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Vodič za studentska umetnička dela

River Landscape

Ime Razred Datum

Thomas Smith, River Landscape, Pickford's House Museum of Georgian Life And Historic Costume. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Thomas Smith allpaintingsstore.com/sr/artists/thomas-smith/
Datumi umetnika
1767 – 1767
Prvobitne dimenzije
108 x 124 cm
Održano na
Pickford's House Museum of Georgian Life And Historic Costume allpaintingsstore.com/sr/museums/pickford-s-house-museum-of-georgian-life-and-historic-costume-derby/

U kontekstu

River Landscape — Thomas Smith

Koje su dimenzije?

Originalne dimenzije su 108 × 124 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1760

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda, pri čemu se rođenje računa kao nula.

Osenčeno: životni vek umetnika Thomas Smith (1767–1767) svaka datirana slika, deceniju po deceniju

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: allpaintingsstore.com/sr/art/similar/thomas-smith-river-landscape-AQSTHB-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Putty #c8c5a5

    Katalogizovana paleta

    • #C8C5A5
    • #151609
    • #52451F
    • #8B8057

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Thomas Smith tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Ujedinjeno Kraljevstvo 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika Thomas Smith

    1. 1 Anchor Church, Derbyshire, 1745 50,0%
    2. 2 Lady Elizabeth Pope, née Blount (formerly Basford, Later Paulet) (c.1515–1593) 50,0%
    3. — River Landscape ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 9 dela ovog umetnika, od kojih je 2 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Thomas Smith

    Thomas Smith: Pioneer of English Landscape

    Before the grand narratives of Romanticism fully blossomed, a quiet revolution was underway in British art – a shift towards depicting the beauty of the native landscape itself, rather than solely focusing on historical or mythological subjects. Emerging from Derby in the mid-18th century, Thomas Smith (c. 1720 – 1767) stands as a pivotal figure in this nascent movement, a man whose meticulous observations and skillful execution laid the groundwork for generations of landscape painters to come. Though often overshadowed by his more celebrated son, John Raphael Smith, Thomas’s contribution deserves recognition as the foundational element of a distinctly English approach to depicting nature.

    Smith's early life remains somewhat shrouded in mystery. He was largely self-taught, a common characteristic among artists of the period who frequently relied on their own experiences and keen observation rather than formal training. He began his career as a miniature painter, a respectable but often financially precarious profession, before turning his attention to landscape. This transition wasn’t merely a change in subject matter; it represented a fundamental shift in artistic perspective – a move away from the idealized, classical forms of European art and towards the rugged, authentic beauty of the British countryside.

    The Peak District: A Canvas of Observation

    Smith's primary focus was the dramatic landscape of Derbyshire, particularly the Peak District. This region, with its towering limestone crags, deep valleys, and meandering rivers, provided an unparalleled subject for his artistic explorations. Unlike earlier depictions that often emphasized grand vistas or idealized views, Smith meticulously rendered the details – the textures of rock, the patterns of light and shadow, the subtle shifts in color across the hillsides. His works are characterized by a remarkable sense of realism and a deep appreciation for the natural world.

    His prints, particularly those published between 1760 and 1767, were immensely popular during his lifetime. He didn’t simply record these scenes; he captured their essence – the atmosphere, the mood, the feeling of being immersed in the landscape. He employed a technique known as ‘vedute,’ borrowed from Italian artists like Canaletto, but adapted it to suit the unique character of the English countryside. These vedute were not merely copies of existing views; they were carefully constructed compositions that emphasized the grandeur and drama of the scenery.

    Technique and Influence

    Smith’s artistic skill lay in his ability to translate observation into print. He utilized a combination of etching and engraving, techniques that allowed him to achieve both fine detail and tonal variation. His use of light and shadow was particularly masterful, creating a sense of depth and atmosphere that drew the viewer into the scene. He frequently employed a limited palette of earthy tones – browns, greys, greens – which perfectly complemented the natural colors of the Derbyshire landscape.

    Smith’s influence extended far beyond his own lifetime. He is considered one of the earliest English landscape painters to prioritize the depiction of native scenery over classical or historical subjects. His work paved the way for later artists such as Canaletto, Wright and Turner, who built upon his foundation to develop their own distinctive styles. Furthermore, his meticulous attention to detail and his commitment to realism set a new standard for topographical prints – documents that accurately recorded the appearance of places.

