Papir

Vodnik po študentskem umetniškem delu

River Landscape

Ime Razred Datum

Thomas Smith, River Landscape, Pickford's House Museum of Georgian Life And Historic Costume. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Thomas Smith allpaintingsstore.com/sl/artists/thomas-smith/
Datumi rojstva in smrti umetnika
1767 – 1767
Prvotna velikost
108 x 124 cm
V mestu/lokaciji
Pickford's House Museum of Georgian Life And Historic Costume allpaintingsstore.com/sl/museums/pickford-s-house-museum-of-georgian-life-and-historic-costume-derby/

V kontekstu

River Landscape — Thomas Smith

Kakšna je velikost?

Prvotne dimenzije so 108 × 124 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj bi bilo to lahko slikano?

  1. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Osenčeno: življenjsko obdobje Thomas Smith (1767–1767) vsaka datirana slika, desetletje za desetletjem

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: allpaintingsstore.com/sl/art/similar/thomas-smith-river-landscape-AQSTHB-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #c8c5a5

    Katalogirana paleta

    • #C8C5A5
    • #151609
    • #52451F
    • #8B8057

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Thomas Smith v zadnjih dvanajst mesecih — skupaj 1 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Združeno kraljestvo 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    3 najbolj gledanih del umetnika Thomas Smith

    1. 1 Anchor Church, Derbyshire, 1745 50,0%
    2. 2 Lady Elizabeth Pope, née Blount (formerly Basford, Later Paulet) (c.1515–1593) 50,0%
    3. — River Landscape ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 9 del te umetnice, pri čemer je bilo 2 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Thomas Smith

    Thomas Smith: Pioneer of English Landscape

    Before the grand narratives of Romanticism fully blossomed, a quiet revolution was underway in British art – a shift towards depicting the beauty of the native landscape itself, rather than solely focusing on historical or mythological subjects. Emerging from Derby in the mid-18th century, Thomas Smith (c. 1720 – 1767) stands as a pivotal figure in this nascent movement, a man whose meticulous observations and skillful execution laid the groundwork for generations of landscape painters to come. Though often overshadowed by his more celebrated son, John Raphael Smith, Thomas’s contribution deserves recognition as the foundational element of a distinctly English approach to depicting nature.

    Smith's early life remains somewhat shrouded in mystery. He was largely self-taught, a common characteristic among artists of the period who frequently relied on their own experiences and keen observation rather than formal training. He began his career as a miniature painter, a respectable but often financially precarious profession, before turning his attention to landscape. This transition wasn’t merely a change in subject matter; it represented a fundamental shift in artistic perspective – a move away from the idealized, classical forms of European art and towards the rugged, authentic beauty of the British countryside.

    The Peak District: A Canvas of Observation

    Smith's primary focus was the dramatic landscape of Derbyshire, particularly the Peak District. This region, with its towering limestone crags, deep valleys, and meandering rivers, provided an unparalleled subject for his artistic explorations. Unlike earlier depictions that often emphasized grand vistas or idealized views, Smith meticulously rendered the details – the textures of rock, the patterns of light and shadow, the subtle shifts in color across the hillsides. His works are characterized by a remarkable sense of realism and a deep appreciation for the natural world.

    His prints, particularly those published between 1760 and 1767, were immensely popular during his lifetime. He didn’t simply record these scenes; he captured their essence – the atmosphere, the mood, the feeling of being immersed in the landscape. He employed a technique known as ‘vedute,’ borrowed from Italian artists like Canaletto, but adapted it to suit the unique character of the English countryside. These vedute were not merely copies of existing views; they were carefully constructed compositions that emphasized the grandeur and drama of the scenery.

    Technique and Influence

    Smith’s artistic skill lay in his ability to translate observation into print. He utilized a combination of etching and engraving, techniques that allowed him to achieve both fine detail and tonal variation. His use of light and shadow was particularly masterful, creating a sense of depth and atmosphere that drew the viewer into the scene. He frequently employed a limited palette of earthy tones – browns, greys, greens – which perfectly complemented the natural colors of the Derbyshire landscape.

