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  • Copyright status: Under copyright
  • Top 3 works:
    • Rééducation
    • Rééducation
  • Nationality: Argentina
  • Works on APS: 2
  • Развернуть подробности
  • Art period: Contemporary
  • Top-ranked work: Rééducation
  • Museums on APS:
    • THAT'S CONTEMPORARY
    • THAT'S CONTEMPORARY
    • THAT'S CONTEMPORARY
    • THAT'S CONTEMPORARY
    • THAT'S CONTEMPORARY
  • Born: 1978, Las Flores, Argentina

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Ivana Adaime Makac: Sculpting the Boundaries of Domestication

Argentine artist Ivana Adaime Makac’s artistic journey began in Las Flores, Argentina, where she was born in 1978. From a young age, Makac demonstrated an innate fascination with art and pursued formal training at Université Paris 1 Panthéon-Sorbonne, delving into art research and earning her DNSEP (Diplôme National Supérieur d’Écoles Professionnelles) from École Supérieure d'Art et Céramique de Tarbes. These formative experiences instilled in her a profound understanding of artistic processes and fueled her ongoing exploration of complex themes.

  • Early Influences: Makac cites influences ranging from Surrealist sculpture to the work of Louise Bourgeois, recognizing the power of art to convey emotion and challenge perceptions.
  • Sculptural Technique: Her artistic practice centers around sculptural mediums—primarily ceramic—allowing her to manipulate form and texture in ways that mirror the processes she investigates. She meticulously crafts pieces using techniques honed through years of dedicated study and experimentation.
  • Conceptual Framework: At the core of Makac’s work lies a conceptual preoccupation with domestication and dis-domestication – not merely as biological terms, but as metaphors for broader societal shifts concerning control, vulnerability, and adaptation.

Makac's artistic explorations have garnered recognition through exhibitions showcasing her distinctive style. Notably, ‘Naturalia et Artificialia’ in 2022 presented a compelling dialogue between organic forms and constructed elements, highlighting the artist’s commitment to examining duality. Furthermore, ‘Larmes de Lycurgue,’ held at Les ateliers vortex, solidified her position within the contemporary sculpture landscape.

Her work has gained visibility on platforms like Google Arts & Culture, demonstrating a desire to engage with a wider audience and fostering conversations about artistic expression and its role in reflecting cultural anxieties. The artist’s dedication to pushing creative boundaries continues to inspire admiration within the art community.

Notable Exhibitions

  • ‘Naturalia et Artificialia’, 2022
  • ‘Larmes de Lycurgue,’ Les ateliers vortex
  • Featured on Google Arts & Culture