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Slike autora Cornelia Scheffer: Top 4 najpoznatijih, rangirano
Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 4 dela Cornelia Scheffer u našem katalogu
Brzi odgovor
Najpoznatija slika umetnika Cornelia Scheffer je Self-portrait (1795); original se nalazi u muzeju Dordrechts Museum, Dordht. Woman with Two Children on a Country Road (1811) i The Women of Souli (1833) su brojevi dva i tri. Od 4 dela umetnika Cornelia Scheffer u našem katalogu, ovih je 4 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako biste mogli da odaberete sliku za narudžbu.
1769 – 1839, Dordrecht
Najviše dela: Dordrechts Museum
Top 10 najpoznatijih dela umetnika Cornelia Scheffer, rangirano
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Rukom oslikana uljana reprodukcija od $195 29 × 34 cm
Isti veličine kao original $295 60 × 73 cm Naručite u originalnim dimenzijama →
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Detalji slike
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Rukom oslikana uljana reprodukcija od $445 37 × 27 cm
Isti veličine kao original $728 112 × 95 cm Naručite u originalnim dimenzijama →
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Muzeji u kojima se čuvaju originalna dela umetnika Cornelia Scheffer
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Cornelia Scheffer | Slike iz ovog spiska |
|---|---|---|---|
 Dordrechts Museum |
Dordht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer po decenijama: najpoznatija slika svake
Radovi po decenijama
Izaberite deceniju da biste videli njene najpoznatije slike.
Slike autora Cornelia Scheffer: česta pitanja
Koje je najpoznatije delo umetnika Cornelia Scheffer?Prikaži odgovor
Self-portrait (1795), Dordrechts Museum, Dordht, zauzima prvo mesto, a prate ga Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).
Koliko je godina imao/la Cornelia Scheffer kada je slika Self-portrait nastala?Prikaži odgovor
Cornelia Scheffer je imao 26 godina: Self-portrait je datiran 1795, a Cornelia Scheffer je rođen 1769.
Koliko dela umetnika Cornelia Scheffer imate u ponudi?Prikaži odgovor
U našem katalogu se nalazi 4 dela umetnika Cornelia Scheffer, datiranih od 1795 do 1833.
Gde se čuvaju originalna dela Cornelia Scheffer?Prikaži odgovor
Pretežno u Dordrechts Museum (Dordht). Za kompletnu listu pogledajte tabelu muzeja iznad.
Koja su najranija i najnovija čuvena dela Cornelia Scheffer?Prikaži odgovor
Najstarije na ovoj stranici: Self-portrait (1795). Najnovije: The Women of Souli (1833).
Čiji su originali umetnika Cornelia Scheffer u muzeju Dordrechts Museum?Prikaži odgovor
Dordrechts Museum, Dordht poseduje 4 slika sa ovog rangiranja, uključujući Self-portrait, Woman with Two Children on a Country Road i The Women of Souli.
Mogu li da naručim reprodukciju Cornelia Scheffer?Prikaži odgovor
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
O umetniku: Cornelia Scheffer
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.