Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 3 eser Johan Per (Per) Sodermark kataloğumuzda
Hızlı yanıt
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Johan Per (Per) Sodermark tarafından yapılmış en ünlü tablodur; orijinali Stockholm, Nationalmuseum bünyesinde bulunmaktadır. Portrait of Werner Holmberg (1853) ikinci, Christoffer Eichhorn (1837-1889), librarian, art historian (1889) ise üçüncü sırada yer alıyor. Kataloğumuzda Johan Per (Per) Sodermark tarafından yapılmış 3 eser bulunmaktadır; sipariş vereceğiniz eseri seçmenize yardımcı olmak amacıyla, en ünlü 3 eser; her birinin yılı ve bulunduğu müze ile birlikte sıralanmış olarak burada yer almaktadır.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Johan Per (Per) Sodermark Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
En iyi tablosunu görmek için bir on yıl seçin.
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm, birinci sırada yer alırken, onu Portrait of Werner Holmberg (1853) ve Christoffer Eichhorn (1837-1889), librarian, art historian (1889) takip ediyor.
Johan Per (Per) Sodermark 26 yaşındaydı: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery 1848 tarihli bir eserdir ve Johan Per (Per) Sodermark 1822 yılında doğmuştur.
Johan Per (Per) Sodermark tarafından yapılan 3 eser, 1848 ile 1889 tarihleri arasında katalogumuzda yer almaktadır.
Ağırlıklı olarak Nationalmuseum (Stockholm) ve Finnish National Gallery (Helsinki) bünyesinde bulunmaktadır. Tam liste için yukarıdaki müze tablosuna bakınız.
Bu sayfadaki en eski eser: Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848). En yeni eser: Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Nationalmuseum, Stockholm, Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery ve Christoffer Eichhorn (1837-1889), librarian, art historian dahil olmak üzere burada sıralanan tablolardan 2 tanesine ev sahipliği yapmaktadır.
Evet. Bu sayfadaki tüm tablolar, el yapımı yağlı boya reprodüksiyon veya baskı olarak sipariş edilebilir. Tabloyu açın, boyutu seçin ve siparişinizi verin.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
