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Portret Adam Pendleton

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History (Lab 1964 Grey) (2005) je najpoznatije delo umetnika Adam Pendleton; original se nalazi u muzeju Carnegie Museum of Art, Pitsburg. Naš katalog sadrži 1 dela umetnika Adam Pendleton; evo 1 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako bi vam pomogli da odaberete onaj koji želite da naručite.

rođen 1984, Richmond Najviše dela: Carnegie Museum of Art

Adam Pendleton: 10 najrangiranijih slika

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Carnegie Museum of Art, PitsburgCarnegie Museum of Art Pitsburg 1 History (Lab 1964 Grey)

Najboljih Adam Pendleton slika prema godini

Svaka datirana slika umetnika Adam Pendleton navedena ovde potiče iz 2005 godine, poređana prema rangu.

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History (Lab 1964 Grey) (2005) je na prvom mestu.

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Adam Pendleton je imao 21 godina: History (Lab 1964 Grey) je datiran 2005, a Adam Pendleton je rođen 1984.

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U našem katalogu se nalazi 1 dela umetnika Adam Pendleton.

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Pretežno u Carnegie Museum of Art (Pitsburg). Za kompletnu listu pogledajte tabelu muzeja iznad.

Adam Pendleton: život i karijera

The Multidisciplinary Practice of Adam Pendleton

Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.

His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.

Themes and Conceptual Frameworks

A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.

His various series and installations explore different visual and linguistic systems: