Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 5 eser Carl Ebert kataloğumuzda
Hızlı yanıt
Carl Ebert tarafından yapılan en ünlü tablo Forest Landscape with Bathing Children (1867) eseridir; orijinali Münih, Bavarian State Painting Collections bünyesinde bulunmaktadır. Evening Landscape (1875) ve Landscape society in a park iki ve üç sayılarındandır. Katalogumuzdaki Carl Ebert imzalı 5 eser arasından, en ünlü 5 eser; her biri yılı ve müzesiyle birlikte sıralanmış olarak, sipariş vereceğiniz tabloyu seçebilmeniz için aşağıda sunulmuştur.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Carl Ebert Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Bavarian State Painting Collections |
Münih | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Münih | 1 | Isar Landscape |
Buradaki Carl Ebert tarihli tablolar 1867 ile 1875 yılları arasındaki 9 yıllık bir döneme yayılmaktadır. Kendi seçiminizi yapmak için yıllara göre göz atın.
Tablolarını görmek için bir yıl seçin.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Münih, birinci sırada yer alırken, onu Evening Landscape (1875) ve Landscape society in a park takip ediyor.
Carl Ebert 46 yaşındaydı: Forest Landscape with Bathing Children 1867 tarihli bir eserdir ve Carl Ebert 1821 yılında doğmuştur.
Carl Ebert tarafından yapılan 5 eser, 1867 ile 1875 tarihleri arasında katalogumuzda yer almaktadır.
Ağırlıklı olarak Bavarian State Painting Collections (Münih) ve Lenbachhaus (Münih) bünyesinde bulunmaktadır. Tam liste için yukarıdaki müze tablosuna bakınız.
Bu sayfadaki en eski eser: Forest Landscape with Bathing Children (1867). En yeni eser: Evening Landscape (1875).
Bavarian State Painting Collections, Münih, Forest Landscape with Bathing Children ve Evening Landscape dahil olmak üzere burada sıralanan tablolardan 2 tanesine ev sahipliği yapmaktadır.
Evet. Bu sayfadaki tüm tablolar, el yapımı yağlı boya reprodüksiyon veya baskı olarak sipariş edilebilir. Tabloyu açın, boyutu seçin ve siparişinizi verin.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
