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Otto van Veen Najobľúbenejšie obrazy

Najobľúbenejších 25 diel od Otto van Veen, ktoré si naši návštevníci najčastejšie vyžadujú, usporiadaných podľa popularity a prezentovaných jednotlivo, spolu so špecifikáciou a cenou každej ručne maľovanou reprodukciou.

Vydanie 2026 · 25 diel Každý autorský obraz na mieru
Plátno z ľanového plátna · Certifikát autentičnosti · Globálne doručenie Otto van Veen · 1556 – 1629

Distribution of Herring and White Bread during the Siege of Leiden

1574 · Rijksmuseum, Amsterdam · originál 40 x 60 cm

Experience 'Distribution of Herring & White Bread,' a captivating 1574 painting by Otto van Veen depicting the Leiden siege. A historical masterpiece showcasing community resilience during wartime.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 1 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17039 × 26 cm Objednať tento obraz

Rovnaká veľkosť ako originál$21260 × 40 cm Objednať v pôvodnej veľkosti

The Artist Painting, Surrounded by his Family

1584 · Louvre, Paris · originál 176 x 250 cm

Witness a vibrant 16th-century scene of an artist surrounded by family life in Otto van Veen's masterpiece; discover this Renaissance moment for your collection.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 2 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17038 × 26 cm Objednať tento obraz

Rovnaká veľkosť ako originál$1415250 × 176 cm Objednať v pôvodnej veľkosti

The Last Supper

1592 · Katedrála Panny Marie Antverpskej, Antverpy · originál 350 x 2247 cm

Experience Otto van Veen's dramatic 'Last Supper' (1592), a masterpiece of Mannerism depicting Jesus’ final meal with his apostles. Explore its rich details and historical significance.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 3 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17027 × 38 cm Objednať tento obraz

Portrait of Nicolaas Rockox

Rubens House, Antwerp · originál 26 x 35 cm

This Baroque portrait by Otto van Veen captures the thoughtful gaze of Nicolaas Rockox. Discover this masterpiece of Flemish art today.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 4 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17028 × 36 cm Objednať tento obraz

Emblem

1607 · Koninklijke Bibliotheek, Haag

Explore Otto van Veen’s "Emblem" (1607) – a dramatic Baroque engraving showcasing grief & mortality. Detailed linework, rich symbolism, and masterful technique await!

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 5 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$19528 × 35 cm Objednať tento obraz

An unknown Flemish Family

1625

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 6 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17036 × 28 cm Objednať tento obraz

Brinno Raised upon the Shield, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Witness Otto van Veen’s ‘Brinno Raised upon the Shield,’ a dynamic Baroque painting from 1613! Explore this historical scene of rebellion & heroic struggle, rich in color & detail.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 7 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$37037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$39952 × 38 cm Objednať v pôvodnej veľkosti

The Batavians Defeating the Romans on the Rhine, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Witness the dramatic Battle of the Batavians! Otto van Veen’s 1613 Baroque masterpiece depicts a pivotal Roman clash. Explore this stunning oil painting & its historical significance.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 8 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$22037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$24952 × 38 cm Objednať v pôvodnej veľkosti

The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 1613

Pozrite si najobľúbenejšie dielo umelca Otto van Veen na 9. mieste: The Peace Negotiations between Julius Civilis and the Roman General Cerialis, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Explore 'Peace Negotiations' by Otto van Veen (1613). A Baroque masterpiece depicting Roman diplomacy. Discover this historical painting’s drama, symbolism & rich color palette.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 9 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$27037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$29952 × 38 cm Objednať v pôvodnej veľkosti

The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 1613

Pozrite si najobľúbenejšie dielo umelca Otto van Veen na 10. mieste: The Beheading of Claudius Paulus and the Capture of Julius Civilis, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Witness Otto van Veen’s dramatic ‘The Beheading of Claudius Paulus.’ A pivotal 1613 painting from the Batavier rebellion, showcasing historical intensity & Flemish Mannerist style.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 10 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

The Batavians Surround the Romans at Vetera, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Otto van Veen’s "Batavians Surround Romans" (1613) depicts a dramatic battle scene in Baroque style. Explore this powerful oil painting of the Batavian rebellion, showcasing intense emotion & historical detail.

