Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 108 dela Bernhard Strigel u našem katalogu
Brzi odgovor
Najpoznatije delo iz kolekcije umetnika Bernhard Strigel je The Announcement to Anne and Joachim (1510), čiji se original nalazi u muzeju Музеј Тисен-Борнемиза, Madrid. Na drugom i trećem mestu: Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507). Naš katalog sadrži 108 dela umetnika Bernhard Strigel. Ovde je navedeno 100 najpoznatijih dela, poređanih prema rangu, sa godinom nastanka i muzejem u kojem se čuva svaki original.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $170 →
Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavarske državne slikopisne kolekcije
Naručite ovu sliku od $220 →
The returning of David with the head Goliath1500 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $370 →
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavarske državne slikopisne kolekcije
Naručite ovu sliku od $245 →
Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
Izaberite veličinu od $445 →
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $395 →
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $170 →
Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
Naručite ručno oslikanu kopiju od $570 →
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
Naručite ručno oslikanu kopiju od $470 →
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $220 →
Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $270 →
Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $245 →
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $220 →
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavarske državne slikopisne kolekcije
Naručite ovu sliku od $220 →
Emperor Maximilan I. (1459-1519) with a Scroll1515 · Gemäldegalerie
Naručite ručno oslikanu kopiju od $170 →
Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
Izaberite veličinu od $445 →
Sleeping guard of a grave with a crossbow1520 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $170 →
Calvary (verso): Chris as Man of Sorrows1520 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $545 →
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
Naručite ovu sliku od $170 →
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavarske državne slikopisne kolekcije
Izaberite veličinu od $170 →
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $170 →
Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
Izaberite veličinu od $495 →
John the Evangelist is taught to write1510 · Kunsthistorisches Museum
Izaberite veličinu od $220 →
![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
Izaberite veličinu od $170 →
Sacrifice of Isaac, and Transfiguration1510
68
The eight children Konrad Rehlinger1517 · Bavarske državne slikopisne kolekcije
Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
Naručite ovu sliku od $170 →
Portrait of Dr. Georg Thannstetter1515 · Liechtenstein Museum
Naručite ručno oslikanu kopiju od $170 →
Sleeping guardian of a grave with sword and halberd1520 · Bavarske državne slikopisne kolekcije
Naručite ovu sliku od $170 →
Saint Mary Salome and Her Family1528 · National Gallery of Art
Naručite ručno oslikanu kopiju od $170 →
Mary and Joseph with Jesus1506 · Bavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $220 →
Emperor Maximilian IBavarske državne slikopisne kolekcije
Naručite ručno oslikanu kopiju od $170 →
St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj)1511 · Szépművészeti Múzeum
Izaberite veličinu od $170 →
Pair of lovers with the Devil and CupidKupferstichkabinett
Naručite ručno oslikanu kopiju od $270 →
Četiri najčešća motiva u ovom rangiranju, sa najboljim delom za svaki od njih.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Bernhard Strigel | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berlin | 7 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 Kunsthistorisches Museum |
Beč | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Szépművészeti Múzeum |
Budimpešta | 3 | St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj), Portrait of Hieronymus Haller |
 Музеј Тисен-Борнемиза |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Izaberite deceniju da biste videli njene najpoznatije slike.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510), Музеј Тисен-Борнемиза, Madrid, zauzima prvo mesto, a prate ga Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507).
Bernhard Strigel je imao 50 godina: The Announcement to Anne and Joachim je datiran 1510, a Bernhard Strigel je rođen 1460.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder i Saint Barbara. Godina i muzej za svako od njih navedeni su u rangiranju iznad.
U našem katalogu se nalazi 108 dela umetnika Bernhard Strigel, datiranih od 1485 do 1528.
Pretežno u Bavarske državne slikopisne kolekcije (Minhen), Gemäldegalerie (Berlin) i Staatliche Kunsthalle Karlsruhe (Karlsrue). Za kompletnu listu pogledajte tabelu muzeja iznad.
U periodima 1500s: 28 od 100 slika rangiranih ovde datiraju iz tog vremena, uključujući Portrait of Maximiliaan I van Habsburg (1459-1519).
Najstarije na ovoj stranici: betrothal of Maria with the founder (1485). Najnovije: Portrait of a Man (1528).
Među 100 slika rangiranih ovde: Man (41), Woman (22) i People (22).
Oil On Panel, za 53 od 100 slika rangiranih ovde.
Northern renaissance, na osnovu slika rangiranih na ovoj stranici.
