Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Constant Cap
Hitri odgovor
Prvo med slikami umetnika Constant Cap je Remembering the National Festivities of 1880 (1880), katere original se nahaja v muzeju Kraljevski muzej lepih umetnosti v Antwerpu, Antverp. Naš katalog vsebuje 1 del avtorja Constant Cap. Na seznamu je 1 najslavnejših del, razvrščenih po uvrstvi, s podatki o letu nastanka in muzeju, kjer se nahaja vsako originalno delo.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Constant Cap | Slike iz tega seznama |
|---|---|---|---|
 Kraljevski muzej lepih umetnosti v Antwerpu |
Antverp | 1 | Remembering the National Festivities of 1880 |
1880: vsaka datirana slika umetnika Constant Cap na tej strani je iz tega leta. Tu so, razvrščene po uvrstitvi.
Izberite leto, da si ogledate njegove slike.
Remembering the National Festivities of 1880 (1880) je na prvem mestu.
Constant Cap je bil/a 38 let: Remembering the National Festivities of 1880 je datiran/a z letom 1880, Constant Cap pa se je rodil/a v 1842.
V našem katalogu je 1 del umetnika Constant Cap.
Predvsem v Kraljevski muzej lepih umetnosti v Antwerpu (Antverp). Za celoten seznam si oglej tabelo muzejev zgoraj.
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.
His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.
Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.
The subjects he chose were often ordinary, yet he treated them with a specific gravity:
He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.
