Famous Mannerist Художники — Top 71 List

11/ 71

Себастьяно дель Пьйомбо 1485–1547

Італійський b. Венеція Різджання, Манієризм Wikipedia 23/32

12/ 71

Гендрік Гольціус 1558–1617

Нідерландець b. Брауншвейг Пн. маньєризм, бароко гравюри Wikipedia 19/32

Hendrik Goltzius, a name synonymous with the vibrant dynamism of Northern Mannerism in Dutch art, emerged from humble beginnings in Braunschweig, Germany, in 1558.

13/ 71

Доменіко Беккафумі 1484–1551

Italian b. Кастельнуово-Берарденга Mannerism Wikipedia 21/32

Born around 1486 in the small Tuscan town of Montaperto, near Siena, Beccafumi’s artistic journey was one of remarkable development, culminating in a style that bridged the High Renaissance and the burgeoning complexities of Mannerism.

14/ 71

Пітер Артсен 1508–1575

Нідерландський b. Амстердам Північний маньєризм Wikipedia 28/32

Here, he joined the esteemed Guild of Saint Luke, earning the moniker “Langhe Peter,” or Tall Peter, a testament to his imposing stature which frequently appeared within his portraits. His most celebrated example, The Butcher’s Shop with the Flight into Egypt (1551), exemplifies this revolutionary approach.

15/ 71

Бартоломеус Спрангер 1546–1611

Фламандська b. Антверпен Північний маньєризм Wikipedia 18/32

16/ 71

Лавінія Фонтана 1552–1614

Італійка b. Болонья Манієризм, Бароко Wikipedia 26/32

17/ 71

Федеріко Бароччі 1535–1612

b. Урбіно Wikipedia 24/32

“Композиційний ескіз” (для “Обрізання”, Лувр, Париж) – демонструє його здатність до балансу композиції та передачі емоцій. “Голова чоловіка” (для “Покликання святого Андрія”, Королівські музеї витончених мистецтв Бельгії, Брюссель) – підкреслює увагу Бароккі до деталей та виразності обличь. “Мадонна дель Пополо” (Галерея Уффіці, Флоренція, Італія) – одна з найвідоміших робіт Бароккі, що вражає своєю ніжністю та витонченістю.

18/ 71

Ганс Фон Аахен 1552–1615

Німець b. Кельн Манєристське живопис Wikipedia 26/32

«Страшний суд» (1590) — твір, який свідчить про його неймовірну здатність гармонійно поєднувати численні постаті в єдиній композиції;.

19/ 71

Крістофано Аллорі 1577–1621

Італієць b. Флоренція Манньєризм Wikipedia 23/32

20/ 71

Алессандро Аллорі 1535–1607

Італійський b. Флоренція Манеризм Wikipedia 24/32

Jerome" ще раз демонструє його майстерність у написанні сюжетних картин та ілюзійної простори.

21/ 71

Нікколо Дель Аббате 1512–1571

Італієць b. Модена Манньєризм Wikipedia 25/32

22/ 71

Джованні Баттіста Мороні 1525–1578

b. Альбіно Wikipedia 16/32

23/ 71

Бенвентуо Селліні 1500–1571

b. Флоренція

24/ 71

Франческо Сальвіаті 1510–1563

b. Флоренція Wikipedia 17/32

25/ 71

Джамболоня 1529–1608

Фламандська b. Дуай Маньєристська скульптура

26/ 71

Карел Ван Мандер Старший 1548–1606

Фламандська b. Мейлебеке Північний маньяризм Wikipedia 20/32

27/ 71

Данієле да Вольтерра 1509–1566

італієць b. Вольтерра Маньєризм Wikipedia 17/32

28/ 71

Жан Гужон 1510–1567

Француз b. Нормандія Маньєризм

29/ 71

Проспере Фонтана 1512–1597

Італієць b. Болонья Пізній Ренесанс та маньєризм Wikipedia 18/32

30/ 71

Йоахім Втеваель 1566–1638

Нідерландська b. Утрехт Маннеризм Wikipedia 14/32

31/ 71

Франческо Приматіччо 1504–1570

Італієць b. Болонья Манньєризм Wikipedia 22/32

32/ 71

Отто ван Веен 1556–1629

Фламандський b. Лейден Манієризм Wikipedia 15/32

From approximately 1594 or 1595 until 1598, Van Veen served as Rubens’ teacher, instilling in the young artist a rigorous classical education and a deep appreciation for humanist principles.

