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Portret Robert Smithson

Top 4 slik umetnika Robert Smithson, razvrščeno po slavi

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 6 del v našem katalogu avtorja Robert Smithson

Hitri odgovor

Non Site - Site Uncertain je najbolj znano sliko umetnika Robert Smithson; original se nahaja v muzeju Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) je na drugem mestu, Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) na tretjem. Naš katalog vsebuje 6 del avtorja Robert Smithson; tukaj je 4 najbolj znanih del, razvrščenih po letu nastanka in muzeju, v katerem se nahajajo, da vam olajšajo izbiro za naročilo.

1938 – 1973, Passaic Največ del: Detroit Institute of Arts

Robert Smithson: 10 najbolje ocenjenih slik

Muzeji, ki hranijo originala umetnika Robert Smithson

2 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Robert Smithson Slike iz tega seznama
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Najboljše slike umetnika Robert Smithson po letih

Robert Smithson, od 1966 do 1970: 5 let datiranih slik, razvrščenih let po letu.

Delo po letih

Izberite leto, da si ogledate njegove slike.

Kaj morate vedeti o slikah avtorja Robert Smithson

Katero slavno sliko Robert Smithson zaseda vrh razvrščanja?Prikaži odgovor

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit, zaseda prvo mesto, sledijo ji Three-Sided Vortex (1966) in Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koliko del umetnika Robert Smithson vsega vaš katalog vsega prikazuje?Prikaži odgovor

V našem katalogu je 6 del umetnika Robert Smithson, datiranih od 1966 do 1970.

Kje je mogoče videti originale znamenitih platn na slikah Robert Smithson?Prikaži odgovor

Predvsem v Detroit Institute of Arts (Detroit) in Chrysler Museum of Art (Norfolk). Za celoten seznam si oglej tabelo muzejev zgoraj.

Katera slika umetnika Robert Smithson je najstarejša in katera najmlajša?Prikaži odgovor

Najstarejšo delo na tej strani: Three-Sided Vortex (1966). Najboljše: Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: življenje in kariera

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.