Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 355 del v našem katalogu avtorja Philip Wouwerman
Hitri odgovor
Najbolj znano sliko avtorja Philip Wouwerman je The Riding School (1660); original se nahaja v muzeju Rijksmuseum, Amsterdam. A Man and a Woman on Horseback (detail) (1653) in Blacksmith shoeing a horse (1650) sta številki dve in tri. Od 355 del umetnika Philip Wouwerman v našem katalogu so to 100 najbolj znanih, razvrščenih po letu nastanka in muzeju, da lahko izberete sliko za naročilo.
The Riding School is an oil painting by Philips Wouwerman. Executed about 1658–1660, the work captures a specific moment of equestrian activity within a courtyard setting. The scene focuses on the discipline of dressage and the physical presence of horses during training.
To gaze upon this detail from A Man and a Woman on Horseback is to step directly into the vibrant, yet quietly reflective, heart of 17th-century Dutch life. It is more than just a depiction of travelers along a dusty road; it is a meticulously composed meditation on movement, community, and the enduring rhythm of commerce that once defined this remarkable nation. The scene unfolds with an almost documentary precision,…
In this 1650 oil on canvas, we find ourselves drawn into a quiet, heavy atmosphere of the Dutch Golden Age. The scene is set under a turbulent sky, where light breaks through heavy, silvery clouds to cast a sudden, sharp spotlight upon a central group of horses and figures. This light creates a dramatic chiaroscuro, pulling the viewer's eye toward the immediate, tactile reality of the blacksmith at work. There…
Dust motes dance in a single, piercing beam of light that cuts through the heavy gloom of a Dutch stable. The air feels thick, weighted by the scent of hay and the warmth of breathing animals. Inside this dim enclosure, the architecture of heavy, dark wooden beams frames a scene of quiet, rhythmic labor. A large, shadowed interior occupies the upper two-thirds of the space, pressing down with a sense…
The oil on canvas titled Falconers setting out on a Hunt (‘Partida de cetrería') captures a moment of preparation. Philips Wouwerman rendered this scene with a steady hand, fixing the figures and their horses within a wide, atmospheric landscape. The work dates to ca. 1668, a period when the artist was deeply immersed in the textures of the Dutch Golden Age.
Philips Wouwerman's "Skirmish of Horsemen between Orientals and Imperials," painted around 1550-60s, isn’t merely a depiction of battle; it’s a visceral plunge into the heart of conflict. This dynamic Baroque masterpiece, now housed within the Louvre Museum in Paris, captures a moment of intense chaos and brutal beauty, offering a compelling glimpse into the military strategies and societal tensions of its era. The painting immediately assaults the viewer with its…
We are looking at Elegant hunting company departing from a country estate, a work by the Dutch artist Philips Wouwerman. This oil on panel composition captures a specific moment of aristocratic preparation, a theme the artist returned to with great frequency. It is often referred to in various collections as The Departure for the Hunt or simply Departing for the Hunt. Depending on the historical catalog or the specific collection,…
is an oil on panel painting by the artist Philips Wouwerman. This work originated in Haarlem and is dated to 1651. The piece is currently held in the Hermitage Museum, where it is cataloged under the accession number ГЭ-852.
The composition of this 1643 oil painting is defined by an asymmetrical balance between a heavy, dark wooden structure on the right and an expansive, luminous sky on the left. A large, dark building occupies the right side of the frame, its rough wooden textures rendered with fine brushwork. To the left, the sky opens into a vast space filled with soft, pale clouds. A low sun, positioned behind these…
Wagons in a Barn is a painting by Philips Wouwerman. Created about 1651, this oil on canvas work depicts a bustling scene of travelers and livestock sheltered within the dim interior of a large barn or stable. The composition focuses on a variety of figures tending to horses, wagons, and livestock during a moment of rest.