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 11 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$32037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$34952 × 38 cm Objednať v pôvodnej veľkosti

Christ in the House of Mary and Martha

originál 64 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 12 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17029 × 35 cm Objednať tento obraz

Rovnaká veľkosť ako originál$23952 × 64 cm Objednať v pôvodnej veľkosti

Alonso de Idiaquez, 1st Duke of Ciudad Real

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 13 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$19518 × 57 cm Objednať tento obraz

The Conference of the Gauls at Reims, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 14 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

Juana de Robles, Duchess of Ciudad Real

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 15 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$19518 × 57 cm Objednať tento obraz

Christ in the House of Mary and Martha

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 16 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17029 × 35 cm Objednať tento obraz

A Nocturnal Banquet, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 17 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

The Batavians Besiege the Roman Army Regiments at Vetera, Otto van Veen, 1600 - 1613

Pozrite si najobľúbenejšie dielo umelca Otto van Veen na 18. mieste: The Batavians Besiege the Roman Army Regiments at Vetera, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 18 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

Valentinus Taken Prisoner, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 19 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 1613

Pozrite si najobľúbenejšie dielo umelca Otto van Veen na 20. mieste: The Romans nearly Overpower the Army of Julius Civilis through the Treachery of a Batavian, Otto van Veen, 1600 - 1613

1613 · originál 38 x 52 cm

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 20 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17037 × 27 cm Objednať tento obraz

Rovnaká veľkosť ako originál$19952 × 38 cm Objednať v pôvodnej veľkosti

Allégorie (le Temps )

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 21 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$29536 × 28 cm Objednať tento obraz

Xantippe Dousing Socrates

1607

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 22 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$19529 × 35 cm Objednať tento obraz

Putti Enacting a Bacchanalian Scene

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 23 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$17036 × 28 cm Objednať tento obraz

Lycurgus Demonstrares the Importance of Education

1607

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 24 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$64529 × 34 cm Objednať tento obraz

Dispute d'Athéna et de Poséïdon

Technika: Ručne maľované olejné plátno na ľne
Vyrobené: Na objednanie, od vy trained umelca
Popularita: Č. 25 z 74 diel umelca Otto van Veen
Doprava: Celosvetovo približne 5 týždňov

od$19535 × 28 cm Objednať tento obraz

Umelec

Otto van Veen

1556 – 1629

Rýchle fakty

Lifespan73 years
Also known asOttavio Venus, Othonius Vaenius, Otto van Venius, Otho Venius, Otho van Veen
Top-ranked workDistribution of Herring and White Bread during the Siege of Leiden
Room fitobývací izba
NationalityHolandsko
Top 3 worksDistribution of Herring and White Bread during the Siege of Leiden, The Artist Painting, Surrounded by his Family, The Last Supper
Art periodRenesancia
Topics exploreddutch painting

Biografia

A Life Bridging Renaissance and Baroque: The World of Otto van Veen

Otto van Veen, a name resonating with the echoes of late 16th and early 17th-century artistry, occupies a fascinating position in art history. Born around 1556 in Leiden, Netherlands, into a family of prominence—his father served as burgomaster—Van Veen’s life was one of shifting allegiances and artistic evolution. The religious tensions gripping the Low Countries during his youth profoundly shaped his trajectory. The relocation of his family to Antwerp in 1572, driven by their Catholic faith amidst a rising tide of Protestantism, marked not just a geographical shift but also a turning point in his intellectual and artistic formation. This move brought him into contact with influential figures like Dominicus Lampsonius and Jean Ramée, laying the groundwork for a career steeped in humanist ideals and classical learning. His subsequent journey to Rome around 1574 or 1575 proved pivotal; immersing himself in the heart of the Italian Renaissance, he absorbed the stylistic nuances that would define his mature work—the elegance, the refined compositions, and the emphasis on idealized forms characteristic of Mannerism. The precise extent of his Roman tutelage remains debated, with some scholars suggesting a period under Federico Zuccari, but its impact is undeniable.

Early Life and Artistic Foundations

Van Veen was born around 1556 in Leiden, as the son of Cornelis Jansz. van Veen (1519–1591), Burgomaster of Leiden, and Geertruyd Simons van Neck (born 1530). His father was a knight, Lord of Hogeveen, Desplasse, Vuerse, etc., and said to be descended from a natural son of John III, Duke of Brabant. He was also a doctor of law, legal advisor to the city of Leiden and representative of the County of Holland to the States General of the Habsburg Netherlands. Van Veen’s early artistic training likely began under Isaac Claesz van Swanenburg until October 1572, when the capture of Leiden by the Protestant army caused the Catholic family to move to Antwerp, and then to Liège. He studied there for a time under Dominicus Lampsonius and Jean Ramey, both figures deeply involved in humanist scholarship and artistic practice. This formative period instilled in him a profound appreciation for classical literature, philosophy, and the visual arts—a foundation that would inform his later work as a *pictor doctus*, or learned painter. The intellectual atmosphere of Liège, combined with his exposure to these influential mentors, shaped his artistic sensibilities and set him on a path toward a career dedicated to both aesthetic beauty and intellectual engagement.

