Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 8 dela Walter Wright u našem katalogu
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Najpoznatije delo iz kolekcije umetnika Walter Wright je River scene (1910), čiji se original nalazi u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Na drugom i trećem mestu: Shelly Beach (1916) i The Canoe Builders (1915). Naš katalog sadrži 8 dela umetnika Walter Wright. Ovde je navedeno 8 najpoznatijih dela, poređanih prema rangu, sa godinom nastanka i muzejem u kojem se čuva svaki original.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Walter Wright | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 8 | River scene, Shelly Beach, The Canoe Builders |
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River scene (1910), Auckland Art Gallery Toi o Tāmaki, Oklend, zauzima prvo mesto, a prate ga Shelly Beach (1916) i The Canoe Builders (1915).
Walter Wright je imao 44 godina: River scene je datiran 1910, a Walter Wright je rođen 1866.
U našem katalogu se nalazi 8 dela umetnika Walter Wright, datiranih od 1898 do 1916.
Pretežno u Auckland Art Gallery Toi o Tāmaki (Oklend). Za kompletnu listu pogledajte tabelu muzeja iznad.
U periodima 1910s: 4 od 8 slika rangiranih ovde datiraju iz tog vremena, uključujući River scene.
Najstarije na ovoj stranici: A Quiet stream, Hangitiki (1898). Najnovije: Shelly Beach (1916).
Auckland Art Gallery Toi o Tāmaki, Oklend poseduje 8 slika sa ovog rangiranja, uključujući River scene, Shelly Beach i The Canoe Builders.
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Born in Nottingham, England, Walter Wright emigrated to New Zealand with his family following the death of his father. Settling in Auckland, he began his professional journey as an upholstery apprentice on Shortland Street. His artistic talent emerged early, and he began exhibiting with the Auckland Society of Arts, where his seaside scenes were noted for their inherent genius. Seeking further refinement, Wright and his brother Frank returned to England to study at the Heatherley Art School, where Walter studied under Stanhope Forbes.
Upon returning to New Zealand, Wright established a studio in Auckland, where he worked as both an artist and a teacher. His career was marked by extensive travels throughout the country, producing a series of seventy-five watercolours that illustrated William Pember Reeves' book, New Zealand. He also contributed work to Frank Fox's Oceania.
Wright became a leading exponent in the depiction of Māori life and culture. His subject matter was diverse, ranging from everyday scenes of women washing clothes in hot pools and harvesting crops to large social gatherings. His work A Native Gathering received significant praise at the Auckland Society of Arts' 1910 annual exhibition. Other notable works include The Canoe Builders, a collaboration with his brother Frank, and The Burning of the Boyd, Whangaroa Harbour, 1809, which was acclaimed as the finest picture at the 1908 exhibition.
In his later years, Wright's output was impacted by failing eyesight, leading him to cease teaching. Following the death of his brother Frank in 1923, he became somewhat reclusive. He died in Auckland, leaving behind a legacy of works held in significant collections, including the Auckland Art Gallery Toi o Tāmaki.
