Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 1 dielov umelca Peter Copmann v našom katalógu
Rýchla odpoveď
Najznámejším obrazom, ktorý vytvoril Peter Copmann, je Portræt af en ung pige (1824); originál sa nachádza v Statens Museum For Kunst, Kodaň. Z 1 diel umelca Peter Copmann v našom katalógu je tu týchto 1 najznámejších, usporiadaných podľa popularity, pričom každá obsahuje rok a múzeum, aby ste si mohli vybrať obraz na objednanie.
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Peter Copmann | Obrazy z tohto zoznamu |
|---|---|---|---|
 Statens Museum For Kunst |
Kodaň | 1 | Portræt af en ung pige |
Všetky datované obrazy umelca Peter Copmann na tejto stránke pochádzajú z roku 1824 a sú tu uvedené podľa poradia.
Vyberte rok a pozrite si jeho obrazy.
Portræt af en ung pige (1824) je na prvom mieste.
Peter Copmann mal 30 rokov: Portræt af en ung pige je datované 1824 a Peter Copmann sa narodil v 1794.
V našom katalógu sa nachádza 1 diel od Peter Copmann.
Predovšetkým v Statens Museum For Kunst (Kodaň). Pre úplný zoznam pozrite tabuľku múzeí vyššie.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu alebo ako tlač. Otvorte obraz, vyberte si veľkosť a dokončite objednávku.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.
