Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 5 verk av Frank Wright i vår katalog
Snabbt svar
Det mest kända verket av Frank Wright är The Mill Valley, Karekare Bay (1899); originalet finns på Auckland Art Gallery Toi o Tāmaki i Auckland. The Close of day (1909) och Morning after rain (1912) är siffrorna två och tre. Av de 5 verk av Frank Wright som finns i vår katalog är detta de 5 mest kända, rangordnade med årtal och museum, så att du kan välja den målning du vill beställa.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Frank Wright | Målningar från denna lista |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
Välj ett decennium för att se dess främsta målning.
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland, toppar listan, följd av The Close of day (1909) och Morning after rain (1912).
Frank Wright var 39 år gammal: The Mill Valley, Karekare Bay är daterad 1899, och Frank Wright föddes 1860.
5 verk av Frank Wright finns i vår katalog, daterade 1899 till 1912.
Främst i Auckland Art Gallery Toi o Tāmaki (Auckland) och Te Whare O Rehua Sarjeant Gallery. Se museatabellen ovan för den fullständiga listan.
Under 1910s: 2 av de 5 målningar som rankas här härstammar från den tiden, inklusive Morning after rain.
Tidigaste på denna sida: The Mill Valley, Karekare Bay (1899). Senaste: Morning after rain (1912).
Auckland Art Gallery Toi o Tāmaki, Auckland har 4 av de målningar som finns med i denna ranking, inklusive The Mill Valley, Karekare Bay, The Close of day och Morning after rain.
Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion eller som ett tryck. Öppna målningen, välj storlek och lägg din beställning.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.
