 1799 – the first in a series documenting all English cathedrals.
Commissioned Series: A pivotal moment came with his commission from Richard Colt Hoare of Stourhead to produce ten volumes of drawings of churches and historic buildings in Wiltshire (c. 1800). This project, as described by Buckler’s grandson, "decided his brains for antiquarian pursuits."
Prolific Output: He subsequently received similar commissions from other collectors like William Salt of Staffordshire. By the end of his life, he had produced an estimated 13,000 drawings of buildings.
Focus on Historic Buildings: Buckler’s work was particularly significant because it documented many structures that hadn't been previously recorded and which have since undergone substantial alterations or demolition. His drawings are now a vital resource for understanding British architectural history.
Royal Academy Exhibitions: Buckler’s work was consistently exhibited at the Royal Academy from 1798 until 1849, demonstrating his standing within the artistic community.
Fellow of the Society of Antiquaries: He became a fellow of the Society of Antiquaries of London in 1810, further solidifying his reputation as an authority on British architecture and history.
Legacy & Collections: Forty-two volumes of his sketches are held by the British Library, with other collections residing at institutions like the Wiltshire Museum, Taunton Museum, the William Salt Library, and the Bodleian Library.
Impact on Architectural Understanding: John Buckler’s meticulous documentation provides an unparalleled visual record of Britain's architectural heritage, offering invaluable insights into buildings that have vanished or undergone significant changes over time. His work remains a crucial resource for historians, architects, and anyone interested in the evolution of British architecture.
Institute for the History and Theory of Architecture: Since 2013, a research project hosted by the Institute for the History and Theory of Architecture at ETH Zurich has been dedicated to studying the Buckler family of architects and topographical artists, further illuminating their contributions to British art and architecture.
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Boston stump — John Buckler
Răspunde cu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.
Scrie un scurt paragraf despre această operă de artă. Folosește informațiile din secțiunile anterioare ale acestui ghid și răspunsurile oferite mai sus.
Statutul drepturilor de autor pentru "Boston stump" - în domeniul public – drepturile de autor au expirat - este determinat de data decesului artistului, în anul 1851.
„Boston stump” poate fi explorat strat cu strat pe pagina Raze X a operei de artă, printr-un vizualizator inspirat de masa de lumină a unui conservator, care oferă unsprezece lecturi optice ale imaginii.
Nivelul de contrast al operei "Boston stump" de John Buckler este Statement.