Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 5 dielov umelca László Pataky v našom katalógu
Rýchla odpoveď
Roosters on Horses (1880) je najznámejším obrazom umelca László Pataky; originál sa nachádza v múzeu Slovak National Gallery, Bratislava. Cavalry Battle (1890) je na druhom mieste, Kuruci (1903) na tretom. Náš katalóg obsahuje 5 diel od László Pataky; tu je 3 najznámejších, usporiadaných podľa popularity, spolu s rokom a múzeou každého diela, aby vám to pomohlo pri výbere toho, ktorý si chcete objednať.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca László Pataky | Obrazy z tohto zoznamu |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Galéria umenia Ernesta Zmetáka v Nových Zámkoch | Nové Zámky | 1 | Kuruci |
Vyberte dekádu, aby ste si pozreli jej najznámejší obraz.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, zaužíva prvé miesto, za ktorým nasledujú Cavalry Battle (1890) a Kuruci (1903).
László Pataky mal 23 rokov: Roosters on Horses je datované 1880 a László Pataky sa narodil v 1857.
V našom katalógu sa nachádza 5 diel od umelca László Pataky, datovaných od 1880 do 1903.
Predovšetkým v Slovak National Gallery (Bratislava) a Galéria umenia Ernesta Zmetáka v Nových Zámkoch (Nové Zámky). Pre úplný zoznam pozrite tabuľku múzeí vyššie.
Najstaršie na tejto stránke: Roosters on Horses (1880). Najnovšie: Kuruci (1903).
V múzeu Slovak National Gallery, Bratislava sa nachádza 2 z tu uvedených obrazov, vrátane Roosters on Horses a Cavalry Battle.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu alebo ako tlač. Otvorte obraz, vyberte si veľkosť a dokončite objednávku.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
