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Portret William Roberts

59 najpoznatijih slika umetnika William Roberts koje možete odabrati

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 59 dela William Roberts u našem katalogu

Brzi odgovor

Najpoznatije delo među slikama umetnika William Roberts je The Boxing Match (1890). Na drugom i trećem mestu: The First German Gas Attack at Ypres (1918) i The Cinema (1920). Naš katalog sadrži 59 dela umetnika William Roberts. Ovde je navedeno 59 najpoznatijih dela, poređanih prema rangu, sa godinom nastanka i muzejem u kojem se čuva svaki original.

1895 – 1980, London Cubism Najviše dela: The Ingram Collection of Modern British And Contemporary Art

Top 10: najpoznatija dela umetnika William Roberts

Rangovi od 11 do 59: više dela umetnika William Roberts

11The Diners (1919) čiji je William RobertsThe Diners1919 12A Shell Dump, France (1918) čiji je William RobertsA Shell Dump, France1918 13'Feeds Round ' Stable Time in the Wagon Lines, France (1922) čiji je William Roberts'Feeds Round ' Stable Time in the Wagon Lines, France1922 14Professor Janko Lavrin (1885–1986) (1919) čiji je William RobertsProfessor Janko Lavrin (1885–1986)1919 · Nottingham Castle Museum And Art Gallery 15The Crucifixion (1920) čiji je William RobertsThe Crucifixion1920 · Oxford Brookes University 16The Stockbroker's Clerk (1920) čiji je William RobertsThe Stockbroker's Clerk1920 · British Council Collection 17The Dancers (1919) čiji je William RobertsThe Dancers1919 18The Farm (Country Scene) (1922) čiji je William RobertsThe Farm (Country Scene)1922 · The Hepworth Wakefield 19At the Hippodrome (1921) čiji je William RobertsAt the Hippodrome1921 · New Walk Museum - Art Gallery 20Esther Lahr (1925) čiji je William RobertsEsther Lahr1925 21The Char (1924) čiji je William RobertsThe Char1924 22Miss Jane Tupper Carey (1924) čiji je William RobertsMiss Jane Tupper Carey1924 23A Woman (Sarah) (1927) čiji je William RobertsA Woman (Sarah)1927 24The Dentist (1925) čiji je William RobertsThe Dentist1925 · County Hall 25Esther Lahr (1925) čiji je William RobertsEsther Lahr1925 26T. E. Lawrence as Aircraftsman Shaw (1923) čiji je William RobertsT. E. Lawrence as Aircraftsman Shaw1923 · Ashmolean Museum of Art and Archaeology 27The Paddock (Jockeys) (1928) čiji je William RobertsThe Paddock (Jockeys)1928 28The Happy Family (1924) čiji je William RobertsThe Happy Family1924 29Deposition from the Cross (1926) čiji je William RobertsDeposition from the Cross1926 30A Gipsy Girl (1926) čiji je William RobertsA Gipsy Girl1926 · Arts Council Collection 31Self Portrait Wearing a Cap (1931) čiji je William RobertsSelf Portrait Wearing a Cap1931 32Sawing Wood (1930) čiji je William RobertsSawing Wood1930 33The Dressmakers (1931) čiji je William RobertsThe Dressmakers1931 · Victoria Art Gallery 34The Ballet (1932) čiji je William RobertsThe Ballet1932 35John Roberts (1930) čiji je William RobertsJohn Roberts1930 36Tea Shop (1938) čiji je William RobertsTea Shop1938 37Skipping (The Gutter) (1934) čiji je William RobertsSkipping (The Gutter)1934 38Playground (The Gutter) (1934) čiji je William RobertsPlayground (The Gutter)1934 39The Artist's Son Playing the Recorder (1936) čiji je William RobertsThe Artist's Son Playing the Recorder1936 · The Ingram Collection of Modern British And Contemporary Art 40The Palms Foretell (1937) čiji je William RobertsThe Palms Foretell1937 · Bristol Museum - Art Gallery 41Bath Time (The Miner's Toilet and Wash Night) (1935) čiji je William RobertsBath Time (The Miner's Toilet and Wash Night)1935 · Bolton Museum And Art Gallery 42Bicycle Boys (1939) čiji je William RobertsBicycle Boys1939 43The Control Room (1941) čiji je William RobertsThe Control Room1941 · Salford Museum - Art Gallery 44Punting on the Cherwell (1939) čiji je William RobertsPunting on the Cherwell1939 · Jerwood Gallery 45The Demolition Squad (1941) čiji je William RobertsThe Demolition Squad1941 · Guildhall Art Gallery 46Portrait of a Man Lighting a Pipe (1948) čiji je William RobertsPortrait of a Man Lighting a Pipe1948 47The Rhododendron (1948) čiji je William RobertsThe Rhododendron1948 · The Ingram Collection of Modern British And Contemporary Art 48In the Straight (1949) čiji je William RobertsIn the Straight1949 49Cantering to the Post (1949) čiji je William RobertsCantering to the Post1949 50Selecting Calves (1950) čiji je William RobertsSelecting Calves1950 51The Barber's Shop čiji je William RobertsThe Barber's Shop 52Checkmate čiji je William RobertsCheckmate 53Portrait of a Negress čiji je William RobertsPortrait of a Negress 54The Chess Players čiji je William RobertsThe Chess Players 55Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) čiji je William RobertsSidney James Barton (1909–1986), Chairman of London County Council (1959–1960)Guildhall Art Gallery 56Munitions Factory (1940) čiji je William RobertsMunitions Factory1940 · Salford Museum - Art Gallery 57Sarah (1925) čiji je William RobertsSarah1925 58Les Routiers (1931) čiji je William RobertsLes Routiers1931 59Study for Kites (1966) čiji je William RobertsStudy for Kites1966 · Royal Albert Memorial Museum - Art Gallery

