Vodnik po študentskem umetniškem delu
Avtorske pravice To del je v javni domeni. John Buckler je umrl/a leta 1851; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 1921.
V kontekstu
Ely Cathedral — John Buckler
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 81 ob smrti.
Osenčeno: življenjsko obdobje John Buckler (1770–1851) vsaka datirana slika, desetletje za desetletjem
Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
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Deset vodilnih držav
Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.
Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 31 del te umetnice, pri čemer je bilo 9 vsaj enkrat ogledanih. Ta slika zaseda 5 mesto med njimi, s 10,0% takšne pozornosti. Isto velja tudi za posamezne mesece
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.
Umetnik in muzej
Rojen v Southampton, United Kingdom
Born: Southampton, United Kingdom (1770)
Died: 1851, Newington, London
John Buckler, Snr. was a British artist and occasional architect best known for his prolific drawings of churches and historic buildings across Britain. His meticulous records provide invaluable insight into the architectural landscape of the early 19th century, preserving details of structures that have since been altered or lost entirely. Born in Calbourne, Isle of Wight, Buckler’s life was a fascinating blend of administrative duties and artistic pursuits.
Magdalen College Oxford: At the age of 15, Buckler became clerk to the steward of Magdalen College, Oxford. This role initiated a lifelong connection with the college's London estates, requiring him to manage properties and oversee building plans.
Bailiff & Collector of Rents: Around 1801, he became bailiff and collector of rents for Magdalen College in Freeman’s Court, London, and Southwark, a position he held until his retirement in 1849. This provided him with both financial stability and considerable free time to dedicate to his artistic endeavors.
Architectural Projects: Buckler also practiced as an architect until 1830, undertaking notable commissions including Halkyn Castle (1822–27) for the Earl Grosvenor, the tower of St. John’s Church in Theale, Berkshire (1827–28), Glastonbury Priory (1829–30), and Poll Park (c. 1828). His work demonstrated an early adoption of the Gothic Revival style.
Family Legacy: Buckler's sons, John Chessell Buckler and George Buckler, also became architects and artists, contributing to a family tradition of architectural documentation and design.
Early Works: Buckler’s artistic journey began with aquatints of Magdalen College in 1797, followed by an engraving of Lincoln Cathedral in 1799 – the first in a series documenting all English cathedrals.
Commissioned Series: A pivotal moment came with his commission from Richard Colt Hoare of Stourhead to produce ten volumes of drawings of churches and historic buildings in Wiltshire (c. 1800). This project, as described by Buckler’s grandson, "decided his brains for antiquarian pursuits."
Prolific Output: He subsequently received similar commissions from other collectors like William Salt of Staffordshire. By the end of his life, he had produced an estimated 13,000 drawings of buildings.
Focus on Historic Buildings: Buckler’s work was particularly significant because it documented many structures that hadn't been previously recorded and which have since undergone substantial alterations or demolition. His drawings are now a vital resource for understanding British architectural history.
Royal Academy Exhibitions: Buckler’s work was consistently exhibited at the Royal Academy from 1798 until 1849, demonstrating his standing within the artistic community.
Fellow of the Society of Antiquaries: He became a fellow of the Society of Antiquaries of London in 1810, further solidifying his reputation as an authority on British architecture and history.
Legacy & Collections: Forty-two volumes of his sketches are held by the British Library, with other collections residing at institutions like the Wiltshire Museum, Taunton Museum, the William Salt Library, and the Bodleian Library.
Impact on Architectural Understanding: John Buckler’s meticulous documentation provides an unparalleled visual record of Britain's architectural heritage, offering invaluable insights into buildings that have vanished or undergone significant changes over time. His work remains a crucial resource for historians, architects, and anyone interested in the evolution of British architecture.
Institute for the History and Theory of Architecture: Since 2013, a research project hosted by the Institute for the History and Theory of Architecture at ETH Zurich has been dedicated to studying the Buckler family of architects and topographical artists, further illuminating their contributions to British art and architecture.
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Ely Cathedral — John Buckler
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