    Legacy and Rediscovery

    Despite his considerable talent and popularity during his time, Smith’s legacy was largely forgotten after his death in 1767. His work fell into obscurity until the late 20th century when art historians began to recognize its significance. Today, Thomas Smith is increasingly appreciated as a pioneering figure in English landscape painting – a man who captured the beauty of the Derbyshire countryside with remarkable skill and insight. His prints remain valuable historical documents and enduring works of art, offering a unique glimpse into the world of 18th-century England.

    The Government Art Collection continues to preserve and promote his work, ensuring that this important artist is remembered for his contribution to British art history.

    Muzej

    Pickford's House Museum of Georgian Life And Historic Costume

    Izložbeno mesto Derby, United Kingdom

    Pickford's House Museum

    Step back in time at Pickford’s House Museum in Derby, a captivating glimpse into Georgian life and historic costume. This elegant townhouse offers a unique window into the world of 18th and 19th-century England.

    History & Architecture

    Built in 1770 by the prominent architect

    Joseph Pickford

    as his family home, the house showcases exquisite Georgian architecture. Originally a single residence, it was later divided into two properties before being purchased by Derby City Council in 1982. The building is now Grade I listed, recognizing its national importance.

    Specializations & Collections

    Georgian Interiors:

    Explore meticulously recreated rooms furnished as they would have appeared during Pickford’s time, offering a vivid sense of daily life for a professional family.

    Historic Costume:

    Discover an impressive collection of 18th and 19th-century clothing, providing insights into fashion and social status.

    Toy Theatres:

    Admire a fascinating assortment of model toy theatres collected by

    Frank Bradley

    , showcasing a popular form of Victorian entertainment.

    WWII Bomb Shelter:

    Descend into the cellar to experience a poignant recreation of a 1940s bomb shelter, offering a stark reminder of wartime life.

    What Makes Pickford’s House Unique?

    Unlike many historic houses owned by aristocracy, Pickford's House represents the lifestyle of a successful professional – an architect. This provides a different perspective on Georgian society and offers a more relatable experience for visitors. The contrast between the luxurious family rooms and the servants’ quarters further illuminates the social hierarchy of the time.

    Visitor Information

    Pickford's House is part of Derby Museums, offering a rich cultural experience for all ages. It’s an ideal destination for history buffs, costume enthusiasts, and anyone interested in exploring England’s past.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje River Landscape

    allpaintingsstore.com/sr/art/download/thomas-smith-river-landscape-AQSTHB-en/

    Citiranje ovog umetničkog dela

    MLA
    Smith, Thomas. River Landscape. n.d., Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sr/art/thomas-smith-river-landscape-AQSTHB-en/
    APA
    Smith, Thomas (n.d.). River Landscape [Painting]. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sr/art/thomas-smith-river-landscape-AQSTHB-en/
    Chicago
    Thomas Smith. River Landscape. n.d. Pickford's House Museum of Georgian Life And Historic Costume. https://allpaintingsstore.com/sr/art/thomas-smith-river-landscape-AQSTHB-en/
    Harvard
    Smith, Thomas (n.d.) River Landscape. Pickford's House Museum of Georgian Life And Historic Costume. Available at: https://allpaintingsstore.com/sr/art/thomas-smith-river-landscape-AQSTHB-en/

    Pogledajte pažljivije

    River Landscape — Thomas Smith

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Landscape, Valley in Derbyshire (1760), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Šta je umetnik možda želeo da osetite?
    5. Da možete da postavite umetniku samo jedno pitanje o ovom delu, šta biste pitali?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Kolika je zasićenost boja u delu „River Landscape”, autor Thomas Smith?

    Paleta dela "River Landscape" ima Balanced Soft zasićenost.

    Pod kojim drugim imenima je Thomas Smith poznat/a?

    Thomas Smith se pojavljuje i pod drugim imenima: Smith Of Derby, Thomas Correggio Smith, John Raphael Smith.

    Gde mogu videti originalno delo „River Landscape”, autor Thomas Smith?

    Originalno delo "River Landscape" možete videti u muzeju Pickford's House Museum of Georgian Life And Historic Costume, Derby, United Kingdom.