Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja Carl Ebert
Hitri odgovor
Najbolj znano sliko avtorja Carl Ebert je Forest Landscape with Bathing Children (1867); original se nahaja v muzeju Bavarske državne slikopisne zbirke, München. Evening Landscape (1875) in Landscape society in a park sta številki dve in tri. Od 5 del umetnika Carl Ebert v našem katalogu so to 5 najbolj znanih, razvrščenih po letu nastanka in muzeju, da lahko izberete sliko za naročilo.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Carl Ebert | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Slikoradovi dela umetnika Carl Ebert v tem razponu 9 let, od 1867 do 1875. Pregledajte jih letnik po letniku, da izberete svoje.
Izberite leto, da si ogledate njegove slike.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München, zaseda prvo mesto, sledijo ji Evening Landscape (1875) in Landscape society in a park.
Carl Ebert je bil/a 46 let: Forest Landscape with Bathing Children je datiran/a z letom 1867, Carl Ebert pa se je rodil/a v 1821.
V našem katalogu je 5 del umetnika Carl Ebert, datiranih od 1867 do 1875.
Predvsem v Bavarske državne slikopisne zbirke (München) in Lenbachhaus (München). Za celoten seznam si oglej tabelo muzejev zgoraj.
Najstarejšo delo na tej strani: Forest Landscape with Bathing Children (1867). Najboljše: Evening Landscape (1875).
V muzeju Bavarske državne slikopisne zbirke, München se nahaja 2 slik iz tega seznama, vključno s slikami Forest Landscape with Bathing Children in Evening Landscape.
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