Trained by Federico Zuccari #41

33/ 71

Лука Камб'язо 1527–1585

Італієць b. Монелья Генузька школа, маньєризм Wikipedia 15/32

34/ 71

Джузеппе Чезарі 1568–1640

Італієць b. Арпіно Маньєризм Wikipedia 14/32

35/ 71

Франческо Бассано Молодший 1549–1592

Італієць b. Бассано-дель-Граппа Венеційський Ренесанс Wikipedia 12/32

Conversely, in more mythologically charged pieces like ' The Forge of Vulcan ', he demonstrated a masterful command over light and shadow, using the glow of the forge to create a dramatic, theatrical atmosphere that captivated viewers.

36/ 71

Hendrick De Clerck 1570–1630

Flemish Late Mannerism

Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Collaborations with Jan Brueghel the Elder on landscapes such as “ Paradise ” further cemented De Clerck’s reputation as a visionary artist who skillfully blended tradition and innovation.

37/ 71

Леандро Бассано 1557–1622

Італієць b. Бассано-дель-Граппа Маньєризм Wikipedia 13/32

38/ 71

Perino del Vaga 1501–1547

Italian b. Florence Mannerist Painting Wikipedia 15/32

Pietro Buonaccorsi, known to history through the evocative moniker Perino del Vaga, remains one of the most captivating figures of the transition from the High Renaissance to the intricate complexities of Mannerism. Born in Florence around 1501 into a lineage of artistic talent, his very name— Vaga, meaning wandering or idle—suggests a restless creative energy that would eventually carry him far beyond the borders of his native Tuscany.

39/ 71

Stradanus 1523–1605

Flemish b. Bruges Renaissance, 16th Century Painting Wikipedia 15/32

His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari.

Trained Antonio Tempesta #56

40/ 71

Джованні Антоніо Порденоне 1484–1539

Італієць b. Порденоне Живопис епохи Відродження Wikipedia 16/32

41/ 71

Federico Zuccari 1539–1609

Italian b. Sant'Angelo in Vado Mannerism Wikipedia 18/32

Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.

42/ 71

Чеккіно Дель Сальвіаті 1510–1563

Італієць b. Флоренція Манєризм

43/ 71

Cornelis Ketel 1548–1616

Dutch b. Gouda Mannerism Wikipedia 13/32

Cornelis Ketel, born in Gouda, Netherlands in 1548, occupies a fascinating, transitional space within the history of Dutch art. He spent time in Paris with Jean de la Hame, a glass-painter serving King Charles IX, before securing a position at Fontainebleau during the twilight years of the School of Fontainebleau.

44/ 71

Gillis Mostaert 1528–1598

Flemish b. Hulst Mannerism, Renaissance Wikipedia 8/32

Perhaps his most famous work, The Haywain (Allegory on Worldly and Clerical Abuses), exemplifies this inspiration.

45/ 71

Франческо Бакьякка 1494–1557

Італієць b. Флоренція Флорентійський маньєризм Wikipedia 11/32

46/ 71

Шипіоне Пульцоне 1550–1598

b. Гаета Wikipedia 11/32

47/ 71

Santi di Tito 1536–1603

Italian b. Florence Proto-Baroque & Counter-Maniera Wikipedia 14/32

In the vibrant, shifting landscape of late 16th-century Italy, few figures played as pivotal a role in redefining the visual language of Florence as Santi di Tito. Between 1558 and 1564, di Tito’s presence was felt in the grand halls of Rome, where he worked alongside talented peers such as Giovanni de’ Vecchi and Niccolò Circignani.

