period

movement

vibe

topics

1. Abstract Composition (Composition abstraite) — 弗朗斯·毕卡比亚
2. Vertical Composition with Blue and White — 蒙德里安, 1936
3. Composition III with Blue, Yellow and White — 蒙德里安, 1936
4. Composition in Colours / Composition No. I with Red and Blue — 蒙德里安, 1931
5. Composition (no. III) blanc-jaune / Composition with Red, Yellow, and Blue — 蒙德里安, 1942
6. Oval Composition with light colors — 蒙德里安
7. Composition — 卡济米尔·马列维奇, 1932
8. X构图 — 卡林斯基
9. Composition (The Cow) — 西奥·凡·杜斯堡, 1917

keywords

tone

main color

1. The Last Judgment (The right part of the composition - The Damned Consigned to Hell; the left part of the composition - The Blessed Taken into Paradise) — 卢卡·西尼奥雷利, 1502
2. Composition — 乔治·布拉克
3. Composition — 卡济米尔·马列维奇, 1932
4. Mural, mural or composition, or abstract composition — 费尔南·莱热
5. X构图 — 卡林斯基
6. Keys (Composition) (Les Clés (Composition)) — 费尔南·莱热, 1928
7. Oval Composition with light colors — 蒙德里安
8. Composition (The Cow) — 西奥·凡·杜斯堡, 1917
9. Study for Simultaneous compositions XXII — 西奥·凡·杜斯堡

other

1. Composition, Composition with Red, yellow, blue and black — 蒙德里安
2. Composition en rouge, jaune et bleu Composition in Red, Yellow and Blue — 蒙德里安
3. 对角线构图 — 蒙德里安
4. Abstract Composition — 萨尔瓦多·达利, 1928
5. Composition — 费尔南·莱热, 1918
6. Abstract Composition (Composition abstraite) — jean hélion, 1934
7. Composition 10 — 蒙德里安
8. Composition No. 19 Lumière obscure (Composition No. 19 Obscure Light) — Chu Teh-Chun
9. Composition No. 1 with Grey and Red 1938 / Composition with Red 1939 — 蒙德里安, 1939
10. Composition No. 12 with Blue — 蒙德里安, 1942