Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 18 verk av Otto Scholderer i vår katalog
Snabbt svar
Det främsta verket bland Otto Scholderers målningar är Boy with dish with vegetables and dead game (1888), vars original finns på Bavarian State Painting Collections i München. På andra och tredje plats: The Violinist at the Window (1861) och Peaches in a Silver Basket (1869). Vår katalog innehåller 18 verk av Otto Scholderer. De 17 som listas här är de mest kända, i rangordning, med årtal och museum för varje original.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
De fyra vanligaste motiven i denna ranking, med det främsta verket för varje.
De 6 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Otto Scholderer | Målningar från denna lista |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach |
 Bavarian State Painting Collections |
München | 2 | Boy with dish with vegetables and dead game, Peonies |
 Städel Museum |
Frankfurt | 2 | The Violinist at the Window, Still Life with Blue Vase and Mushrooms |
 National Gallery |
London | 2 | Lilac, Portrait of the Artist's Wife |
 Sheffield City Art Galleries |
Sheffield | 1 | Man and Hares |
 Musée d'Orsay |
Paris | 1 | Marine |
Välj ett decennium för att se dess främsta målning.
The afternoon sun filters through a windowpane, casting a warm, golden glow across a quiet room. A man sits in a simple chair, his body poised in a moment of deep concentration. His fingers dance across the strings of a violin, creating a melody that seems to hang in the still air. His gaze drifts toward the world outside the glass, yet his spirit remains anchored to the music. A…
Boy with dish with vegetables and dead game (1888), Bavarian State Painting Collections, München, toppar listan, följd av The Violinist at the Window (1861) och Peaches in a Silver Basket (1869).
Otto Scholderer var 54 år gammal: Boy with dish with vegetables and dead game är daterad 1888, och Otto Scholderer föddes 1834.
Boy with dish with vegetables and dead game, The Violinist at the Window, Peaches in a Silver Basket, Still Life with Snipe and a Hare, Schwarzwaldmühle in Kirnbach bei Schiltach, Seestück bei St. Ives, Man and Hares, Still Life with Blue Vase and Mushrooms, Still Life with Peaches and Fig och Oysters. År och museum för varje verk anges i rankningen ovan.
18 verk av Otto Scholderer finns i vår katalog, daterade 1861 till 1902.
Främst i Staatliche Kunsthalle Karlsruhe (Karlsruhe), Bavarian State Painting Collections (München) och Städel Museum (Frankfurt). Se museatabellen ovan för den fullständiga listan.
Under 1860s: 4 av de 17 målningar som rankas här härstammar från den tiden, inklusive The Violinist at the Window.
Tidigaste på denna sida: The Violinist at the Window (1861). Senaste: Lilac (1902).
Staatliche Kunsthalle Karlsruhe, Karlsruhe har 3 av de målningar som finns med i denna ranking, inklusive Peaches in a Silver Basket, Still Life with Snipe and a Hare och Schwarzwaldmühle in Kirnbach bei Schiltach.
Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion eller som ett tryck. Öppna målningen, välj storlek och lägg din beställning.
In the heart of nineteenth-century Germany, a period defined by the shifting tides between Romanticism and the dawn of Impressionism, Otto Franz Scholderer emerged as a master of visual storytelling. Born in Frankfurt am Main on January 25, 1834, Scholderer’s artistic journey was one of profound evolution, marked by a relentless pursuit of capturing the true essence of his subjects. His early years were steeped in the rigorous academic traditions of the Städel Academy of Arts, where he studied under the watchful eyes of art historian Johann David Passavant and the painter Jakob Becker. This foundational training provided him with more than just technical proficiency; it instilled a deep respect for classical composition and a meticulous eye for detail that would remain a hallmark of his work throughout his long and distinguished career.
As Scholderer matured, his artistic horizons expanded far beyond the borders of Germany. His travels to Paris between 1857 and 1858 proved to be a transformative period, exposing him to the radical currents of European art. It was here that he encountered the raw, unvarnished power of Gustave Courbet’s Realism, a movement that encouraged artists to look at the world without the veil of idealized sentimentality. This encounter fundamentally altered his approach to landscape and portraiture, steering him toward a more honest rendering of light, texture, and atmosphere. During this same era, he forged lasting connections with luminaries such as Henri Fantin-Latour and Édouard Manet, whose subtle explorations of light and fleeting moments would leave an indelible imprint on his later, more Impressionistic tendencies.
Scholderer’s body of work is a testament to his ability to find the extraordinary within the ordinary. Whether he was painting a serene pastoral vista or an intimate domestic scene, there was always a sense of quiet contemplation and profound presence. His connection to the Kronberg painter colony, fostered through his friendship and eventual familial bond with Victor Müller, allowed him to exist within a vibrant community of artists dedicated to capturing the beauty of the Taunus region. This environment nurtured his ability to blend the precise rendering of the Düsseldorf tradition with the atmospheric sensitivity of the burgeoning Impressionist movement.
His repertoire was remarkably diverse, showcasing a mastery over various genres:
By the time of his passing in 1902, Otto Scholderer had established himself as a cornerstone of German painting. His significance lies not only in his technical brilliance but in his role as a bridge between eras. He carried the weight of classical tradition into the modern age, proving that even as styles shifted from the structured to the ephemeral, the fundamental human desire to capture truth through light and shadow remained eternal. Today, his works continue to resonate, offering a window into a vanished world of grace, precision, and quiet emotion.
