Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela Carl Ebert u našem katalogu
Brzi odgovor
Najpoznatija slika umetnika Carl Ebert je Forest Landscape with Bathing Children (1867); original se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Evening Landscape (1875) i Landscape society in a park su brojevi dva i tri. Od 5 dela umetnika Carl Ebert u našem katalogu, ovih je 5 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako biste mogli da odaberete sliku za narudžbu.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Carl Ebert | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Minhen | 1 | Isar Landscape |
Sva dela umetnika Carl Ebert koja se ovde nalaze datiraju u periodu od 9 godina, od 1867 do 1875. Pregledajte ih godinu po godinu kako biste odabrali svoje.
Izaberite godinu da biste videli njene slike.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne kolekcije, Minhen, zauzima prvo mesto, a prate ga Evening Landscape (1875) i Landscape society in a park.
Carl Ebert je imao 46 godina: Forest Landscape with Bathing Children je datiran 1867, a Carl Ebert je rođen 1821.
U našem katalogu se nalazi 5 dela umetnika Carl Ebert, datiranih od 1867 do 1875.
Pretežno u Bavarske državne slikopisne kolekcije (Minhen) i Lenbachhaus (Minhen). Za kompletnu listu pogledajte tabelu muzeja iznad.
Najstarije na ovoj stranici: Forest Landscape with Bathing Children (1867). Najnovije: Evening Landscape (1875).
Bavarske državne slikopisne kolekcije, Minhen poseduje 2 slika sa ovog rangiranja, uključujući Forest Landscape with Bathing Children i Evening Landscape.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
