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Edvard Orm 作品：最著名的 1 幅名作排名
更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 1 件 Edvard Orm 作品收录于我们的目录中
快速回答
Edvard Orm 最著名的画作是 Eric Fjellström, ca 1688-1774, kronobefallningsman på Gotland, gift med Catharina Herråker (1734)；原作收藏于 斯特伦格纳斯 的 瑞典国家肖像画廊。 在 Edvard Orm 的 1 件作品中，以下是为您精选的 1 件最著名的作品，按知名度排序并附有创作年份与馆藏信息，方便您挑选心仪的画作进行订购。
1670 – 1735
藏品最多：瑞典国家肖像画廊
Edvard Orm 十大名画排行榜
收藏有 Edvard Orm 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Edvard Orm 的作品 | 此列表中的画作 |
|---|---|---|---|
 瑞典国家肖像画廊 |
斯特伦格纳斯 | 1 | Eric Fjellström, ca 1688-1774, kronobefallningsman på Gotland, gift med Catharina Herråker |
Edvard Orm 按年份分类：顶级名画
本页中所有标注了 Edvard Orm 日期的画作均出自 1734 年，按排名顺序排列。
年度作品数量
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Edvard Orm 画作：常见问题
Edvard Orm 最著名的画作是哪一幅？显示答案
Eric Fjellström, ca 1688-1774, kronobefallningsman på Gotland, gift med Catharina Herråker (1734) 位列第一
创作Eric Fjellström, ca 1688-1774, kronobefallningsman på Gotland, gift med Catharina Herråker时，Edvard Orm的年龄是多少？显示答案
Edvard Orm 享年 64 岁：Eric Fjellström, ca 1688-1774, kronobefallningsman på Gotland, gift med Catharina Herråker 创作于 1734 年，Edvard Orm 出生于 1670 年。
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我们的目录中收录了 1 件 Edvard Orm 的作品。
Edvard Orm 的原作收藏于何处？显示答案
主要收藏于 瑞典国家肖像画廊 (斯特伦格纳斯)。完整列表请参阅上方的博物馆表格。
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是的。本页面的每一幅画作均可订购手绘油画复制品或版画。点击画作，选择尺寸并下单即可。
关于艺术家：Edvard Orm
A Life in the Provinces
Edvard Orm moved through the landscapes of southern Sweden, leaving his mark on the walls of churches and the faces of local officials. Born around 1670, his life followed a path through Västergötland, Jönköping, Västervik, and eventually to Öland, where he remained until his death in 1735. He was a painter who worked in the baroque style, though he never belonged to a formal guild. His presence was felt in many places, from the shores of Gotland to the forests of Småland. He was often called a konterfejare, a term for one who paints portraits, yet his hands were equally accustomed to the heavy task of decorating church ceilings and altarpieces.
There is a certain weight to his work. His colors tend to be heavy, applied with a hand that understood the permanence required for stone and plaster. While some suggest he may have studied under David Klöcker Ehrenstrahl or David von Krafft, there is no certain proof of such a connection. He worked with what he had, adapting his skill to the needs of the people around him, from the high-ranking officials to the local clergy.
The Work of the Hand
His commissions varied depending on where he settled. In the churches, he tackled large-scale religious themes that required both stamina and a sense of scale. In the private homes of the local elite, he focused on the individual. His output included:
- Ceiling paintings in Gränna kyrka, featuring an allegorical depiction of the Lord's Prayer.
- An altarpiece in Dalhems kyrka consisting of six paintings of the Passion.
- Ceiling works in Hakarps kyrka depicting paradise, the resurrection, and the last judgment.
- Portraits of local figures, such as Nils Lilliecreutz and C.G. Hammarskiöld.
In Hakarps kyrka, his work took on a more complex character. He spent six months on the ceiling, assisted by a man named Johan Kinnerus. The scenes there—paradise, the resurrection, and the final judgment—were meant to be seen from below, filling the space with a sense of the divine. Some say the animals in the paradise scenes were the work of his son, Gabriel.
A Quiet Legacy
The traces of his life are held in various collections, including the Nationalmuseum and the Kalmar läns museum. His paintings survived even when the buildings they inhabited did not; the church in Gränna, for instance, was lost to a fire in 1889. What remains are the records of a man who painted the reality of his time, capturing the likenesses of priests and their wives, and the heavy, solemn scenes of faith that defined the era. He died in Algutsrum, leaving behind a body of work that reflects the steady, provincial life of 18th-century Sweden.