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Atölye · 2015'ten beri · Paris, Fransa
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period

movement

  1. Landscape: Boys Fishing — John Constable, 1813
  2. Salisbury Cathedral and Leadenhall from the River Avon — John Constable
  3. Flatford Mill CR — John Constable
  4. stratford mill - oil on canvas - — John Constable, 1820

vibe

  1. Salisbury Cathedral and Leadenhall from the River Avon — John Constable
  2. Flatford Mill (Scene on a Navigable River) — John Constable, 1817
  3. Flatford Mill (detail) — John Constable, 1817
  4. Flatford Mill CR — John Constable

topics

  1. Flatford Lock — John Constable
  2. Flatford Mill CR — John Constable

keywords

tone

  1. Salisbury Cathedral and Leadenhall from the River Avon — John Constable
  2. Flatford Lock — John Constable
  3. Flatford Mill (detail) — John Constable, 1817
  4. Flatford Mill CR — John Constable

main color

  1. Salisbury Cathedral and Leadenhall from the River Avon — John Constable
  2. Flatford Mill (detail) — John Constable, 1817
  3. The Lock — Frederick Waters (William) Watts
  4. The Ford — Frederick Waters (William) Watts
  5. A Quiet Backwater In Suffolk — Frederick Waters (William) Watts
  6. The Old Lock, Windsor — Frederick Waters (William) Watts
  7. The Old Lock, Windsor — Frederick Waters (William) Watts
  8. A Quiet Backwater in Suffolk — Frederick Waters (William) Watts
  9. The Ford — Frederick Waters (William) Watts
  10. Flatford Mill (Scene on a Navigable River) — John Constable, 1817
  11. The White Horse — john constable reeve, 1819
  12. Flatford Lock — John Constable
  13. Flatford Mill — John Constable, 1817
  14. A View On The Stour Near Dedham — John Constable, 1822
  15. a water mill — John Constable
  16. Flatford Mill CR — John Constable
  17. A View on the Stour near Dedham — John Constable
  18. Stonebridge Lock, River Lea — john bonny
  19. Landscape: Boys Fishing — John Constable, 1813

other

  1. Beyaz At — John Constable, 1819
  2. Boating on the Stour at Dedham — frederick george cotman, 1884
  3. An English Canal Scene — Samuel Bough
  4. H across the ford — Henry Hillier Parker