    Smith’s influence extended far beyond his own lifetime. He is considered one of the earliest English landscape painters to prioritize the depiction of native scenery over classical or historical subjects. His work paved the way for later artists such as Canaletto, Wright and Turner, who built upon his foundation to develop their own distinctive styles. Furthermore, his meticulous attention to detail and his commitment to realism set a new standard for topographical prints – documents that accurately recorded the appearance of places.

    Legacy and Rediscovery

    Despite his considerable talent and popularity during his time, Smith’s legacy was largely forgotten after his death in 1767. His work fell into obscurity until the late 20th century when art historians began to recognize its significance. Today, Thomas Smith is increasingly appreciated as a pioneering figure in English landscape painting – a man who captured the beauty of the Derbyshire countryside with remarkable skill and insight. His prints remain valuable historical documents and enduring works of art, offering a unique glimpse into the world of 18th-century England.

    The Government Art Collection continues to preserve and promote his work, ensuring that this important artist is remembered for his contribution to British art history.

    Muzej

    Pickford's House Museum of Georgian Life And Historic Costume

    Na razstavi v Derby, United Kingdom

    Pickford's House Museum

    Step back in time at Pickford’s House Museum in Derby, a captivating glimpse into Georgian life and historic costume. This elegant townhouse offers a unique window into the world of 18th and 19th-century England.

    History & Architecture

    Built in 1770 by the prominent architect

    Joseph Pickford

    as his family home, the house showcases exquisite Georgian architecture. Originally a single residence, it was later divided into two properties before being purchased by Derby City Council in 1982. The building is now Grade I listed, recognizing its national importance.

    Specializations & Collections

    Georgian Interiors:

    Explore meticulously recreated rooms furnished as they would have appeared during Pickford’s time, offering a vivid sense of daily life for a professional family.

    Historic Costume:

    Discover an impressive collection of 18th and 19th-century clothing, providing insights into fashion and social status.

    Toy Theatres:

    Admire a fascinating assortment of model toy theatres collected by

    Frank Bradley

    , showcasing a popular form of Victorian entertainment.

    WWII Bomb Shelter:

    Descend into the cellar to experience a poignant recreation of a 1940s bomb shelter, offering a stark reminder of wartime life.

    What Makes Pickford’s House Unique?

    Unlike many historic houses owned by aristocracy, Pickford's House represents the lifestyle of a successful professional – an architect. This provides a different perspective on Georgian society and offers a more relatable experience for visitors. The contrast between the luxurious family rooms and the servants’ quarters further illuminates the social hierarchy of the time.

    Visitor Information

    Pickford's House is part of Derby Museums, offering a rich cultural experience for all ages. It’s an ideal destination for history buffs, costume enthusiasts, and anyone interested in exploring England’s past.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos River Landscape

    allpaintingsstore.com/sl/art/download/thomas-smith-river-landscape-AQSTHB-en/

    Citiranje umetniškega dela

    MLA
    Smith, Thomas. River Landscape. n.d., Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sl/art/thomas-smith-river-landscape-AQSTHB-en/
    APA
    Smith, Thomas (n.d.). River Landscape [Painting]. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sl/art/thomas-smith-river-landscape-AQSTHB-en/
    Chicago
    Thomas Smith. River Landscape. n.d. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sl/art/thomas-smith-river-landscape-AQSTHB-en/
    Harvard
    Smith, Thomas (n.d.) River Landscape. Pickford's House Museum of Georgian Life And Historic Costume. Available at: https://allpaintingsstore.com/sl/art/thomas-smith-river-landscape-AQSTHB-en/

    Oglejte si bližje

    River Landscape — Thomas Smith

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Landscape, Valley in Derbyshire (1760), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali so barve v delu "River Landscape" avtorja Thomas Smith nasičene ali utemeljene?

    Zasičenost barvne palete dela "River Landscape" je Balanced Soft.

    Pod kakšnimi drugimi imeni je znan/a Thomas Smith?

    Thomas Smith se pojavlja tudi pod imeni Smith Of Derby, Thomas Correggio Smith, John Raphael Smith.

    Kje lahko vidim originalno delo "River Landscape" avtorja Thomas Smith?

    Originalno delo "River Landscape" lahko vidite v muzeju Pickford's House Museum of Georgian Life And Historic Costume, Derby, United Kingdom.