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Porträtt av Orcagna

Orcagnas målningar: De 13 mest kända, rankade

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 13 verk av Orcagna i vår katalog

Snabbt svar

Det mest kända verket av Orcagna är Saint John the Baptist (1355); originalet finns på Yale University Art Gallery i New Haven. The Calling of St. Matthew (1367) och Throne of Grace (1400) är siffrorna två och tre. Av de 13 verk av Orcagna som finns i vår katalog är detta de 13 mest kända, rangordnade med årtal och museum, så att du kan välja den målning du vill beställa.

1315 – 1368, Florence Flest verk: Cappella Strozzi

Topp 10 rankade målningar av Orcagna

Orcagnas målningar rankade 11 till 13

Orcagnas målningar efter motiv

De fyra vanligaste motiven i denna ranking, med det främsta verket för varje.

Museer som innehar Orcagnas originalverk

De 5 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Orcagna Målningar från denna lista
Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 1 Throne of Grace
Palazzo Vecchio, FlorensPalazzo Vecchio Florens 1 The Expulsion of the Duke of Athens
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

Orcagna per decennium: den främsta målningen från varje decennium

Verk per decennium

Välj ett decennium för att se dess främsta målning.

Orcagnas målningar: vanliga frågor

Vilken är den mest kända målningen av Orcagna?Visa svar

Saint John the Baptist (1355), Yale University Art Gallery, New Haven, toppar listan, följd av The Calling of St. Matthew (1367) och Throne of Grace (1400).

Hur gammal var Orcagna när Saint John the Baptist målades?Visa svar

Orcagna var 40 år gammal: Saint John the Baptist är daterad 1355, och Orcagna föddes 1315.

Vilka är de 10 främsta målningarna av Orcagna?Visa svar

Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) och The Expulsion of the Duke of Athens. År och museum för varje verk anges i rankningen ovan.

Hur många verk av Orcagna finns listade?Visa svar

13 verk av Orcagna finns i vår katalog, daterade 1343 till 1367.

Var förvaras originalmålningarna av Orcagna?Visa svar

Främst i Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) och Nationalmuseet i Warszawa (Warszawa). Se museatabellen ovan för den fullständiga listan.

Vilken period producerade Orcagnas mest kända målningar?Visa svar

Under 1350s: 8 av de 13 målningar som rankas här härstammar från den tiden, inklusive Saint John the Baptist.

Vilka är de tidigaste respektive senaste kända målningarna av Orcagna?Visa svar

Tidigaste på denna sida: The Expulsion of the Duke of Athens (1343). Senaste: The Calling of St. Matthew (1367).

Vilka original av Orcagna finns på Cappella Strozzi?Visa svar

Cappella Strozzi, Florence har 2 av de målningar som finns med i denna ranking, inklusive View of the Chapel och The Strozzi Altarpiece.

Kan jag beställa en reproduktion av Orcagna?Visa svar

Ja. Varje målning på denna sida kan beställas som en handmålad oljereproduktion eller som ett tryck. Öppna målningen, välj storlek och lägg din beställning.

Om konstnären: Orcagna

Andrea di Cione: The Architect of Florentine Vision

The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

The Grandeur of Orvieto: Mosaic Master

Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

The Sculptural Triumph: Orsanmichele’s Tabernacle

Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

A Legacy of Innovation

Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

Alla 13 verk av Orcagna →