Courtly Patronage and Artistic Development in Brussels

Upon returning from Italy, Van Veen swiftly established himself as a sought-after artist. His talent secured him a position as court painter to Alexander Farnese, Duke of Parma, governor of the Southern Netherlands, in Brussels. This patronage provided not only financial stability but also access to a sophisticated artistic milieu and opportunities for large-scale commissions. He became a master within Antwerp’s Guild of St. Luke in 1593, solidifying his professional standing. During his time at the Parma court, Van Veen produced numerous portraits, religious scenes, and allegorical compositions—works that reflect the grandeur and formality of the Habsburg court. His style during this period is characterized by a refined elegance, meticulous detail, and a subtle use of color—elements that would become hallmarks of his mature work. He also undertook several significant commissions for churches in Brussels, including altarpieces and decorative panels, demonstrating his versatility as an artist and his ability to adapt to the diverse demands of his patrons.

The Influence of Rubens and Emblem Books

However, Van Veen's legacy extends far beyond his own paintings; it is inextricably linked to the career of one of art history’s most celebrated masters: Peter Paul Rubens. From approximately 1594 or 1595 until 1598, Van Veen served as Rubens’ teacher, instilling in the young artist a rigorous classical education and a deep appreciation for humanist principles. This mentorship was crucial in shaping Rubens' intellectual framework and artistic sensibilities, laying the foundation for his future triumphs. Van Veen didn’t merely impart technical skills; he cultivated a worldview that emphasized the integration of art, literature, and philosophy—a hallmark of Rubens’ own prolific output. Beyond painting, Van Veen made significant contributions to the burgeoning field of emblem books—a popular genre that combined images with text to convey moral and philosophical messages. His *Quinti Horatii Flacci Emblemata* (1607), *Amorum Emblemata* (1608), and *Amoris Divini Emblemata* (1615) are prime examples of this form, showcasing his skill as both an artist and a scholar. The *Amorum Emblemata*, in particular, achieved widespread influence, serving as a model for subsequent emblem books and inspiring artists across various disciplines. Its depictions of putti enacting scenes from classical literature and mythology, accompanied by witty mottos, captured the spirit of Renaissance humanism and its fascination with love—both earthly and divine.

Later Years and Legacy

Even as artistic tastes began to shift towards the dynamism of the Baroque, Van Veen continued to thrive. He maintained connections with the Archdukes Albert and Isabella, though without holding a formal court appointment. A significant undertaking during this period was a series of twelve paintings depicting battles between Romans and Batavians, commissioned by the Dutch States General based on earlier engravings he had produced. This project demonstrates his ability to adapt to changing political landscapes and cater to diverse artistic demands. Throughout his career, Van Veen remained actively involved in Antwerp’s artistic community, serving as dean of both the Guild of St. Luke (1602) and the Romanists (1606). He came from a family with considerable artistic talent; his brother Gijsbert was an accomplished engraver, his daughter Gertruid also pursued painting, and several nephews worked as pastel artists. Otto van Veen died in Brussels in 1629, leaving behind a legacy that extended far beyond his own oeuvre. Arnold Houbraken, the renowned Dutch art historian, recognized him as the most impressive artist and scholar of his time, even featuring his portrait on the title page of his influential *De Groote Schouburgh der Nederlantsche Konstschilders en Schildersessen*. His enduring significance lies not only in his own artistic achievements but also in his pivotal role as a teacher and mentor—most notably to Peter Paul Rubens—and his contribution to the intellectual and artistic currents of his era. He stands as a compelling figure, bridging the gap between the Renaissance and Baroque periods, embodying the ideals of the humanist artist, and leaving an indelible mark on the history of Flemish painting.

Otázky a odpovede

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V akom historickom období tvoril/a Otto van Veen?

Otto van Veen tvoril v období Renesancia. Toto obdobie zasazuje umeleckú činnosť umelca do historického kontextu.

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Redakcia AllPaintingsStore.com Aktualizované dňa 14. august 2026

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Všetky diela od Otto van Veen