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Porträtt av Raquel Ormella

Raquel Ormellas målningar: De 1 mest kända, rankade

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 1 verk av Raquel Ormella i vår katalog

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Det mest kända verket av Raquel Ormella är Wealth for toil I (2014); originalet finns på Ian Potter Museum of Art i Carlton. Av de 1 verk av Raquel Ormella som finns i vår katalog är detta de 1 mest kända, rangordnade med årtal och museum, så att du kan välja den målning du vill beställa.

född 1969, Sydney Flest verk: Ian Potter Museum of Art

Topp 10 rankade målningar av Raquel Ormella

1
Wealth for toil I (2014) av Raquel Ormella

Wealth for toil I

2014 · Textile Art · Ian Potter Museum of Art, Carlton

The banner is an ideal medium for Raquel Ormella, who is preoccupied with the capacity of art to effect social change. Known for exploring the social and political climate through her work, Ormella

Museer som innehar Raquel Ormellas originalverk

Museet som innehar flest av målningarna på denna sida.

Museum Stad Verk av Raquel Ormella Målningar från denna lista
Ian Potter Museum of Art, CarltonIan Potter Museum of Art Carlton 1 Wealth for toil I

Raquel Ormella efter år: de främsta målningarna

Alla daterade Raquel Ormella-målningar på denna sida är från 2014 och är listade här efter rang.

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Raquel Ormellas målningar: vanliga frågor

Vilken är den mest kända målningen av Raquel Ormella?Visa svar

Wealth for toil I (2014) rankar först.

Hur gammal var Raquel Ormella när Wealth for toil I målades?Visa svar

Raquel Ormella var 45 år gammal: Wealth for toil I är daterad 2014, och Raquel Ormella föddes 1969.

Hur många verk av Raquel Ormella finns listade?Visa svar

1 verk av Raquel Ormella finns i vår katalog.

Var förvaras originalmålningarna av Raquel Ormella?Visa svar

Främst i Ian Potter Museum of Art (Carlton). Se museatabellen ovan för den fullständiga listan.

Om konstnären: Raquel Ormella

Raquel Ormella: A Voice for Ecology and Activism

Raquel Ormella (born 1969) stands as a prominent figure in contemporary Australian art, recognized for her multifaceted approach to multimedia works—ranging from posters and banners to videography and intricate needlework. Her artistic vision consistently champions themes of activism and social justice, skillfully interwoven into diverse mediums, earning critical acclaim across galleries and museums throughout Australia and internationally. From the Shepparton Art Museum to the Art Gallery of New South Wales, Ormella’s oeuvre has captivated audiences with its exploration of pressing issues concerning national identity and environmental stewardship.
  • Early Life & Education: Born in Sydney, Australia, Ormella pursued her artistic passions at the University of Western Sydney (UWS), culminating in a Master of Fine Arts degree and subsequently earning a Doctor of Philosophy (PhD) from Australian National University (ANU). Her doctoral research focused on examining human interactions with urban birds—a fascination that profoundly informs her artistic practice.
  • Conceptual Foundations & Influences: Ormella’s artistic trajectory is marked by engagement with conceptual art, particularly the Vienna School of Art and Design, where she honed her understanding of materiality and its role in conveying meaning. This influence resonates throughout her work, prioritizing thoughtful consideration and resisting simplistic representations.
  • Multimedia Exploration & Artistic Style: Ormella’s artistic style transcends traditional boundaries, embracing video installations, textile art—specifically hand-stitched embroidery—and zine production. Her distinctive technique prioritizes meticulous detail and layering of textures, creating immersive experiences that invite contemplation on complex subjects.
Ormella's artistic endeavors have garnered considerable recognition on a national and international scale. She was an inaugural Spiros Zournazis Memorial Fellow at the Australian War Memorial in 2015, delving into representations of animals within military collections—a project that underscored her commitment to confronting societal narratives and fostering critical reflection. Her participation in biennials such as the Asian Art Biennial (Taiwan), California-Pacific Triennial, Aichi Triennale (Japan), Sydney Biennale, Istanbul Biennale, and São Paulo Biennale cemented her position as a leading voice within the global art community. Furthermore, she serves on the Artist Advisory Board of Museum of Contemporary Art Australia (MCA) and is a board member of Australian National Capital Artists Inc. (ANCA).

Notable Achievements & Exhibitions

Ormella’s artistic output has been showcased in numerous prestigious exhibitions across Australia and abroad, demonstrating her dedication to disseminating challenging perspectives on social and ecological concerns. Key achievements include:
  • Biennial Recognition: Inclusion in the Asian Art Biennial (Taiwan), California-Pacific Triennial, Aichi Triennale (Japan), Sydney Biennale, Istanbul Biennale, São Paulo Biennale
  • Australian Galleries: Exhibitions at Material Politics (MUMA) and The National (ANU)
  • Solo Presentations: Solo exhibitions at Milani Gallery (Brisbane), Artspace (Sydney), Lab 14 Carltonconnect University of Melbourne and Gertrude Contemporary Art Spaces (Melbourne).

Recurring Themes & Artistic Vision

Ormella’s artistic vision consistently centers on interrogating the relationship between humans and the natural world, often framed within a context of political activism. Her work investigates how art can catalyze awareness and inspire action regarding critical questions surrounding national identity and environmental preservation. Recurring motifs include depictions of birds—particularly urban species—serving as symbols of vulnerability and resilience—a deliberate choice reflecting her scholarly research into avian behavior and ecology.

Recent Projects & Continuing Engagement

Ormella’s ongoing artistic practice continues to push boundaries, exploring innovative mediums and engaging with pressing social issues. Her current projects include *City Without Crows*, a performance lecture transformed into an immersive installation combining video, soundscapes, and embroidered textiles—a testament to her commitment to blending artistic expression with scholarly inquiry.