48/ 71

Полідоро Да Караваджо 1499–1543

Italian b. Караваджо Mannerism Wikipedia 10/32

49/ 71

Вінченцо Кампі 1536–1591

Італієць b. Кремона Фламандський стиль / Ломбардський натуралізм Wikipedia 13/32

50/ 71

Andrea Schiavone 1522–1563

Italian b. Zadar Baroque Sculpture; Mannerism Wikipedia 14/32

In the vibrant, sun-drenched tapestry of the sixteenth-century Venetian Republic, few names evoke as much intrigue and stylistic complexity as Andrea Schiavone. Born Andrea Meldolla, his very moniker—meaning "Andrew the Slav"—serves as a poetic testament to his dual identity. Though his roots lay in the Dalmatian city of Zara, now Zadar, Croatia, his artistic spirit was forged in the heart of Venice.

51/ 71

Якопо Лігоцці 1547–1627

Італієць b. Верона Пізня епоха Відродження та маньєризм Wikipedia 11/32

52/ 71

Bartolomeo Passarotti 1529–1592

Italian b. Bologna Mannerism Wikipedia 10/32

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras.

53/ 71

Andrea Vicentino 1542–1617

Italian b. Vicenza Late Renaissance/Mannerist Wikipedia 5/32

Under the watchful eye and expert tutelage of Giovanni Battista Maganza, Vicentino developed a command over monumental compositions and refined aesthetics that would later define his career. Known variously as Andrea Michieli or Michelli, his movement toward Venice in the mid-1570s marked a transformative era in his development. By 1583, he had officially registered with the Fraglia, the prestigious Venetian guild of painters.

54/ 71

Jacopo Zucchi 1542–1596

Italian b. Florence Mannerist Painting Wikipedia 11/32

Allegorical Narrative: His masterpiece, Age of Silver, demonstrates his command over the Florentine Baroque style, weaving intricate details of justice and angelic presence into a complex tapestry of meaning.

55/ 71

Доменіко Тінторетто 1560–1635

Італієць b. Венеція Маннеризм Wikipedia 9/32

56/ 71

Antonio Tempesta 1555–1630

Italian b. Florence Mannerism Wikipedia 11/32

Narrative Allegories: Utilizing complex symbolism to communicate religious and political themes, such as in his evocative work The Expulsion of Heliodorus from the Temple.

Trained by Stradanus #39

57/ 71

Аміко Аспертіні 1475–1552

Італієць b. Болонья Маньєризм Wikipedia 11/32

«Тріумф військовий» (Trionfo Militare), монументальна фреска, що зображує військову перемогу, демонструє його здатність синтезувати класичні образи з драматичною театральністю. «Еріклі та Еримантський вепр» є ще одним вражаючим прикладом, що свідчить про його майстерність у композиції та готовність спотворювати перспективу заради експресивного ефекту.

58/ 71

Wenzel Jamnitzer 1507–1585

German b. Vienna Northern Mannerism

Notably, he studied alongside Euclid's Elements and Plato’s Timaeus, texts considered foundational for geometric reasoning and philosophical contemplation – influences that would profoundly shape his later artistic pursuits.

59/ 71

Vincenzo Scamozzi 1548–1616

Italian b. Vicenza

Born in Vicenza, Italy, he emerged from a lineage of builders, being the son of Gian Domenico Scamozzi, a surveyor and contractor who served as his first teacher. Following Palladio's death in 1580, Scamozzi found himself entrusted with several unfinished projects, most notably the prestigious Teatro Olimpico at Vicenza.

60/ 71

Domenico Fontana 1543–1607

Italian b. Melide Late Renaissance

Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering.