The bucking gray1650 · Rijksmuseum
12
Arrival at the Quarters1643 · Bavarske državne slikopisne zbirke
13
Stop Before an Inn1643 · Bavarske državne slikopisne zbirke
14
Departure for Falconry1643 · Bavarske državne slikopisne zbirke
15
The Ford1643 · Bavarske državne slikopisne zbirke
16
Cavalry Skirmish1643 · Bavarske državne slikopisne zbirke
17
Bloody Fight1643 · Bavarske državne slikopisne zbirke
18
The Annunciation to the Shepherds1647 · National Gallery of Ireland
19
The annunciation to the shepherds1648
20
The annunciation to the shepherds1645
21
Landing a Boat1645 · Wallace Collection
22
Spaens heydinnetje1646 · Kunsthandel P. de Boer
23
Robbers Attacking a Post-chaise1644 · Liechtenstein Museum
24
A Farrier's Shop1640
25
Farrier Shoeing a Horse1647 · Villa Vauban
26
Dismounted Rider1643 · Bavarske državne slikopisne zbirke
27
Falconer before Riding Out1643 · Bavarske državne slikopisne zbirke
28
Peasants Resting1647 · Bavarske državne slikopisne zbirke
29
'The Departure from the Stable'1665 · Mauritshuis
30
horse + people in front of a house1647
31
Halt of Cavaliers at an Inn1642 · Dulwich Picture Gallery
32
Outside an Inn1645 · Statens Museum For Kunst
33
Resting Hunters1645 · Mauritshuis
34
"Riding School"1644
35
landscape with hunting party1644
36
the forge1644
37
Horseman at an inn + landscape1644
38
Landscape with Wood Gatherers1647 · Harvard Art Museums
39
Two Unbridled Horses by the River1655 · Bavarske državne slikopisne zbirke
40
Departure for the Hunt at the Foot of a Palace or Departure for the Bird Hunt1650
41
Departure for Falconry1650
42
The Outdoor Manege1650
43
Soldiers on Horseback Halting Before the Inn-Tent of a Female Tavern Keeper1650
44
Stop of Soldiers Making Their Horses Drink1650
45
Hay Cart and Peasants by a River, Receiving Vegetables Brought in a Boat1650
46
Rest of Horsemen1650
47
Conjurors1660
48
Landscape with Cavalrymen Crossing a Ford and Peasants taking Refreshment from a Wagon1660
49
A Peasant Saluting a Sportsman1649
50
Returning from Market1660
51
An Italianate Landscape with Bathers swimming in a River and a Party of Men unloading a Vessel1655
52
Robbers attacking Peasants in a Wagon1650
53
Winter Scene1655
54
Cavalry Halted at a Sutler's Tent1655 · National Gallery of Ireland
55
Armed Riders in Front of an Inn1660 · Städel Museum
56
Stable with Three Horses1656 · Städel Museum
57
Riders at a Blacksmith's1652 · Städel Museum
58
A Sportsman flirting with a Milkmaid1655 · Kraljevi muzeji lepih umetnosti na Belgiji
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Soldiers Carousing with a Serving Woman outside a Tent1655 · Detroit Institute of Arts
60
Cavalry on the move, a fortification under siege beyond1660
61
Camp with Cavalry at a Sutler's Booth1660
62
A Cavalry Fight1660
63
Grooms watering their horses1660 · Kunsthandel P. de Boer
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A Hawking Party at a Fountain1660
65
The Importunate Groom1650 · Philadelphia Museum of Art
66
A Camp Scene1655 · Wallace Collection
67
By the Riverside1655 · Wallace Collection
68
Shoeing a Horse1655 · Wallace Collection
69
Landscape with lunch pause1658 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
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Landscape with hunters1654 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
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Landscape with peasants and a horse1650 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
72
Soldiers with Prisoners in a Landscape1660 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
73
The Miseries of War1653
74
A Hawking Party setting out1660 · Ascott House
75
The Sutler's Booth1650
76
A Cavalier Embraces a Girl1660 · Staatliche Kunstsammlungen Dresden
77
Landscape with Figures1652
78
A Horseman in the Inn-Yard1649 · Staatliche Kunstsammlungen Dresden
79
The Trumpeter Sounding a Call before a Sutler's Booth1650 · Staatliche Kunstsammlungen Dresden
80
Harnessing a Grey Horse1650 · Staatliche Kunstsammlungen Dresden
81
Cavaliers in Front of the Hill Smithy1650 · Staatliche Kunstsammlungen Dresden
82
Cavalry Battle before a Hill Fort1650 · Staatliche Kunstsammlungen Dresden
83
A hunting party halting at an inn1656
84
Rural Scene1650 · Eva Klabin House Museum
85
The Riding School1650 · Ermitaž
86
A Hawking Party Resting outside an Inn1656 · National Trust
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Landscape with three horses, horsemen and bathers near a river1650
88
Rest for Falconers1655 · Herzog Anton Ulrich Museum
