Format papira

Vodič za studentske radove

2

Ime Razred Datum

Taro Yamamoto, 2 (1970). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
Taro Yamamoto allpaintingsstore.com/sr/artists/taro-yamamoto/
Podaci o umetniku
1919 – 1994
Slikano
1970
Originalne dimenzije
147 x 86 cm
Pokret
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

U kontekstu

2 — Taro Yamamoto

Dimenzije

Originalne dimenzije su 147 × 86 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Osenčeno: životni vek umetnika Taro Yamamoto (1919–1994) ▲ ovo delo, 1970

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: allpaintingsstore.com/sr/art/similar/taro-yamamoto-2-AS7US3-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Walnut #744c2e

    Katalogizovana paleta

    • #744C2E
    • #9D8250
    • #CE8C2C
    • #D3C091
    Paleta
    Dark Dominantna grupa boja na slici.
    Naziv glavne boje
    Walnut
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    Taro Yamamoto

    Mesto rođenja Los Angeles, United States of America

    Taro Yamamoto: A Life in Abstract Expressionism

    Early Life and Education

    Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.

    Born in California but deeply connected to Japanese culture.

    Served in the U.S. Army during World War II (November 7, 1941 – February 23, 1946).

    Artistic Development and Influences

    Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:

    Santa Monica City College (1949).

    The Art Students League of New York (1950-1952), under the guidance of Yasuo Kuniyoshi, Morris Kantor, Byron Browne, and Vaclav Vytlacil.

    Hans Hofmann School of Fine Arts in New York City (1951-1953).

    The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.

    Key Achievements and Recognition

    Won the John Sloan Memorial Fellowship at The Art Students League of New York in 1952.

    Received the Edward G. McDowell Traveling Fellowship in 1953, allowing him to study art in Europe.

    Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.

    Artistic Style and Themes

    Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.

    His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.

    Historical Significance

    Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.

    Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje 2

    allpaintingsstore.com/sr/art/download/taro-yamamoto-2-AS7US3-en/

    Citiranje ovog umetničkog dela

    MLA
    Yamamoto, Taro. 2. 1970, https://allpaintingsstore.com/sr/art/taro-yamamoto-2-AS7US3-en/
    APA
    Yamamoto, Taro (1970). 2 [Painting]. https://allpaintingsstore.com/sr/art/taro-yamamoto-2-AS7US3-en/
    Chicago
    Taro Yamamoto. 2. 1970. https://allpaintingsstore.com/sr/art/taro-yamamoto-2-AS7US3-en/
    Harvard
    Yamamoto, Taro (1970) 2. Available at: https://allpaintingsstore.com/sr/art/taro-yamamoto-2-AS7US3-en/

    Pogledajte pažljivije

    2 — Taro Yamamoto

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: abstract, cosmic, circles. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Memorial Byobu for Kumamoto (2017), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.