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Guide till studentkonst

Timekeeper

Namn Klass Datum

Susan Narduli, Timekeeper (2014), Public Art in Public Places. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Susan Narduli allpaintingsstore.com/sv/artists/susan-narduli/
Konstnärens levnadsår
1960 –
Målat
2014
Rörelse
Contemporary
Plats för utställning
Public Art in Public Places allpaintingsstore.com/sv/museums/public-art-in-public-places-california/

I sammanhanget

Timekeeper — Susan Narduli

När målades detta?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Rad ovanför: åren. Rad nedanför: konstnärens ålder vid början och slutet av varje tidsperiod, där födelseår räknas som 0.

Målat när konstnären var 54. 0 av de 2 daterade verk av denna konstnär i vår katalog skapades tidigare.

▲ detta verk, 2014 varje daterad målning, decennium för decennium

Jämför med

  • Timekeeper, 2014 allpaintingsstore.com/sv/art/susan-narduli-timekeeper-D4D3SZ-en/

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: allpaintingsstore.com/sv/art/similar/susan-narduli-timekeeper-D4D3TA-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #343a2b

    Katalogiserad palett

    • #343A2B
    • #6F7464
    • #ECEDEC
    • #AFB4B1

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Neutrals Den dominerande färggruppen i bilden.
    Namn på huvudfärg
    Espresso
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Statement I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Brilliant Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Susan Narduli under de senaste tolv månaderna — 1 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 100,0%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 1 mest visade verken av Susan Narduli

    1. 1 Timekeeper, 2014 denna målning 100,0%

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 2 verk av denna konstnär, varav 1 har betraktats minst en gång. Denna målning rankas som nummer 1 av dem, med 100,0% av den uppmärksamheten. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    Timekeeper — Susan Narduli

    This kinetic video projection sculpture consists of 40 hours of looped projections of video, animations,

    Konstnär och museum

    Konstnär

    Susan Narduli

    Född i Los Angeles, United States of America

    A Convergence of Disciplines: The Artistic Vision of Susan Narduli

    Susan Narduli, a Los Angeles-based artist and architect born in 1960, embodies the spirit of interdisciplinary exploration that defines contemporary art practice. Her work isn’t easily categorized; it exists at the compelling intersection of art, media, technology, and architecture—a space where physical environments meet digital realms, and experiential design takes center stage. Narduli's journey began with a foundational education in the fine arts, followed by a Master of Architecture from UCLA’s esteemed School of Architecture and Urban Design. This dual training wasn’t merely academic; it forged a unique perspective that allows her to seamlessly blend aesthetic vision with structural understanding, conceptual rigor with practical application. She is currently a licensed architect, further solidifying her ability to translate ideas into tangible realities.

    Early Influences and the Formation of Narduli Studio

    Before establishing her own studio, Narduli honed her skills through significant collaborations that would profoundly shape her artistic trajectory. Her time as a project designer for Frank Gehry exposed her to groundbreaking architectural forms and a willingness to push boundaries—a sensibility she carries forward in her own work. Collaborations with Liz Larner introduced her to the power of public art, while a partnership with Elise Grinstein, founder of Gemini G.E.L., deepened her understanding of printmaking and its potential for artistic innovation. These experiences weren’t isolated incidents but rather formative steps leading to the creation of Narduli Studio in Los Angeles. The studio itself is not simply a workspace but a crucible for design research—a place where traditional disciplines are challenged, preconceptions are questioned, and new typologies of public space are explored.

    Experiential Spaces and Digital Media

    Narduli’s work consistently prioritizes the viewer's experience. She doesn’t create objects to be passively observed but rather environments designed to engage, provoke thought, and foster a sense of connection. This is particularly evident in her immersive installations, which often incorporate digital media and kinetic elements. Timekeeper, for example, exemplifies this approach—a captivating sculpture that blends architecture, technology, and the natural world through the mesmerizing imagery of digital clocks. Her projects aren’t confined to galleries or museums; they extend into public spaces, transforming urban landscapes into dynamic canvases for artistic expression. ConvergenceLA (2017), a collaboration with Refik Anadol at Metropolis Towers in Los Angeles, demonstrates her ability to integrate art seamlessly into the fabric of the city. Land and Time (2011) at the Natural History Museum in Salt Lake City further illustrates this commitment, exploring the relationship between natural environments and temporal perception.

    Recognition and Lasting Impact

    The impact of Narduli’s work hasn't gone unnoticed. Her studio has received numerous accolades, including multiple Americans for the Arts Year in Review PAN Awards (2017, 2012, and 2010), a CODA Merit Award, and awards from the AIA recognizing excellence in architectural design. These honors are not merely acknowledgements of aesthetic achievement but also validations of her innovative approach to integrating technology and media into public spaces. Beyond awards, Narduli’s significance lies in her ability to bridge seemingly disparate fields—art, architecture, and technology—creating a new language of engagement for the 21st century. Her work challenges viewers to reconsider their relationship with the built environment, prompting them to actively participate in shaping the spaces they inhabit. She serves as an inspiration for emerging artists seeking to push creative boundaries and explore the potential of interdisciplinary collaboration.

