Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 437 dela Tomas Sali u našem katalogu
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Queen Victoria (1838) je najpoznatije delo umetnika Tomas Sali; original se nalazi u muzeju Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) je na drugom mestu, George Washington (1840) na trećem. Naš katalog sadrži 437 dela umetnika Tomas Sali; evo 100 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako bi vam pomogli da odaberete onaj koji želite da naručite.
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…
Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.
In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…
The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…
Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…
The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…
Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso)1836 · Cincinnati Art Museum
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Isabella Tod Stewart1837 · Isabella Stewart Gardner Museum
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Mary Harvey, Mrs. Paul Beck, Jr.1813 · Dallas Museum of Art
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Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female
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Portrait of Colonel Jonathan Williams (1750-1815)1815 · Philadelphia Museum of Art
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The Reverend George Houstoun Woodruff1819 · High Museum of Art
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Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”1841 · Birmingham Museum of Art
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Portrait of Mary Sicard David1813 · Cleveland Museum of Art
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George Frederick Cooke as Richard III1811 · Pennsylvania Academy of Fine Arts
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William Francis Taliaferro, Class of 1811 (1790-1836)1811
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Mrs. William Wortley Worsley (Rebecca Smith)1805 · Metropoliten музеј у Њујорку
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Portrait of Margaret H. Sandford1830 · El Paso Museum of Art
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Mrs. James Gore King (Sarah Rogers Gracie King), Wife of "The Gold Beater"1831 · The Nelson-Atkins Museum of Art
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Portrait of Willliam Henry Fitzhugh1824 · Rhode Island School of Design Museum of Art
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Victor René Value and His Daughter Charlotte1828 · Muzej finih umetnosti u Bostonu
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John McAllister, Jr. (1786-1877)1831 · Harvard Art Museums
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Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl1839 · Yale University Art Gallery
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Self-Portrait of the Artist Painting His Wife (Sarah Annis Sully)1810 · Yale University Art Gallery
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Frances Anne Kemble as Beatrice1833 · Pennsylvania Academy of Fine Arts
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Mrs. William Alston (Caroline Thomas, daughter of Robinson Thomas)1837
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Portrait of James Cornell Biddle (1795–1838)1841 · Muzej fine umetnosti u Hjustonu
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Portrait of Mrs. George H. Crossman1861 · Dallas Museum of Art
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Sarah Annis Sully (Mrs. Thomas Sully)1832 · Metropoliten музеј у Њујорку
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Equestrian Portrait of George Washington1842 · The Abraham Lincoln Foundation of The Union League of Philadelphia
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Mrs. Samuel Neave Lewis and Her Daughter Martha1811 · Pennsylvania Academy of Fine Arts
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Portrait of Esther Fortune Warren and Her Daughter Hester1811 · Museum of Art
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Četiri najčešća motiva u ovom rangiranju, sa najboljim delom za svaki od njih.
#17 Mary Anne Heide Norris
#19 Mary Harvey, Mrs. Paul Beck, Jr.
#21 Sketch after David's Napoleon Crossing the Alps; a Recumbent Nude Male; a Standing Female
#29 Prison Scene from J. Fenimore Cooper’s “The Pilot”: “Cecelia Howard and Katherine Plowden arousing the prisoner Edward Griffith from his slumber.”
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Tomas Sali | Slike iz ovog spiska |
|---|---|---|---|
 Metropoliten музеј у Њујорку |
Њујорк | 22 | George Washington, Child Asleep (The Rosebud), John Finley |
 National Gallery of Art |
Washington | 22 | The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams |
 Pennsylvania Academy of Fine Arts |
Filadelfija | 8 | George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice |
 National Portrait Gallery |
Vašington, D.C. | 6 | Thomas Sully, John Sergeant, Thomas Ash II |
 Muzej finih umetnosti u Bostonu |
Boston | 7 | John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte |
 Yale University Art Gallery |
New Haven | 4 | Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl |
 Cincinnati Art Museum |
Sinciнati | 4 | Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston |
 Dallas Museum of Art |
Dallas | 3 | Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman |
Izaberite deceniju da biste videli njene najpoznatije slike.
This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is directed toward the viewer. He is depicted with a white cravat that provides a sharp tonal contrast against the darker elements of his attire and the background. The lighting originates from the upper left, casting shadows along the right side of his…
Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.
Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…
Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.
Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American portrait painter. Sully, who was born in Great Britain and spent much of his career in Philadelphia, Pennsylvania, was a prominent figure in nineteenth-century American art.
Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a focused, intimate lens.
Queen Victoria (1838), Wallace Collection, London, zauzima prvo mesto, a prate ga Thomas Jefferson (1743-1826), LL.D. 1786 (1823) i George Washington (1840).
Tomas Sali je imao 55 godina: Queen Victoria je datiran 1838, a Tomas Sali je rođen 1783.
Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis i Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Godina i muzej za svako od njih navedeni su u rangiranju iznad.
U našem katalogu se nalazi 437 dela umetnika Tomas Sali, datiranih od 1802 do 1866.
Pretežno u Metropoliten музеј у Њујорку (Њујорк), National Gallery of Art (Washington) i Pennsylvania Academy of Fine Arts (Filadelfija). Za kompletnu listu pogledajte tabelu muzeja iznad.
U periodima 1830s: 26 od 100 slika rangiranih ovde datiraju iz tog vremena, uključujući Queen Victoria.
Najstarije na ovoj stranici: Mrs. Thomas Sully (Sarah Annis) (1802). Najnovije: Mischief (Girl's Head) (1866).
Među 100 slika rangiranih ovde: Man (19), Portrait (18) i Woman (11).
Oil On Canvas, za 32 od 100 slika rangiranih ovde.
Romanticism i Neoclassicism, na osnovu slika rangiranih na ovoj stranici.
Metropoliten музеј у Њујорку, Њујорк poseduje 10 slika sa ovog rangiranja, uključujući George Washington, Child Asleep (The Rosebud) i John Finley.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
