Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 3 dela Johan Per (Per) Sodermark u našem katalogu
Brzi odgovor
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) je najpoznatije delo umetnika Johan Per (Per) Sodermark; original se nalazi u muzeju Nationalmuseum, Стокхолм. Portrait of Werner Holmberg (1853) je na drugom mestu, Christoffer Eichhorn (1837-1889), librarian, art historian (1889) na trećem. Naš katalog sadrži 3 dela umetnika Johan Per (Per) Sodermark; evo 3 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako bi vam pomogli da odaberete onaj koji želite da naručite.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Johan Per (Per) Sodermark | Slike iz ovog spiska |
|---|---|---|---|
 Nationalmuseum |
Стокхолм | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Izaberite deceniju da biste videli njene najpoznatije slike.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Стокхолм, zauzima prvo mesto, a prate ga Portrait of Werner Holmberg (1853) i Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Johan Per (Per) Sodermark je imao 26 godina: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery je datiran 1848, a Johan Per (Per) Sodermark je rođen 1822.
U našem katalogu se nalazi 3 dela umetnika Johan Per (Per) Sodermark, datiranih od 1848 do 1889.
Pretežno u Nationalmuseum (Стокхолм) i Finnish National Gallery (Helsinki). Za kompletnu listu pogledajte tabelu muzeja iznad.
Najstarije na ovoj stranici: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848). Najnovije: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Стокхолм poseduje 2 slika sa ovog rangiranja, uključujući Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery i Christoffer Eichhorn (1837-1889), librarian, art historian.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