    Museum

    Public Art in Public Places

    Utställd på California, United States of America

    A Beacon of Californian Artistic Expression: Exploring Public Art in Public Places

    Public Art in Public Places stands as a singular testament to California’s commitment to fostering creativity and civic engagement. More than just an archive, it's a gateway—a vibrant portal into the expansive landscape of outdoor art across the state and Hawai’i, meticulously mapped and thoughtfully curated for exploration. Established with a pioneering digital-first approach, this institution distinguishes itself by prioritizing accessibility and recognizing art’s profound influence on community dialogue.

    Accessibility Champion:

    Recognizing that artistic appreciation shouldn't be confined to gallery walls, Public Art in Public Places champions the idea of bringing art directly into public spaces—a deliberate choice designed to broaden its reach and impact.

    The Digital Frontier:

    Its cornerstone is an unparalleled online database housing information on thousands of artworks dispersed throughout California and Hawai’i. Users can navigate this resource via interactive maps, delving deeper into specific locations and discovering hidden artistic treasures.

    The museum's collection isn’t comprised of physical objects but rather a comprehensive record of existing public art installations—a strategic decision reflecting the ethos of its mission: to catalyze conversations about culture and community. Examining these pieces reveals a remarkable diversity of artistic mediums, ranging from monumental sculptures crafted in bronze and steel to intricate murals adorning urban facades and innovative architectural elements seamlessly integrated into building designs.

    Diverse Artistic Forms:

    From towering bronzes like Robert Manuel Graham’s evocative depictions of the human figure to striking murals celebrating California's heritage, the archive showcases a spectrum of artistic expression.

    Geographic Discovery:

    Interactive maps allow visitors to pinpoint artworks based on location—a delightful journey through Californian towns and cities where art flourishes in unexpected corners.

    Beyond its database, Public Art in Public Places actively promotes engagement with the arts. Collaborations with local artists and educational programs enrich the experience for both residents and tourists alike. Furthermore, curated exhibitions illuminate specific themes—such as California Impressionism or explorations of Indigenous art traditions—providing invaluable insights into artistic movements and cultural narratives.

    Notable Exhibitions & Artistic Influences

    Recent exhibitions have showcased groundbreaking works by artists like Claire Falkenstein and Marco Polo di Suvero, highlighting the museum’s dedication to presenting cutting-edge contemporary art alongside celebrated classics. The Cantor Arts Center at Stanford University, a sister institution with its own impressive collection of Rodin sculptures and diverse artistic holdings, serves as an exemplar of how museums can inspire creativity and foster intellectual curiosity.

    Contemporary Perspectives:

    Exhibitions regularly spotlight emerging artists pushing boundaries in sculpture, painting, and installation art.

    Stanford’s Artistic Legacy:

    The Cantor Arts Center's commitment to showcasing both established masterpieces and innovative new works underscores the museum’s broader role as a catalyst for artistic dialogue.

    Finally, Public Art in Public Places distinguishes itself through its unwavering focus on context—understanding how art interacts with its surroundings and contributes to shaping community identity. Its partnership with The Kinsey African American Art - History Collection exemplifies this dedication to inclusivity and celebrates the transformative power of artistic representation across cultures.

    Exploring California’s Artistic Soul

    To embark on a journey into California's artistic heritage, begin your exploration at Public Art in Public Places. Its digital archive—accessible globally—offers an unparalleled opportunity to discover breathtaking artworks and gain profound insights into the state’s cultural landscape.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Timekeeper

    allpaintingsstore.com/sv/art/download/susan-narduli-timekeeper-D4D3TA-en/

    Källhänvisning för detta konstverk

    MLA
    Narduli, Susan. Timekeeper. 2014, Public Art in Public Places. https://allpaintingsstore.com/sv/art/susan-narduli-timekeeper-D4D3TA-en/
    APA
    Narduli, Susan (2014). Timekeeper [Painting]. Public Art in Public Places. https://allpaintingsstore.com/sv/art/susan-narduli-timekeeper-D4D3TA-en/
    Chicago
    Susan Narduli. Timekeeper. 2014. Public Art in Public Places. https://allpaintingsstore.com/sv/art/susan-narduli-timekeeper-D4D3TA-en/
    Harvard
    Narduli, Susan (2014) Timekeeper. Public Art in Public Places. Available at: https://allpaintingsstore.com/sv/art/susan-narduli-timekeeper-D4D3TA-en/

    Titta närmare

    Timekeeper — Susan Narduli

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Vår katalog klassificerar detta verk under: architecture, digital art, time. Håller du med? Vad skulle du lägga till eller ta bort?
    4. Se tillbaka på Timekeeper (2014) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. Susan Narduli var ungefär 54 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Hur intensiv är färgsättningen i "Timekeeper" av Susan Narduli?

    "Timekeeper" av Susan Narduli har en Monochromatic färgintensitet.

    Kan jag undersöka "Timekeeper" mer i detalj?

    Röntgenvyn av "Timekeeper" av Susan Narduli finns på verkets Röntgenanalys-sida: en interaktiv undersökning av bilden genom elva optiska lager.

    Kan "Timekeeper" av Susan Narduli, som finns i samlingen på Public Art in Public Places, reproduceras lagligt?

    Originalverket "Timekeeper" finns på Public Art in Public Places och verket är fortfarande skyddat av upphovsrätt.