更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 349 件 吉尔伯特·斯图尔特 作品收录于我们的目录中
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吉尔伯特·斯图尔特 最著名的画作是 乔治·华盛顿（雅典娜神庙肖像） (1796)；原作收藏于 伦敦 的 国家肖像美术馆。 George Washington (8) (1820) 和 George Washington (The Landsdowne Portrait) (1796) 是数字二和三。 在 吉尔伯特·斯图尔特 的 349 件作品中，以下是为您精选的 100 件最著名的作品，按知名度排序并附有创作年份与馆藏信息，方便您挑选心仪的画作进行订购。
凝视吉尔伯特·斯图尔特笔下的乔治·华盛顿，不仅仅是在观察一张肖像；更像是在邂逅一个时代的灵魂，是初生美国理想的化身。这幅创作于1796年的杰作，早已超越了单纯的肖像画范畴，转而成为一份关于领导力与持久远见的丰碑。在那个关键的历史时刻，斯图尔特捕捉到了这位美国首任总统的神韵——那是一种沉静的尊严，掩盖了开创一个国家所背负的巨大重任。画面构图将观者引入一场既亲密又宏大的邂逅，暗示着伴随如此历史地位而来的深重责任。
In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…
The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…
A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…
To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…
To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…
To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…
This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…
A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…
To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…
John Parker, Viscount Boringdon, 1st Earl of Morley (1772-1840), as a boy1785 · Saltram House
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John Parker III (1772–1840), 2nd Lord Boringdon, Later 1st Earl of Morley, as a Boy1786 · 国家信托
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Portrait of Richard Barrington, Later Fourth Viscount Barrington1793 · 洛杉矶县立艺术博物馆
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此排名中出现频率最高的四个主题及其代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 吉尔伯特·斯图尔特 的作品 | 此列表中的画作 |
|---|---|---|---|
 哈佛艺术博物馆 |
剑桥 | 15 | William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820) |
 宾夕法尼亚美术学院 |
费城 | 11 | Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf |
 大都会艺术博物馆 |
纽约 | 26 | George Washington, George Washington, Henry Rice |
 波士顿美术馆 |
波士顿 | 47 | George Washington, Josiah Quincy, John Park |
 国家美术馆 |
华盛顿 | 32 | George Washington (8), George Washington (The Vaughan Portrait), John Adams |
 国家肖像画廊 |
华盛顿特区 | 7 | Fisher Ames, John Jay, Margaret Spear Smith |
 国家信托 |
Plymouth | 6 | Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800) |
 国家肖像美术馆 |
伦敦 | 10 | 乔治·华盛顿（雅典娜神庙肖像）, Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait) |
选择一个年代，查看其代表作。
This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…
To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…
