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Cea mai celebră pictură a lui Robert Polack este Robert Polack for Batschari Cigarettes (1925); originalul se află la The Fan Museum, Greenwich. Dintre cele 1 opere ale lui Robert Polack din catalogul nostru, acestea sunt cele 1 cele mai faimoase, clasificate, fiecare cu anul și muzeul său, astfel încât puteți alege pictura pe care doriți să o comandați.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
Muzeul care deține cele mai multe dintre picturile prezentate pe această pagină.
| Muzee | Oraș | Lucrări lui Robert Polack | Picturi din această listă |
|---|---|---|---|
 The Fan Museum |
Greenwich | 1 | Robert Polack for Batschari Cigarettes |
Toate picturile datate cu Robert Polack de pe această pagină sunt din 1925, listate aici în funcție de clasament.
Selectați o anul pentru a vedea picturile acestuia.
Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…
Robert Polack for Batschari Cigarettes (1925) ocupă prima poziție.
Robert Polack avea 45 ani: Robert Polack for Batschari Cigarettes este datată 1925, iar Robert Polack s-a născut în 1880.
În catalogul nostru se află 1 lucrări ale lui Robert Polack.
În principal în The Fan Museum (Greenwich). Consultați tabelul muzeelor de mai sus pentru lista completă.
Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.
In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.
Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.
Some of his known works include:
The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.
