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Cornelia Scheffer 作品：最著名的 4 幅名作排名
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 4 件 Cornelia Scheffer 作品收录于我们的目录中
快速回答
Cornelia Scheffer 最著名的画作是 Self-portrait (1795)；原作收藏于 多德雷赫特 的 Dordrechts Museum。 Woman with Two Children on a Country Road (1811) 和 The Women of Souli (1833) 是数字二和三。 在 Cornelia Scheffer 的 4 件作品中，以下是为您精选的 4 件最著名的作品，按知名度排序并附有创作年份与馆藏信息，方便您挑选心仪的画作进行订购。
1769 – 1839, Dordrecht
藏品最多：Dordrechts Museum
Cornelia Scheffer 十大名画排行榜
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收藏有 Cornelia Scheffer 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Cornelia Scheffer 的作品 | 此列表中的画作 |
|---|---|---|---|
 Dordrechts Museum |
多德雷赫特 | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer 按年代划分：各年代代表作
各年代作品数量
选择一个年代，查看其代表作。
Cornelia Scheffer 画作：常见问题
Cornelia Scheffer 最著名的画作是哪一幅？显示答案
Self-portrait (1795)（Dordrechts Museum, 多德雷赫特）位列第一，紧随其后的是Woman with Two Children on a Country Road (1811)和The Women of Souli (1833)。
创作Self-portrait时，Cornelia Scheffer的年龄是多少？显示答案
Cornelia Scheffer 享年 26 岁：Self-portrait 创作于 1795 年，Cornelia Scheffer 出生于 1769 年。
您列出了多少件 Cornelia Scheffer 的作品？显示答案
我们的目录中收录了 4 件 Cornelia Scheffer 的作品，日期从 1795 到 1833。
Cornelia Scheffer 的原作收藏于何处？显示答案
主要收藏于 Dordrechts Museum (多德雷赫特)。完整列表请参阅上方的博物馆表格。
哪些是 Cornelia Scheffer 最早和最晚的著名画作？显示答案
本页最早作品：Self-portrait (1795)。最晚作品：The Women of Souli (1833)。
Dordrechts Museum 收藏了哪些 Cornelia Scheffer 的原作？显示答案
Dordrechts Museum, 多德雷赫特 收藏了此处排名中的 4 幅画作，其中包括 Self-portrait, Woman with Two Children on a Country Road 及 The Women of Souli。
我可以订购 Cornelia Scheffer 的复制品吗？显示答案
是的。本页面的每一幅画作均可订购手绘油画复制品或版画。点击画作，选择尺寸并下单即可。
关于艺术家：Cornelia Scheffer
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.