凝视吉尔伯特·斯图尔特笔下的乔治·华盛顿，不仅仅是在观察一张肖像；更像是在邂逅一个时代的灵魂，是初生美国理想的化身。这幅创作于1796年的杰作，早已超越了单纯的肖像画范畴，转而成为一份关于领导力与持久远见的丰碑。在那个关键的历史时刻，斯图尔特捕捉到了这位美国首任总统的神韵——那是一种沉静的尊严，掩盖了开创一个国家所背负的巨大重任。画面构图将观者引入一场既亲密又宏大的邂逅，暗示着伴随如此历史地位而来的深重责任。
A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…
In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the soul of the Romantic era. The painting presents us with Newton Henry Rice, a man whose very countenance seems to bridge the gap between the structured dignity of the past and the burgeoning emotional depth of a new American identity. As we…
In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…
乔治·华盛顿（雅典娜神庙肖像） (1796)（国家肖像美术馆, 伦敦）位列第一，紧随其后的是George Washington (8) (1820)和George Washington (The Landsdowne Portrait) (1796)。
吉尔伯特·斯图尔特 享年 41 岁：乔治·华盛顿（雅典娜神庙肖像） 创作于 1796 年，吉尔伯特·斯图尔特 出生于 1755 年。
乔治·华盛顿（雅典娜神庙肖像）, George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington 及 George Washington。每件作品的创作年份及馆藏博物馆详见上方排名。
我们的目录中收录了 349 件 吉尔伯特·斯图尔特 的作品，日期从 1773 到 1827。
主要收藏于 哈佛艺术博物馆 (剑桥), 宾夕法尼亚美术学院 (费城) 及 大都会艺术博物馆 (纽约)。完整列表请参阅上方的博物馆表格。
在 1790s 时期：此处排名的 100 幅画作中有 33 幅出自该时期，包括 乔治·华盛顿（雅典娜神庙肖像）。
本页最早作品：Mrs. Aaron Lopez and Her Son Jushua (1773)。最晚作品：John Quincy Adams (1767-1848) (1827)。
在入选的 100 幅画作中：Man (34), White cravat (22) 及 Portrait (20)。
Oil On Canvas，共计 46 幅（在 100 幅入选作品中）。
基于本页作品排名，Neoclassicism
哈佛艺术博物馆, 剑桥 收藏了此处排名中的 10 幅画作，其中包括 William Porter Jr. (1788-1818), Fisher Ames (1758-1808) 及 Joseph Coolidge (1747-1820)。
是的。本页面的每一幅画作均可订购手绘油画复制品或版画。点击画作，选择尺寸并下单即可。
吉尔伯特·斯图尔特的生命轨迹始于一个拥有苏格兰血统的家庭；他的父亲同名也叫吉尔伯特，是一位发明家，曾在罗德岛州建立了首个鼻烟磨坊。这种创造性的基因在斯图尔特身上转化为了惊人的艺术天赋，他在孩提时代便展现出了非凡的绘画技巧。年仅14岁时，他便创作了《亨特博士的猎犬》，这幅作品预示了他未来的艺术潜力。约1771年，他远赴苏格兰追随科斯莫·亚历山大学习；然而，随着亚历山大于1enc1775年逝世，他的求学之路也随之转折。随后，在1775年至1780年间，他在伦敦师从当时定居英国的著名美国画家本杰明·威斯特。这段伦敦岁月对他而言至关重要，不仅磨炼了他的艺术风格，更让他开始在皇家艺术学院崭露头角。
随着美国革命的硝烟弥漫，斯图尔特的职业生涯也遭遇了动荡，迫使他在1775年移居英国。尽管身处异乡，他仍凭借1782年的作品《滑冰者》赢得了早期的成功，并由此奠定了其艺术名望。然而，真正让他名垂青史的是那幅未完成的乔治·华盛顿肖像——即著名的《雅典娜神庙肖像》（始作于1796年）。这幅影像已成为一个时代的图腾，广泛出现在美国的货币与邮票之上。为了满足美国及欧洲赞助人的需求，斯图尔特曾为该作品创作了大量摹本。除了华盛顿，他的画笔还记录了约翰·亚当斯、托马斯·杰斐逊、詹姆斯·麦迪逊以及众多联邦党精英的容颜。斯图尔特的艺术风格深受新古典主义影响，强调写实主义，力求捕捉受画者的神韵与性格；他常通过戏剧性的光影对比，赋予肖像画一种震撼人心的生命力。
斯图尔特的艺术造诣是多方熏陶的结果。科斯莫·亚历山大为他在技法与构图方面奠定了坚实的基础；而本杰明·威斯特的影响则更为深远，重塑了他对肖像画本质及艺术原则的理解。同时，新古典主义运动所倡导的古典形式与理想美学，也深刻地渗透进他的创作灵魂。除了导师的教诲，斯图尔特对受画者的细致观察与深度交流，为其作品注入了心理层面的厚度与真实感。他追求的不仅仅是形似，更是要通过笔触捕捉那些历史人物内在的性格与灵魂。
作为美国最卓越的肖像画家之一，吉尔伯特·斯图尔特在记录美利坚合众国建国初期的历史进程中扮演了不可替代的角色。那幅《雅典娜神庙乔治·华盛顿肖像》已然升华为美国身份认同与领导力精神的永恒象征。他的作品不仅是珍贵的历史文献，让我们得以窥见18世纪末至19世纪初杰出人物的生活面貌，更是一场跨越时空的视觉对话。如今，斯图尔特的作品收藏于美国及欧洲各大博物馆，确保了他的艺术遗产能够被后世世代传颂。他成功地开创了一种独特的美国肖像画风格，将欧洲精湛的绘画技法与美利坚特有的审美情怀完美融合。
