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Cea mai celebră pictură a lui Robert Atkinson este A Spanish Soldier of the 16th Century (1885); originalul se află la Auckland Art Gallery Toi o Tāmaki, Auckland. Portrait of Albin Martin (1886) și A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) sunt numerele doi și trei. Dintre cele 5 opere ale lui Robert Atkinson din catalogul nostru, acestea sunt cele 5 cele mai faimoase, clasificate, fiecare cu anul și muzeul său, astfel încât puteți alege pictura pe care doriți să o comandați.
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Robert Atkinson | Picturi din această listă |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Piesele datate ale lui Robert Atkinson de pe această pagină acoperă o perioadă de 2 ani, de la 1885 la 1886, listate cronologic.
Selectați o anul pentru a vedea picturile acestuia.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland, ocupă prima poziție, urmat de Portrait of Albin Martin (1886) și A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
Robert Atkinson avea 22 ani: A Spanish Soldier of the 16th Century este datată 1885, iar Robert Atkinson s-a născut în 1863.
În catalogul nostru sunt 5 lucrări ale lui Robert Atkinson, datate între 1885 și 1886.
În principal în Auckland Art Gallery Toi o Tāmaki (Auckland). Consultați tabelul muzeelor de mai sus pentru lista completă.
În 1886: 2 dintre cele 5 picturi clasate aici datează din acea perioadă, inclusiv Portrait of Albin Martin.
Cea mai veche de pe această pagină: A Spanish Soldier of the 16th Century (1885). Cea mai recentă: Portrait of Albin Martin (1886).
Auckland Art Gallery Toi o Tāmaki, Auckland deține 5 dintre picturile clasate aici, inclusiv A Spanish Soldier of the 16th Century, Portrait of Albin Martin și A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Da. Fiecare pictură de pe această pagină poate fi comandată ca reproducere pictată manual în ulei sau ca print. Deschide pictura, alege dimensiunea și plasează comanda.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