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Riders halting at a Lakeside Inn1650
90
Soldiers and Horses at a Sutler's Tent1650
91
Starting for the Chase1660 · Gemäldegalerie
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Riders Halting at an Inn1661 · Musée Fabre
93
Horse Fair near an Inn1661 · Musée Fabre
94
Huntsmen Halting at an Inn1650 · Richard Green Fine Paintings
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Stable Interior1660 · Staatliche Kunstsammlungen Dresden
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Travelers Halting1660
97
Conversion of St Hubert1660
98
A Mare and a Stallion in Front of a House1655
99
Horses Rearing in an Open Landscape1655
100
Thisbe committing suicide on the body of Pyramus1657
Četiri najpogostejše teme v tej lestici, z najboljšim naslikom za vsako od njih.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Philip Wouwerman | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 28 | Equestrian Track, Arrival at the Quarters, Stop Before an Inn |
 Staatliche Kunstsammlungen Dresden |
Dresden | 15 | A Cavalier Embraces a Girl, A Horseman in the Inn-Yard, The Trumpeter Sounding a Call before a Sutler's Booth |
 Rijksmuseum |
Amsterdam | 15 | The Riding School, Blacksmith shoeing a horse, A stable |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 11 | Landscape with lunch pause, Landscape with hunters, Landscape with peasants and a horse |
 Wallace Collection |
London | 7 | Landing a Boat, A Camp Scene, By the Riverside |
 Städel Museum |
Frankfurt | 4 | Armed Riders in Front of an Inn, Stable with Three Horses, Riders at a Blacksmith's |
 Mauritshuis |
Haag | 9 | 'The Departure from the Stable', Resting Hunters |
 Ermitaž |
Sankt Peterburg | 6 | Trumpeters at the Camp, The Riding School |
Izberite desetletje, da vidite njegovo najboljši naslik.
The composition of this 1643 oil painting is defined by an asymmetrical balance between a heavy, dark wooden structure on the right and an expansive, luminous sky on the left. A large, dark building occupies the right side of the frame, its rough wooden textures rendered with fine brushwork. To the left, the sky opens into a vast space filled with soft, pale clouds. A low sun, positioned behind these…
To gaze upon this detail from A Man and a Woman on Horseback is to step directly into the vibrant, yet quietly reflective, heart of 17th-century Dutch life. It is more than just a depiction of travelers along a dusty road; it is a meticulously composed meditation on movement, community, and the enduring rhythm of commerce that once defined this remarkable nation. The scene unfolds with an almost documentary precision,…
The Riding School is an oil painting by Philips Wouwerman. Executed about 1658–1660, the work captures a specific moment of equestrian activity within a courtyard setting. The scene focuses on the discipline of dressage and the physical presence of horses during training.
The Riding School (1660), Rijksmuseum, Amsterdam, zaseda prvo mesto, sledijo ji A Man and a Woman on Horseback (detail) (1653) in Blacksmith shoeing a horse (1650).
Philip Wouwerman je bil/a 41 let: The Riding School je datiran/a z letom 1660, Philip Wouwerman pa se je rodil/a v 1619.
The Riding School, A Man and a Woman on Horseback (detail), Blacksmith shoeing a horse, A stable, Falconers setting out on a Hunt, Skirmish of Horsemen between Orientals and Imperials, Elegant hunting company departing from a country estate, Trumpeters at the Camp, Equestrian Track in Wagons in a Barn. Letnica in muzej za vsako delo sta navedena v zgornjem razvrščanju.
V našem katalogu je 355 del umetnika Philip Wouwerman, datiranih od 1640 do 1665.
Predvsem v Bavarske državne slikopisne zbirke (München), Staatliche Kunstsammlungen Dresden (Dresden) in Rijksmuseum (Amsterdam). Za celoten seznam si oglej tabelo muzejev zgoraj.
V obdobju 1650s: 49 od 100 slik na tem seznamu izvira iz tega obdobja, vključno s A Man and a Woman on Horseback (detail).
Najstarejšo delo na tej strani: A Farrier's Shop (1640). Najboljše: Falconers setting out on a Hunt (1665).
Med 100 slikami, ki so tu uvrščene: Horse (8), People (8) in Sky (8).
Oil On Canvas, za 6 od 100 slik na tej lestici.
Baroque in Dutch golden age, na podlagi slik, razvrščenih na tej strani.
V muzeju Bavarske državne slikopisne zbirke, München se nahaja 11 slik iz tega seznama, vključno s slikami Equestrian Track, Arrival at the Quarters in Stop Before an Inn.
Da. Vsako sliko na tej strani je mogoče naročiti kot ročno naslikano oljno reprodukcijo ali tiskano kopijo. Odprite sliko, izberite velikost in oddajte naročilo.
