Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 5 del v našem katalogu avtorja László Pataky
Hitri odgovor
Roosters on Horses (1880) je najbolj znano sliko umetnika László Pataky; original se nahaja v muzeju Slovak National Gallery, Bratislava. Cavalry Battle (1890) je na drugem mestu, Kuruci (1903) na tretjem. Naš katalog vsebuje 5 del avtorja László Pataky; tukaj je 3 najbolj znanih del, razvrščenih po letu nastanka in muzeju, v katerem se nahajajo, da vam olajšajo izbiro za naročilo.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga László Pataky | Slike iz tega seznama |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Izberite desetletje, da vidite njegovo najboljši naslik.
Roosters on Horses (1880), Slovak National Gallery, Bratislava, zaseda prvo mesto, sledijo ji Cavalry Battle (1890) in Kuruci (1903).
László Pataky je bil/a 23 let: Roosters on Horses je datiran/a z letom 1880, László Pataky pa se je rodil/a v 1857.
V našem katalogu je 5 del umetnika László Pataky, datiranih od 1880 do 1903.
Predvsem v Slovak National Gallery (Bratislava) in Ernest Zmeták Art Gallery (Nové Zámky). Za celoten seznam si oglej tabelo muzejev zgoraj.
Najstarejšo delo na tej strani: Roosters on Horses (1880). Najboljše: Kuruci (1903).
V muzeju Slovak National Gallery, Bratislava se nahaja 2 slik iz tega seznama, vključno s slikami Roosters on Horses in Cavalry Battle.
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
