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统计数据Cranes
The sublime simplicity of the supple necks and luxuriant feathers of this group of cranes is complemented by the tangle of angular legs at ground level. A patch of water bridges the gap between the two screens, compelling unification in the mind’s eye. As the birds call to and gaze at each other in the shallow pictorial space, their body language echoes the distinctive coiled ripples inked on the azurite water. Although iconic in its own right, Kiitsu’s painting also self-consciously extends an emblem of the School of Kōrin by creatively reprising a crane painting by his master, Sakai Hōitsu (1761–1828). Hōitsu’s painting was itself a reworking of a magnificent pair of crane screens by Ogata Kōrin (1658–1716).
常见问题与解答
Suzuki Kiitsu 的《Cranes》 的图像可以自由转载吗？
Suzuki Kiitsu 的《Cranes》 的版权说明：该作品属于 属于公有领域 —— 其版权已过期。这决定了是否可以自由进行图像复制。
Suzuki Kiitsu 的《Cranes》 的主导色是什么？
在“Cranes”中，最引人注目的颜色是Driftwood (#9f7740)。了解作品的主色调有助于将其与室内装饰进行搭配。
“Cranes”的浏览量是多少？
"Cranes" 拥有专属的 访问统计 页面。该页面通过国家和语言维度的细分，展示了该作品及艺术家其他作品的每月访问量趋势图。
Suzuki Kiitsu（1796 – 1858）
Suzuki Kiitsu (1796-1858) was a prominent Rinpa painter known for his stunning folding screens & nature scenes. Reinterpreted works showcase his skill & influence.
哈佛艺术博物馆 (剑桥, 美国)
探索世界一流的艺术！哈佛艺术博物馆拥有从文艺复兴绘画到亚洲和现代作品的杰作，坐落在雷诺·皮亚诺令人惊叹的建筑中——剑桥必游之地。