更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 3 件 Theodore E. Pine 作品收录于我们的目录中
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Theodore E. Pine 最著名的作品是《The Daughters of Daniel T. MacFarlan (1857)》，其原作收藏于纽约的大都会艺术博物馆。 第二名和第三名分别是：Mr. and Mrs. Daniel T. MacFarlan (1858) 和 Kate Lyon Cornell (1856)。 我们的目录收录了 Theodore E. Pine 的 3 件作品。此处列出的 3 件作品按知名度降序排列，并附有每件原作的创作年份及馆藏博物馆信息。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
此排名中出现频率最高的四个主题及其代表作。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Theodore E. Pine 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
从 1856 年到 1858 年，共计 3 年：以下是 Theodore E. Pine 按年份排列的画作。
选择年份以查看其作品。
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857)（大都会艺术博物馆, 纽约）位列第一，紧随其后的是Mr. and Mrs. Daniel T. MacFarlan (1858)和Kate Lyon Cornell (1856)。
Theodore E. Pine 享年 29 岁：The Daughters of Daniel T. MacFarlan 创作于 1857 年，Theodore E. Pine 出生于 1828 年。
我们的目录中收录了 3 件 Theodore E. Pine 的作品，日期从 1856 到 1858。
主要收藏于 大都会艺术博物馆 (纽约)。完整列表请参阅上方的博物馆表格。
本页最早作品：Kate Lyon Cornell (1856)。最晚作品：Mr. and Mrs. Daniel T. MacFarlan (1858)。
在入选的 3 幅画作中：Tree (2), Landscape (2) 及 Clouds (2)。
Oil On Canvas，共计 3 幅（在 3 幅入选作品中）。
大都会艺术博物馆, 纽约 收藏了此处排名中的 3 幅画作，其中包括 The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan 及 Kate Lyon Cornell。
是的。本页面的每一幅画作均可订购手绘油画复制品或版画。点击画作，选择尺寸并下单即可。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
