Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Xia Gui u našem katalogu
Brzi odgovor
Twelve Views of Landscape (Shan-shui shih-erh-ching) je najpoznatije delo umetnika Xia Gui; original se nalazi u muzeju The Nelson-Atkins Museum of Art, Kansas City. Naš katalog sadrži 2 dela umetnika Xia Gui; evo 2 najpoznatijih, rangiranih prema godini i muzeju u kojem se nalaze, kako bi vam pomogli da odaberete onaj koji želite da naručite.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Xia Gui | Slike iz ovog spiska |
|---|---|---|---|
 The Nelson-Atkins Museum of Art |
Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 Nacionalni palata muzej |
Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching) je na prvom mestu.
U našem katalogu se nalazi 2 dela umetnika Xia Gui.
Pretežno u The Nelson-Atkins Museum of Art (Kansas City) i Nacionalni palata muzej (Taipei). Za kompletnu listu pogledajte tabelu muzeja iznad.
Da. Svaka slika na ovoj stranici može se naručiti kao ručno slikana uljana reprodukcija ili kao štampa. Otvorite sliku, odaberite veličinu i izvršite porudžbinu.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.
