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Ательє · Засн. 2015 · Париж, Франція
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Кікі Сміт

Короткі факти

  • Movements: contemporary realism
  • Top-ranked work: Sleeping woman with standing wolf
  • Copyright status: Under copyright
  • Also known as:
    • Кікі Сміт (Сміт
    • Кікі)
    • Tony Smith
    • Jane Lawrence Smith
  • Gift suitability: other-none
  • Museums on APS:
    • Королівська академія мистецтв
    • Детройтский институт искусств
    • Детройтский институт искусств
    • Детройтский институт искусств
    • Детройтский институт искусств
  • Art period: Сучасне мистецтво
  • Розгорнути…
  • Born: 1954, Нюрнберг, Німеччина
  • Works on APS: 37
  • Creative periods: mature period
  • Room fit: вітальня
  • Nationality: Німеччина
  • Top 3 works:
    • Sleeping woman with standing wolf
    • Lot
    • Gold Siren

Вікторина з мистецтва

Для кожного питання є лише одна правильна відповідь.

Запитання 1:
Які батьківські впливи сформували мистецьку спадщину Кікі Сміт?
Запитання 2:
Де Кікі Сміт провела своє раннє дитинство?
Запитання 3:
Який художній рух вплинув на творчість Сміт?
Запитання 4:
Що стало каталізатором для більш глибокого дослідження смертності у Кікі Сміт?
Запитання 5:
Які теми домінували у творчості Кікі Сміт?

Kiki Smith

Kiki Smith (born January 18, 1954) is a German-American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS,
feminism,
and gender, while recent works have depicted the human condition in relationship to nature.

Smith’s father was artist Tony Smith (American, 1912–1980), and her mother was actress and opera singer Jane Lawrence Smith. She was raised in New Jersey.
Smith attended the Hartford Art School in Connecticut before moving to New York City in 1976, where she joined Collaborative Projects (Colab), an artist collective.

From 1982, she has exhibited annually at the Fawbush Gallery in New York; her work received significant attention in 1990 during her exhibition for the Projects Room at the Museum of Modern Art. Although clearly familiar with Minimalism from a young age, her work is aligned more closely with the sculptures of female artists Louise Bourgeois (American/French, 1911–2010) and Eva Hesse (American, 1936–1970); two artists active in the Anti-Form movement, who created objects that defied traditional object-making.

Smith’s *Body Art* sculptures ironically parallel the erotic representations of women in art history, and simultaneously expose constructions of gender and sexuality. Often the biological systems she recalls in her sculptures, including blood, semen, breast milk, and urine in her work, serve as metaphors for the socially constructed nature of identity.

Smith received the Skowhegan Medal for Sculpture in 2000, the Athena Award for Excellence in Printmaking from the Rhode Island School of Design in 2005, the fiftieth Edward MacDowell Medal from the MacDowell Colony in 2009, and has participated in the Whitney Biennial three times in the past decade. In 2005, Smith was elected to the American Academy of Arts and Letters.

Smith’s work is in numerous prominent museum collections, including the Museum of Modern Art, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; and the Museum of Contemporary Art, Los Angeles.

Smith lives and works in New York City,
and in the Hudson Valley.