Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 18 dielov umelca Otto Scholderer v našom katalógu
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Číslo jeden medzi obrazmi umelca Otto Scholderer je Boy with dish with vegetables and dead game (1888), ktorého originál sa nachádza v Bavarské štátne múzeá výtvarného umenia, Mních. Na druhom a tretom mieste: The Violinist at the Window (1861) a Peaches in a Silver Basket (1869). Náš katalóg obsahuje 18 diel od umelca Otto Scholderer. Zoznam 17 uvedených tu predstavuje najznámejšie diela usporiadané podľa poradia, spolu s rokom a múzeou, v ktorej sa nachádza originál.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Štyri najčastejšie témy v tomto poradení spolu s najlepším obrazom pre každú z nich.
6 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Otto Scholderer | Obrazy z tohto zoznamu |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach |
 Bavarské štátne múzeá výtvarného umenia |
Mních | 2 | Boy with dish with vegetables and dead game, Peonies |
 Städel Museum |
Frankfurt | 2 | The Violinist at the Window, Still Life with Blue Vase and Mushrooms |
 National Gallery |
Londýn | 2 | Lilac, Portrait of the Artist's Wife |
 Sheffield City Art Galleries |
Sheffield | 1 | Man and Hares |
 Musée d'Orsay |
Paríž | 1 | Marine |
Vyberte dekádu, aby ste si pozreli jej najznámejší obraz.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Boy with dish with vegetables and dead game (1888), Bavarské štátne múzeá výtvarného umenia, Mních, zaužíva prvé miesto, za ktorým nasledujú The Violinist at the Window (1861) a Peaches in a Silver Basket (1869).
Otto Scholderer mal 54 rokov: Boy with dish with vegetables and dead game je datované 1888 a Otto Scholderer sa narodil v 1834.
Boy with dish with vegetables and dead game, The Violinist at the Window, Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach, Seestück bei St. Ives, Man and Hares, Still Life with Blue Vase and Mushrooms, Still Life with Peaches and Fig a Oysters. Rok a múzeu pre každé dielo nájdete v hornnej časti rebríčka.
V našom katalógu sa nachádza 18 diel od umelca Otto Scholderer, datovaných od 1861 do 1902.
Predovšetkým v Staatliche Kunsthalle Karlsruhe (Karlsruhe), Bavarské štátne múzeá výtvarného umenia (Mních) a Städel Museum (Frankfurt). Pre úplný zoznam pozrite tabuľku múzeí vyššie.
V období 1860s: 4 z 17 obrazov v tomto rebríčku pochádza z tohto obdobia, vrátane The Violinist at the Window.
Najstaršie na tejto stránke: The Violinist at the Window (1861). Najnovšie: Lilac (1902).
V múzeu Staatliche Kunsthalle Karlsruhe, Karlsruhe sa nachádza 3 z tu uvedených obrazov, vrátane Peaches in a Silver Basket, Still Life with Snipe and a Hare a Schwarzwaldmühle in Kirnbach bei Schiltach.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu alebo ako tlač. Otvorte obraz, vyberte si veľkosť a dokončite objednávku.
In the heart of nineteenth-century Germany, a period defined by the shifting tides between Romanticism and the dawn of Impressionism, Otto Franz Scholderer emerged as a master of visual storytelling. Born in Frankfurt am Main on January 25, 1834, Scholderer’s artistic journey was one of profound evolution, marked by a relentless pursuit of capturing the true essence of his subjects. His early years were steeped in the rigorous academic traditions of the Städel Academy of Arts, where he studied under the watchful eyes of art historian Johann David Passavant and the painter Jakob Becker. This foundational training provided him with more than just technical proficiency; it instilled a deep respect for classical composition and a meticulous eye for detail that would remain a hallmark of his work throughout his long and distinguished career.
As Scholderer matured, his artistic horizons expanded far beyond the borders of Germany. His travels to Paris between 1857 and 1858 proved to be a transformative period, exposing him to the radical currents of European art. It was here that he encountered the raw, unvarnished power of Gustave Courbet’s Realism, a movement that encouraged artists to look at the world without the veil of idealized sentimentality. This encounter fundamentally altered his approach to landscape and portraiture, steering him toward a more honest rendering of light, texture, and atmosphere. During this same era, he forged lasting connections with luminaries such as Henri Fantin-Latour and Édouard Manet, whose subtle explorations of light and fleeting moments would leave an indelible imprint on his later, more Impressionistic tendencies.
Scholderer’s body of work is a testament to his ability to find the extraordinary within the ordinary. Whether he was painting a serene pastoral vista or an intimate domestic scene, there was always a sense of quiet contemplation and profound presence. His connection to the Kronberg painter colony, fostered through his friendship and eventual familial bond with Victor Müller, allowed him to exist within a vibrant community of artists dedicated to capturing the beauty of the Taunus region. This environment nurtured his ability to blend the precise rendering of the Düsseldorf tradition with the atmospheric sensitivity of the burgeoning Impressionist movement.
His repertoire was remarkably diverse, showcasing a mastery over various genres:
By the time of his passing in 1902, Otto Scholderer had established himself as a cornerstone of German painting. His significance lies not only in his technical brilliance but in his role as a bridge between eras. He carried the weight of classical tradition into the modern age, proving that even as styles shifted from the structured to the ephemeral, the fundamental human desire to capture truth through light and shadow remained eternal. Today, his works continue to resonate, offering a window into a vanished world of grace, precision, and quiet emotion.