Slike umetnika William Roberts prema temi

Četiri najčešća motiva u ovom rangiranju, sa najboljim delom za svaki od njih.

Muzeji u kojima se čuvaju originalna dela umetnika William Roberts

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika William Roberts Slike iz ovog spiska
The Ingram Collection of Modern British And Contemporary Art, LondonThe Ingram Collection of Modern British And Contemporary Art London 3 The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron
Nottingham Castle Museum And Art Gallery, NottinghamNottingham Castle Museum And Art Gallery Nottingham 2 The Return of Ulysses, Professor Janko Lavrin (1885–1986)
Salford Museum - Art Gallery, Greater ManchesterSalford Museum - Art Gallery Greater Manchester 2 The Control Room, Munitions Factory
Guildhall Art Gallery, LondonGuildhall Art Gallery London 2 The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960)
Nacionalna galerija Kanade, OtavaNacionalna galerija Kanade Otava 1 The First German Gas Attack at Ypres
Wolverhampton Art Gallery, WolverhamptonWolverhampton Art Gallery Wolverhampton 1 Kit (Katie Bissett Smith née Knewstub, 1907–2008)
Oxford Brookes University, OksfordOxford Brookes University Oksford 1 The Crucifixion
British Council Collection, LondonBritish Council Collection London 1 The Stockbroker's Clerk

Najbolja slika decenije: William Roberts

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Slike autora William Roberts: Često postavljana pitanja

Koje je najpoznatije delo umetnika William Roberts?Prikaži odgovor

The Boxing Match (1890) zauzima prvo mesto, a prate ga The First German Gas Attack at Ypres (1918) i The Cinema (1920).

Koja su deset najpoznatijih slika umetnika William Roberts?Prikaži odgovor

The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban i Portrait of a Young Woman. Godina i muzej za svako od njih navedeni su u rangiranju iznad.

Koliko je slika umetnika William Roberts navedeno?Prikaži odgovor

U našem katalogu se nalazi 59 dela umetnika William Roberts, datiranih od 1913 do 1966.

U kojim muzejima se čuvaju najpoznatiji originali umetnika William Roberts?Prikaži odgovor

Pretežno u The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) i Salford Museum - Art Gallery (Greater Manchester). Za kompletnu listu pogledajte tabelu muzeja iznad.

Kada su nastala najpoznatija dela umetnika William Roberts?Prikaži odgovor

U periodima 1920s: 21 od 59 slika rangiranih ovde datiraju iz tog vremena, uključujući The Cinema.

Koja su najstarija i najnovija čuvena dela William Roberts?Prikaži odgovor

Najstarije na ovoj stranici: The Return of Ulysses (1913). Najnovije: Study for Kites (1966).

Koji motivi se najčešće pojavljuju u slikama umetnika William Roberts?Prikaži odgovor

Među 59 slika rangiranih ovde: British art (3), Victorian (2) i Crowd (2).

Kojem umetničkom pravcu pripadaju dela umetnika William Roberts?Prikaži odgovor

Cubism, na osnovu slika rangiranih na ovoj stranici.

Koja čuvena dela William Roberts se nalaze u muzeju The Ingram Collection of Modern British And Contemporary Art?Prikaži odgovor

The Ingram Collection of Modern British And Contemporary Art, London poseduje 3 slika sa ovog rangiranja, uključujući The Garden of Eden, The Artist's Son Playing the Recorder i The Rhododendron.

William Roberts: umetnik iza ovih dela

The Architect of Fragmented Reality: The Life of William Patrick Roberts

In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

A Vision of Modernity and War

The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

Legacy and Artistic Significance

The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

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