Bavarske državne slikopisne kolekcije, Minhen poseduje 25 slika sa ovog rangiranja, uključujući Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius i Funk Diptych: Donor Portrait of Hans Funk.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
U srcu švabskog pejzaža, u periodu kada je srednjovekovni svet počeo da ustupa mesto svitanju renesanse, Bernhard Strigel se pojavio kao majstor svetlosti i ljudskog prisustva. Rođen u Memmingenu oko 1461. godine, Strigel nije samo slikao figure; on im je oduvao život kroz pedantno vladanje bojom i formom. Njegov put bio je put duboke umetničke evolucije, krećući se od strukturiranih tradicija gotičke ere ka nijansiranijem, opservacionom stilu koji će definisati nemačku renesansu. Kao ključna figura švabske škole, njegovo delo služi kao vitalni most između duhovnog intenziteta srednjeg veka i humanističke jasnoće šesnaestog veka.
Temelji Strigelovog genija postavljeni su unutar intimnih okvira porodične radionice. Pod vođstvom svog oca, Hansa Strigela, i pod uticajem cenjenog majstora Zeitbloma iz Ulma, mladi umetnik je razvio oko za sitne detalje koji karakteriški definišu umetnost severne renesanse. Ovo rano obrazovanje u njemu je usadilo poštovanje prema teksturama stvarnosti — teškom naboru baršunastog ogrtača, suptilnom sjaju bisera i mekom sjaju kože pod svetlošću sveće. U njegovim ranim kompozicijama mogu se pratiti odjeci majstora kao što su Rogier van der Weyden i Dieric Bouts, gde osećaj duboke pobožnosti susreće gotovo naučnu preciznost u detalju.
Strigelov uspon od regionalnog talenta do slavne figure evropskog značaja pokrenula je najmoćnija patronska podrška njegovog doba: ona cara Maksimilijana I. Car, čovek nezasitne žeđi za slikama i istorijskim dokumentacijom, prepoznao je u Strigelu jedinstvenu sposobnost da uhvati ne samo sličnost, već samu suštinu autoriteta i plemenitosti. Ova veza transformisala je Strigelovu karijeru, vodeći ga na velike umetničke ekspedicije kroz kulturna središta Augsburga, Inzbruka i Beča. Njegovo prisustvo na carskim dvorovima omogućilo mu je da učestvuje u najznačajnijim političkim i društvenim narativima svog vremena.
Možda njegov najtrajniji doprinos istoriji portretizma leži u ulozi koju je imao tokom presudnih pregovora o brakovima između dinastija Hapsburg i Jagelonić. Godine 1515, pozvan specifično u Beč, Strigel je dobio zadatak da zabeleži lica Evrope koja se menjala. Njegovi portreti iz ovog doba odlikuju se izuzetnom jasnoćom i psihološkom dubinom koja prevazilazi puki dokumentacioni karakter. Kroz njegovu četkicu, subjekti poseduju dostojanstven mir i luminanciju koja sugeriše dušu kako viri iza pigmenata. Ova dela ne služe samo za beleženje istorije; ona je humanizuju, nudeći nam intiman prozor u lica renesansne elite.
Tehnička briljantnost Bernharda Strigela najočiglednija je u njegovom majstorstvu luminancije. Posedovao je retku sposobnost manipulacije svetlošću tako da se činilo da ona izbija iz same slike, umesto da se samo reflektuje sa njene površine. Ova tehnika, u kombinaciji sa sofisticiranom upotrebom palete boja, omogućila mu je stvaranje dela koja deluju istovremeno fizički opipljivo i duhovno uzvišeno. Bilo da je radio na velikim istorijskim kompozicijama ili intimnim individualnim portretima, njegova posvećenost preciznosti ostala je nepokolebljiva.
Njegova umetnička dostignuća mogu se sažeti kroz nekoliko ključnih stubova njegove karijere:
Danas dela Bernharda Strigela ostaju svedočanstvo ere dubokih transformacija. Njegova sposobnost da uhvati prolaznu svetlost trenutka i očuva je unutar trajnosti ulja i tempera osigurava da njegovo nasleđe nastavi da odjekuje. Pogledati Strigelov portret znači susresti se sa samim duhom švabske renesanse — svetom u kojem je svaki potez četkice čin posvećenosti lepoti vidljivog sveta.
![Hans Roth [obverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
![Hans Roth [reverse] (1527) čiji je autor Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
