Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela Robert Atkinson u našem katalogu
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Najpoznatija slika umetnika Robert Atkinson je A Spanish Soldier of the 16th Century (1885); original se nalazi u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) su brojevi dva i tri. Od 5 dela umetnika Robert Atkinson u našem katalogu, ovih je 5 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako biste mogli da odaberete sliku za narudžbu.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Robert Atkinson | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Radovi umetnika Robert Atkinson na ovoj stranici obuhvataju period od 2 godina, od 1885 do 1886, poređani godinu po godinu.
Izaberite godinu da biste videli njene slike.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Oklend, zauzima prvo mesto, a prate ga Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
Robert Atkinson je imao 22 godina: A Spanish Soldier of the 16th Century je datiran 1885, a Robert Atkinson je rođen 1863.
U našem katalogu se nalazi 5 dela umetnika Robert Atkinson, datiranih od 1885 do 1886.
Pretežno u Auckland Art Gallery Toi o Tāmaki (Oklend). Za kompletnu listu pogledajte tabelu muzeja iznad.
U periodima 1886: 2 od 5 slika rangiranih ovde datiraju iz tog vremena, uključujući Portrait of Albin Martin.
Najstarije na ovoj stranici: A Spanish Soldier of the 16th Century (1885). Najnovije: Portrait of Albin Martin (1886).
Auckland Art Gallery Toi o Tāmaki, Oklend poseduje 5 slika sa ovog rangiranja, uključujući A Spanish Soldier of the 16th Century, Portrait of Albin Martin i A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
