纸张

学生作品指南

2

姓名 班级 日期

Taro Yamamoto, 2 (1970). 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

基本信息

艺术家
Taro Yamamoto allpaintingsstore.com/zh/artists/taro-yamamoto/
艺术家生卒年
1919 – 1994
绘画
1970
原尺寸
147 x 86 cm
流派/运动
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

语境中

2 — Taro Yamamoto

尺寸大小

原件尺寸为 147 × 86 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此作创作于何时?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 75。

创作于艺术家 51 岁时。 这位艺术家享年 75。 1 在我们目录中该艺术家的 5 件有明确日期的作品中,早于此件的作品。

阴影:Taro Yamamoto 的生卒年 (1919–1994) ▲ 此作,1970 每一幅带有日期的画作,按年代编排

对比相似作品

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:allpaintingsstore.com/zh/art/similar/taro-yamamoto-2-AS7US3-en/

配色方案

图像测量值

    主色调

    Walnut #744c2e

    已收藏色板

    • #744C2E
    • #9D8250
    • #CE8C2C
    • #D3C091

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    色调
    Dark 图像中的主导色系。
    主色名称
    Walnut
    饱和度
    Vivid 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Gentle 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Bright 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Clear Color Presence 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Taro Yamamoto 的每一件作品 —— 总计涵盖 1 个国家。 数据来源说明

    十大领先国家

    1. 1 中国 100.0%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Taro Yamamoto 最受关注的 4 件作品

    1. 1 Memorial Byobu for Kumamoto, 2017 33.3%
    2. 2 4, 1970 33.3%
    3. 3 3, 1970 33.3%
    4. — 2, 1970 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 99.9%。该目录收录了 9 件该艺术家的作品,其中 3 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录,因此在列表中不显示排名。 每月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Taro Yamamoto

    出生于 Los Angeles, United States of America

    Taro Yamamoto: A Life in Abstract Expressionism

    Early Life and Education

    Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.

    Born in California but deeply connected to Japanese culture.

    Served in the U.S. Army during World War II (November 7, 1941 – February 23, 1946).

    Artistic Development and Influences

    Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:

    Santa Monica City College (1949).

    The Art Students League of New York (1950-1952), under the guidance of Yasuo Kuniyoshi, Morris Kantor, Byron Browne, and Vaclav Vytlacil.

    Hans Hofmann School of Fine Arts in New York City (1951-1953).

    The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.

    Key Achievements and Recognition

    Won the John Sloan Memorial Fellowship at The Art Students League of New York in 1952.

    Received the Edward G. McDowell Traveling Fellowship in 1953, allowing him to study art in Europe.

    Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.

    Artistic Style and Themes

    Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.

    His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.

    Historical Significance

    Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.

    Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.

    更多阅读资讯

    在线查看详情

    链接至 2 下载页面的二维码

    allpaintingsstore.com/zh/art/download/taro-yamamoto-2-AS7US3-en/

    引用此作品

    MLA
    Yamamoto, Taro. 2. 1970, https://allpaintingsstore.com/zh/art/taro-yamamoto-2-AS7US3-en/
    APA
    Yamamoto, Taro (1970). 2 [Painting]. https://allpaintingsstore.com/zh/art/taro-yamamoto-2-AS7US3-en/
    Chicago
    Taro Yamamoto. 2. 1970. https://allpaintingsstore.com/zh/art/taro-yamamoto-2-AS7US3-en/
    Harvard
    Yamamoto, Taro (1970) 2. Available at: https://allpaintingsstore.com/zh/art/taro-yamamoto-2-AS7US3-en/

    近距离观察

    2 — Taro Yamamoto

    细致观赏

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:abstract, cosmic, circles。您认同吗?您会增加或删除哪些标签?
    4. 回想一下本指南前文提到的 Memorial Byobu for Kumamoto (2017)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. 在这件作品中,哪里可以观察到这一点?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    常见问题与解答

    在Taro Yamamoto反复探讨的主题中,"2"处于怎样的地位?

    Taro Yamamoto 的创作主题常涉及 exploration of form & color, recurring circular motifs, dynamic compositions, abstract expressionism, japanese aesthetics, post-war innovation, cosmic wonder, spiritual energy;而《2》则聚焦于 abstract, cosmic, circles, energy, color field, chaos, spirituality, dynamic。

    我可以在不同的光线下查看Taro Yamamoto 的《2》吗?

    您可以在作品的 X射线透视 页面上逐层探索 “2”;该交互式查看器的设计灵感源自修复师使用的光源台,通过十一层光学读数呈现图像细节。

    Taro Yamamoto 的《2》 使用了怎样的色调?

    Taro Yamamoto 的《2》 的色调被描述为 Dark,这简练地概括了作品的色彩特征。