Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Max Pietschmann
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Najbolj znano sliko avtorja Max Pietschmann je Adam and Eve (1894); original se nahaja v muzeju Narodna galerija v Pragi, Praga. Od 1 del umetnika Max Pietschmann v našem katalogu so to 1 najbolj znanih, razvrščenih po letu nastanka in muzeju, da lahko izberete sliko za naročilo.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Max Pietschmann | Slike iz tega seznama |
|---|---|---|---|
 Narodna galerija v Pragi |
Praga | 1 | Adam and Eve |
Vse datirane slike umetnika Max Pietschmann na tej strani so iz leta 1894 in so tu navedene po uvrstitvi.
Izberite leto, da si ogledate njegove slike.
Adam and Eve (1894) je na prvem mestu.
Max Pietschmann je bil/a 29 let: Adam and Eve je datiran/a z letom 1894, Max Pietschmann pa se je rodil/a v 1865.
V našem katalogu je 1 del umetnika Max Pietschmann.
Predvsem v Narodna galerija v Pragi (Praga). Za celoten seznam si oglej tabelo muzejev zgoraj.
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
Ernst Max Pietschmann lived much of his life within the quiet landscapes and academic circles of Dresden, Germany. Born on August 6, 1865, he began his formal training at the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Ferdinand Pauwels between 1883 and 1889. His path took him far beyond the borders of his home city, including two years spent in Italy alongside Hans Unger and time spent at the Académie Julian in Paris, focusing largely on the study of nude drawing.
He eventually returned to the familiar surroundings of Saxony, becoming part of the painters' colony in Goppeln. This group focused on plein air painting, capturing the light of the natural world directly from the landscape. In 1904, he moved into a studio house built in an Italian style in Niederpoyritz, where he remained until his death in 1952. His professional life was deeply tied to the Dresden Academy, where he was appointed as a professor in 1909.
Pietschmann’s work is often identified with the German Symbolist movement. He did not follow the later shifts toward Expressionism or New Objectivity that emerged during and after the First World War. Instead, his paintings remained connected to a tradition shared by artists like Max Klinger and Arnold Böcklin. His repertoire frequently explored mythological themes and the human form.
Some of his notable works include:
Under the pseudonym Fr. Laubnitz, he produced pictures that found a wide audience as mural prints during the first half of the twentieth century. This side of his practice allowed his imagery to enter many homes through more accessible formats.
Throughout his career, Pietschmann was part of a group of artists known as the "phalanx of the strong," which included figures such as Oskar Zwintscher and Richard Müller. This group represented the artistic pulse of Dresden at the turn of the century. His presence in the Visual Artists' Association of Dresden helped define the local secession movement.
Today, much of his physical and creative output is preserved within German institutions. His paintings can be found in the following locations:
He passed away on April 16, 1952, and was laid to rest in the Hosterwitz Cemetery in Dresden, leaving behind a body of work that remains anchored in the traditions of his era.