Philips Wouwerman, rojen v Haarlemu leta 1619 in umrl tam leta 1668, je bil eden najplodnejših in vsestranskih nizozemskih slikarjev Zlate dobe. Njegovo ime je sinonim za živahne prizore lovov, bujne krajine in dramatične bitke, ki so ga uvrstile med pomembne predstavnike tega izjemnega obdobja v zgodovini umetnosti. Wouwerman ni bil le slikar; bil je kronist svojega časa, mojster pripovedovanja zgodb s platna in virtuozni upodabljavec konj, ki so postali njegov prepoznavni znak.
Njegovo potovanje se je začelo v družinski umetniški delavnici – oče Pouwels Joostsz Wouwerman je bil prav tako slikar, čeprav manj znan kot sin. Podrobnosti o njegovem zgodnjem izobraževanju so nekoliko nejasne, vendar verjetno je prejel temeljne lekcije pri Fransu Halsu, priznanem portretistu iz Haarlema. Čeprav Halsův značilen slog ni močno vplival na Wouwermanovo poznejše delo, je bila ta podlaga nedvomno dragocena. Že v zgodnjih letih se je navdihoval pri *bambocciantih*, skupini slikarjev, ki so se posvečali vsakodnevnemu življenju in žanrskim scenam, predvsem pa delom Pietra van Laerja, katerega osredotočenost na preprosto lepoto in realistične prizore je pustila globok pečat.
Wouwermanov slog se je postopoma razvijal. V zgodnjih delih so prevladovali motivi vsakodnevnega življenja, ki so odražali vpliv *bambocciantov*. Sredi 1640-ih let pa se je začela oblikovati njegova značilna kompozicijska zasnova – diagonalni pobočje pogosto spremljeno z drevesom, ki deluje kot *repoussoir*, pripomočkom za ustvarjanje globine in perspektive. Figure, pogosto v družbi konj, so naselile te prostrane pokrajine. V obdobju med 1650-1660 je Wouwerman dosegel vrh svoje umetniške zrelosti. Njegovo platno so krasili žanrski prizori, krajine s popotniki, jahalne bitke, vojaški tabori in veseli srečanja vaščanov.
Vendar pa je bila njegova največja strast in izjemna spretnost upodabljanje konj. Konji različnih pasem v dinamični akciji so postali njegov prepoznavni znak. Umetnostni zgodovinar Frederik J. Duparc ga je upravičeno imenoval za "nedvomno najbolj dovršenega in uspešnega nizozemskega slikarja konj 17. stoletja". Njegovi konji niso bili le anatomsko pravilni, temveč so izražali moč, eleganco in živahnost. Wouwerman je mojstrsko ujel subtilne odtenke gibanja, mišičaste oblike in različne karakterje teh veličastnih živali.
Wouwermanova dela so bila že med njegovim življenjem zelo iskana. Njegove slike so našle pot v ugledne zbirke po Evropi, vključno s knjižnicami knežjih dvorov v Dresdnu in Sankt Peterburgu, kar dokazuje široko priznanje njegovega umetniškega talenta. Izjemna plodnost je bila ena izmed njegovih značilnosti – zgodnji katalogi so navajali okoli 800 del pripisanih njemu, kasneje pa se je to število povečalo na več kot 1200. Nedavnejši katalog raisonné (Schumacher, 2006) identificira približno 570 avtentičnih del, kar priznava številne sleditelje in imitatorje, ki so ustvarjali dela v njegovem slogu.
Njegova družina je bila prav tako umetniška – brata Jan (1629–1666) in Pieter (1623–1682) sta bila slikarja. Čeprav so bili prvotno pripisani Philipsu, sta razvila lastne prepoznavne sloge. Pieter je jasno odražal vpliv brata, medtem ko se je Jan uveljavil kot avtonomni krajinski slikar.
Wouwermanov vpliv na poznejše generacije umetnikov je bil izjemen. Med tistimi, ki so ga občudovali in posnemali, so bili Jan van Huchtenburgh (1647–1733), brata Jan Frans in Joseph van Bredael (1688–1739) ter Carel van Falens (1683–1733). Njegovo članstvo v Haarlemski cehu sv. Luke, kjer je opravljal več uradnih funkcij, pa tudi služba kot posrednik za nepremičnine v Haarlemu, dokazujeta njegovo aktivno vlogo v lokalni skupnosti.
Philips Wouwermanov prispevek k nizozemski Zlati dobi je izjemen. Njegova sposobnost zajeti širok spekter prizorov – od živahnih trgov in lovskih ekspedicij do dramatičnih bojišč in mirnih krajin – z neverjetnimi podrobnostmi in dinamiko, ga je uvrstila med najbolj priznane in vplivne slikarje svojega časa. Retrospektivna razstava v Kasslu in Haagu (2009/2010) je dodatno poudarila njegovo trajno zapuščino.