61/ 71

Jan De Beer 1475–1528

b. Antwerp Antwerp Mannerism Wikipedia 9/32

Active primarily in Antwerp, he was a central protagonist in a loose but influential group of painters known as the Antwerp Mannerists. By 1504, he had achieved the prestigious status of master within the Antwerp Guild of Saint Luke, eventually rising to the esteemed position of dean. The work of Jan De Beer is characterized by a breathtaking marriage of Northern Renaissance realism and a burgeoning sense of theatricality.

62/ 71

Marcello Venusti 1510–1579

Italian b. Mazzo di Valtellina Mannerist Wikipedia 10/32

Born near Como in the rugged terrain of Mazzo di Valtellina around 1512, Venusti emerged from the Italian foothills to become a vital conduit for the Mannerist aesthetic. This formative connection anchored him within the sophisticated stylistic currents of Rome, preparing him to translate the monumental language of the High Renaissance into the more stylized, elongated, and emotive vocabulary of Mannerism.

63/ 71

Туссьонт Добревіль 1561–1602

Француз b. Париж Друга школа Фонтанбюрска; Манеризъм; Итальянское искусство влияние Wikipedia 8/32

Toussaint Dubreuil (c. 1561 – 1602), a French painter born in Paris, stands as a pivotal figure within the Second School of Fontainebleau—a movement that skillfully blended the stylistic grandeur of Mannerism with the vibrant aesthetics of Italian Renaissance art.

64/ 71

Томас Штімер 1539–1584

Швейцарія b. Шаффгаузен Мannerізм Wikipedia 7/32

65/ 71

Jacopino del Conte 1510–1598

Italian b. Florence Mannerist Wikipedia 10/32

The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression.

66/ 71

Paolo Fiammingo 1540–1596

Flemish b. Antwerp Landscape with mythological and allegorical Wikipedia 8/32

The story of Paolo Fiammingo, born Pauwels Franck, is a captivating tale of artistic migration and the seamless blending of Northern precision with Italian grandeur. Emerging from the vibrant artistic traditions of Antwerp around 1540, this master crossed the Alps to find his true calling in the shimmering atmosphere of Venice.

67/ 71

Jacques Bellange 1575–1616

French b. Bassigny Northern Mannerism Wikipedia 9/32

A master of the Northern Mannerist style, his life was lived in the twilight of the late Renaissance, a period defined by elongated forms, theatrical tension, and an almost feverish psychological intensity. Born around 1575 in the Bâse-les-Vosges region of France, Bellange emerged from a landscape of shifting borders and intense religious fervor, eventually finding his creative home within the sophisticated courtly circles of Nancy.

68/ 71

Girolamo Mazzola Bedoli 1500–1569

Italian b. Parma Mannerist Painting Wikipedia 8/32

In the vibrant, swirling currents of the Italian Mannerist period, few names capture the elegance and stylistic complexity of the Parma school quite like Girolamo Mazzola Bedoli. Born in Viadana around 1500, Bedoli emerged from a landscape deeply enriched by the artistic legacies of Lombardy and the sophisticated atmosphere of Parma.

69/ 71

Lelio Orsi 1508–1587

Italian b. Novellara Mannerist Wikipedia 7/32

In the twilight of the Italian Renaissance, as the harmonious balance of High Renaissance classicism began to fracture into the restless energy of Mannerism, there emerged a voice from the fertile plains of Emilia-Romagna that captured the profound anxieties of a changing world. Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.

70/ 71

Michele Tosini 1503–1577

Italian b. Florence Renaissance and Mannerism Wikipedia 5/32

He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping.

71/ 71

Juan Correa De Vivar 1510–1566

Spanish b. Mascaraque Renaissance, Mannerism Wikipedia 6/32

The altarpiece for the church of Almonacid de Zorita, tragically destroyed during the Spanish Civil War in 1936-39, stands as a testament to his skill and ambition.